With the royal approval of @[lector], I would like to propose a few questions that might (rather, #might) clarify a little the long-standing issue of the criterion by which one is de jure a citizen, or rather a subject, of the Capish kingdom of ancient times.

1) Are there, in your opinion, objective criteria for the evaluation of a musical/film product? (Please justify your answer.)

2) Assuming that many, although this does not apply to us, shape their tastes based on auctoritates rather than sincere appreciation, do you believe that the (more or less reasoned, more or less visceral) inclination for a certain work can be separated from the imagery that it carries with it? In other words: do you think that being, for instance, a frequent attendee of Slayer must necessarily make you a hater of Mùm (and vice versa)?

3) Do you think that being Capish is merely a matter of façade (therefore showing oneself as an admirer of X and a despiser of Y) or is it primarily a matter of mindset (considering oneself curious and musically omnivorous)? Which, as you can see, does not exclude at all that, having sampled everything without prejudice, AFTER having tasted and not BEFORE, one might ultimately refine their palate in such a way as to make informed judgments about the quality of X or Y.

Thank you for your attention,
*.
 
With the royal approval of @[lector], I would like to propose a few questions that might (rather, #might) clarify a little the long-standing issue of the criterion by which one is de jure a citizen, or rather a subject, of the Capish kingdom of ancient times.

1) Are there, in your opinion, objective criteria for the evaluation of a musical/film product? (Please justify your answer.)

2) Assuming that many, although this does not apply to us, shape their tastes based on auctoritates rather than sincere appreciation, do you believe that the (more or less reasoned, more or less visceral) inclination for a certain work can be separated from the imagery that it carries with it? In other words: do you think that being, for instance, a frequent attendee of Slayer must necessarily make you a hater of Mùm (and vice versa)?

3) Do you think that being Capish is merely a matter of façade (therefore showing oneself as an admirer of X and a despiser of Y) or is it primarily a matter of mindset (considering oneself curious and musically omnivorous)? Which, as you can see, does not exclude at all that, having sampled everything without prejudice, AFTER having tasted and not BEFORE, one might ultimately refine their palate in such a way as to make informed judgments about the quality of X or Y.

Thank you for your attention,
*.
 
EMY CESARONI - 10 LUGLIO, LUNEDI'
#songsfortwelvemonths

But isn't it Thursday?
 
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Creative Construction Company - CCC (full album)

Creative Construction Company - from "CCC"
1975 (Muse)

#jazzlegends
 
Pooh - L'ultima notte di caccia
#paolobitta6680
86 songs by the Pooh from '66 to '80...LONG LIVE 1979
 
 
The Mission | Soundtrack Suite (Ennio Morricone)

Ennio Morricone (1 of 10)
"The Mission" - 1986

#35mm
 
@[tia] affectionately, I played online billiards with a captivating member of your clan and I won decisively...
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Animal Collective In The Flowers but where did they record this album? Among the clouds?
 
Art Pepper, Cherokee

Art Pepper - from "Saturday Night at the Village Vanguard"
1979 (Contemporary)

#jazzlegends
 
Mannish Boy
One of the greatest Blues... chills every time.
 
Listening to this work, I imagined moments where, in a debutante ball, they suddenly forgot their part, tearing their dresses, disheveling themselves, and removing their makeup in a new wave style. Jean-Louis Matinier ‎– Confluences (2003 - Album) I would define this as RIO to the tempo of a Waltz. I heard notes yesterday; who knows what it will sound like upon replaying. A second but valid listening, not trivial; I hope I won't take it all back. @[Battlegods]
 
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Happy birthday to a legend of music, here with his beloved instrument: Eric Clapton.