rossana roma
rossana roma
8 jul 20

DeRank™: 3,57

Irresistibilmente and their little record is finally out.. I'm listening to it with you.. I didn't know about this cover.. I've already posted another track.. but you all need to check out the bushes.. :-)
 
dsalva
dsalva
8 jul 20

DeRank™: 0,00

Gianmarco Onestini umiliato dall'ex fidanzata: "Ce l'ha piccolo"
I just found this big news on my phone... I don't know who the hell they are, but she's really cute!
 
rossana roma
rossana roma
8 jul 20

DeRank™: 7,61

ELVIS PRESLEY - THE NEXT STEP IS LOVE even though it's the biggest product that has ever been made, it shouldn't be so authentically capish!! (poor Elvis caught between mom and the captain,,) is this capish? A little bit, yes..
 
ALFAMA
ALFAMA
8 jul 20

DeRank™: 11,18

It seemed beautiful to me #1 Nina Simone - Wild Is The Wind (Live In New York 1964) for its sickly nocturnal rhythm. A suffering that I like like love, if the rays of the sun melt it forever eliminating every vague memory, if from a love not even a single vague memory remains it does not deserve this name.
 
sfascia carrozze
sfascia carrozze
8 jul 20

DeRank™: 14,24

Mama Saturn's Virtual Concert

I know this may seem unbelievable to you, if not completely absurd:
but only after the first half hour of the virtual concert did I realize that there were two in the video.

One plays and the other trims.
 
Marcorock
Marcorock
8 jul 20

DeRank™: 10,42

These Days (2011 Remaster)
For me, their best song
 
Battlegods
Battlegods
8 jul 20

DeRank™: 11,79

Jethro Tull - Play in Time (2001 Remaster)
This piece is made up of 60% psychedelia and 40% nightmares.
 
G
G
8 jul 20

DeRank™: 3,00

VULFPECK /// Dean Town
I'm arriving after 11 million views, but I really like them.
 
mrbluesky
mrbluesky
8 jul 20

DeRank™: 15,93

Ingrandisci questa immagine Ingrandisci questa immagine Lake Misurina with standard white sock
@[IlConte]
@[tia]
 
Battlegods
Battlegods
8 jul 20

DeRank™: 11,35

Jethro Tull - A Time for Everything (2001 Remaster)
I bought this album blind around the age of 14 at the record store near the Auditorium. FLASH!
 
rossana roma
rossana roma
8 jul 20

DeRank™: 36,12

Interstellar Overdrive ....nostalgia take me away....
 
123asterisco
123asterisco
8 jul 20

DeRank™: 8,85  Capish

I would propose three highly representative films of three different karst rivers in our culture:

1) for the "low budget" series: "La croce dalle sette pietre", also known as "Il lupo mannaro contro la camorra": La croce dalle sette pietre - Wikipedia

2) for the "years of lead" series: "Milano odia: la polizia non può sparare": Milano odia: la polizia non può sparare - Wikipedia

3) for the "Franco & Ciccio" series: since my favorite has already been mentioned by @[Caspasian], allow me to pay tribute to the late E. Morricone with "Per un pugno nell'occhio": Per un pugno nnell'occhio - Wikipedia
 
Battlegods
Battlegods
8 jul 20

DeRank™: 11,35

Jethro Tull - For Michael Collins, Jeffrey and Me (2001 Remaster)
The favorite folk band along with Family and Comus.
 
Caspasian
Caspasian
8 jul 20

DeRank™: 12,73  Capish

1) "KU FU. FROM SICILY WITH FURY" by Nando Cicero.
One of my all-time favorite films, I even wrote a review which I’m attaching as a description.
KU-FU? Dalla Sicilia con Furore - Nando Cicero - recensione
And here’s the film:
i film completi in italiano di Ciccio e Franco siciliano Ku F'u

2) "THE WANDERING MAGI" by Sergio Citti.
I would say it's a transcendental trash where an unrepeatable Epiphany emerges: "Is she really her? The Almighty? Oh yes. In flesh and blood? Why do you see me looking thinner?"
Here’s the film:
I Magi Randagi - Sergio Citti

3) "THE LAST ORGY OF THE THIRD REICH" by Cesare Canevari.
From the "nazisploitation" genre, there’s a young Daniela Poggi.
Here’s the trailer in Italian:
L'ultima Orgia del Terzo Reich trailer by Film&Clips -SUBSCRIBE
 
lector
lector
8 jul 20

DeRank™: 6,01  Capish

I'll start:
1) "The Two from the Legion". I know it's too easy! I know that starting with Franco and Ciccio is philologically inevitable: they are the embodiment of that improvised and ragged cinema on which Italian cinema was born and found its training ground. I also know that no one expected me to re-evaluate them; it has long been established that they are pillars of our cinema. But it's not so easy to navigate through a truly oceanic list of titles (almost 130 films!), and I don't believe there is anyone among us who has really seen them all. So I suggest this, which is their first true film. This is where the myth is born! And it remains one of their best-packaged films (directed by Lucio Fulci!). The film was originally created (with other expectations) for the Tognazzi-Vianello duo, but Franco and Cicco hold their own. The cast also includes Alighiero Noschese and Aldo Giuffré. But if we want higher quality, then here comes “00-2 Secret Agents,” probably their best film (still with Fulci).
2) "Zorro Against Maciste". No true capish's filmography would be complete without a Maciste movie! You will watch it with some gentle lady, and you will look good saying that the name Maciste comes, no less, from D’Annunzio! That the character first appeared in “Cabiria” and that, at the beginning, he lived in the 20th century (contemporary to his first creators). Then, in the 1960s, during the peak of "peplum" fashion, he was placed in an indeterminate mythological past alongside people like Hercules or Ursus. Maciste, in more than forty films, has fought against all: vampires, monsters, Cossacks, legionaries, demons… But the best is this “Zorro Against Maciste” in which Maciste ends up in Spain around the 1600s! It is directed by Umberto Lenzi, not just anyone! And then there’s Moira Orfei, super sexy, playing the evil queen and the usual Massimo Serato as the villain with fiery eyes!
3) “The Trucido and the Cop”. Lenzi’s film (him again!) is not only one of the best poliziotteschi of the 1970s but is also the movie that introduces the character of “Monnezza.” The “Monnezza” (not to be confused, please, with Nico Giraldi!) is one of the best-drawn “masks” of that genre cinema, a character that does not pale in comparison to the best picaro tradition. The “Monnezza,” like every son of a bitch (literally: the mother is a prostitute), has many fathers. 5 to be exact: Dardano Sacchetti, the screenwriter who first conceived him, Umberto Lenzi who brought him to life and movement, Tomas Milian (what a great actor!) who gave him a face and body, Ferruccio Amendola who gave him a voice (and more…) and – most importantly of all – “er patata” (or “er pesciarolo”) that is Quinto Gambi, the stunt double and friend of Milian who was the “real” Monnezza. I also like to remember Claudio Cassinelli, co-star and actor (as well as partner of that silly Bignardi) of great worth, who died too soon. Equally valid is “La banda.
  
lector
lector
8 jul 20

DeRank™: 9,56  Capish

Beloved brothers!
The sharpest minds of the DeB gathered here have shed light, with their insightful and thorough interventions, on that precise and revealing analysis of “The Dark Side of the Moon” that was needed – as we heard from many sides!
I am therefore preparing to invite you to a much more challenging endeavor (but I am sure we will rise to the occasion) in one of the fields of human knowledge most beloved by true capish: cinema.
I propose that you indicate three (I know, it’s very few, but some rules must be set, and capish love difficult rules) I say 3 FUNDAMENTAL films of Italian trash (the recovery and rehabilitation of trash is a very capish topic). And explain why.
I would say let's start with Italy, then, if we feel like it, open up to global filmography.
I set the following rules:
1) No erotic-sheep-sexual-satyric films (Long Live the Seal, Giovannona coscialunga, etc. etc.) because it's too easy.
2) No Pierino films & similar (same reason).
3) Musicals are fine, but let’s avoid clichés & banality (we are capish!). In short, handle with care.
4) They must be films that are not bad (or so bad that they are, in their own way, brilliant) or excessively parodic. They should be – in short – exemplary films of the genre we believe are worth discussing.
5) I would avoid films that are too famous (The coach in the ball, Last tango in Zagarol, Piedone the cop, etc. etc.) or too professional (the films of Bud Spencer & Terence Hill, the latest Fantozzi films, cinepanettoni, etc. etc.). We are capish!
I hope this proposal is stimulating!
Over to you!