ALFAMA
ALFAMA
9 jul 20

DeRank™: 2,03

The Insane - I Can't Prove It ('60s GARAGE PUNK)
you see a little bit You from the earwax
 
IlConte
IlConte
9 jul 20

DeRank™: 6,26

The Brood - Satisfyin
For @[imasoulman]
@[ALFAMA]
and @[Pinhead] who should review it
I can't find anything on YouTube about their 2000 album that I got - fabulous "mixed" garage!!!
This is the debut... almost nothing on YouTube
 
Lao Tze
Lao Tze
9 jul 20

DeRank™: 7,52  Capish

Among the "not bad" films and those "so bad they are, in their way, genius," I've always preferred the latter.

As a result, here’s my top three:

3) "Ciao mà..." by Giandomenico Curi (1988): we are in Rome in '87, of course 'C'è chi dice no' is at the top of the charts, Vasco is in concert at the PalaEur. School is out, the kids are enjoying their just-beginning vacations, but above all, they are preparing for the magical evening that will change everyone's lives. There’s the shy girl next door (a flesh-and-blood Albachiara) dreaming of true love, there’s the muscle-bound guy with the motorcycle, there’s the serious, studious type who only listens to classical music and thinks girls don't like him, but surprise, they do, there’s the rocker "io so' ribbelle" trying to sneak in by pretending to be a sound technician, there’s the desperate girl looking for a date, and there’s Claudia Gerini still a minor. Epic final scene (on the subway) to the notes of 'Ridere di te', a sort of Italian Breakfast Club highlighting a passionate generational 'volemose bene'. Vaporidis & Co. drew great inspiration from this.

2) "Mezzo destro mezzo sinistro - 2 calciatori senza pallone" by Sergio Martino (1985): the newly promoted team is not Longobarda but Marchigiana aka Sambenedettese, which relies on the experience of Gigi (Sammarchi) Cesarini and especially Andrea (Roncato) Margheritoni, a womanizing, out-of-shape forward back from a failed experience in the States. Amid a series of silly gags and players farting on the field, we’ll meet the blond Dane Kekkonen (a name, a program) and the Brazilian flop Felipe Goncalves, who is not used to the rhythms of our championship. The team will go through moments of crisis and will be sent to a retreat, or rather, to a convent in the Apennines. Notable appearances include Pino Insegno as Carlo Vacca and Leo Gullotta as the newly appointed coach, the Argentine iron sergeant Juan Carlos Fulgencio - known for his typical phrase: "estos jugadores son grandes lavativos." Essential for all fans of Tonino Carino and provincial football of yesteryears.

1) "Sposerò Simon Le Bon - Confessioni di una sedicenne innamorata persa dei Duran Duran" by Carlo Cotti (1986): Milan to drink, paninari, colorful Timberland, Moncler jackets, Cagiva Elefant motorcycles. An explosive mix sets the backdrop for the story of teenager Clizia, a good girl from a middle-class family who lives solely in the thoughts of Duran Duran. Especially Simon, while her best friend Rossana is dying for John Taylor. Her little brother is a fan of Madonna and a supporter of Inter. These are the years of first heartbreaks and small family tensions: the usual teenager woes, in short. These are the years of Drive-In, but also of "truzzo!", "troppo giusto!", and "sei fuori di melone!". Afternoons are spent in front of the TV, dreaming of America like Ramazzotti, DeeJay.
  
rossana roma
rossana roma
9 jul 20

DeRank™: 8,46

Easy - The Commodores it's really nice.. they also get a few right at rai every now and then...
 
rossana roma
rossana roma
9 jul 20

DeRank™: 3,00

Cielo Rosa what a show! :-)
 
tia
tia
9 jul 20

DeRank™: 7,38

#GodsavetheQueen Il Principe Emanuele Filiberto scende in campo: "Per il futuro dell’Italia" I wanted to share with you a fabulous new political initiative! There is a future.
 
mrbluesky
mrbluesky
9 jul 20

DeRank™: 11,94

Ingrandisci questa immagine
Danta di Cadore (BL)
 
123asterisco
123asterisco
9 jul 20

DeRank™: 7,17  Capish

With the royal approval of @[lector], I would like to propose a few questions that might (rather, #might) clarify a little the long-standing issue of the criterion by which one is de jure a citizen, or rather a subject, of the Capish kingdom of ancient times.

1) Are there, in your opinion, objective criteria for the evaluation of a musical/film product? (Please justify your answer.)

2) Assuming that many, although this does not apply to us, shape their tastes based on auctoritates rather than sincere appreciation, do you believe that the (more or less reasoned, more or less visceral) inclination for a certain work can be separated from the imagery that it carries with it? In other words: do you think that being, for instance, a frequent attendee of Slayer must necessarily make you a hater of Mùm (and vice versa)?

3) Do you think that being Capish is merely a matter of façade (therefore showing oneself as an admirer of X and a despiser of Y) or is it primarily a matter of mindset (considering oneself curious and musically omnivorous)? Which, as you can see, does not exclude at all that, having sampled everything without prejudice, AFTER having tasted and not BEFORE, one might ultimately refine their palate in such a way as to make informed judgments about the quality of X or Y.

Thank you for your attention,
*.