Lupita Screams

Lupita Screams

I said that after a most enjoyable trip out of town we would return to the creature maxima (along with the Gories). The most interesting, varied, and enduring. So, returning to the encyclopedic double album, the first side (already listened to) consisted of original material, while the second was filled with majestic covers this time of all sorts: the usual beloved Black, tributes to contemporaneous brainless friends and colleagues, pop and various knick-knacks in the style of Michelino.

Friends and fellow Garage, psychedelic, psycho(labil), angry and disdainful, dedicated to masturbation and any decent vice that can satisfy our Noble primordial instincts… let’s gather around this NeGro and do ourselves some good…
 
Dreams Come True

#unaltrochesiannoiavapoco

A semi-serious journey through the discography and the countless collaborations of Tony Levin, in almost chronological order
2015 Brandon Flowers - The Desired Effect
 
The Witch

The Essential Albums: “Here Are The Sonics”. (a)

“It’s hard to describe the sound of the Sonics. It is now, let alone back then.” “The Sonics are, along with their friends the Wailers, the first college band wrecked by distortion and noise. They play to hurt, with gritted teeth.”

Okay, okay, Rev (24)
 
The Immortal Lee County Killers - Goin' Down South

Speaking of Deviant Nobles in the Garage-Punk-Blues scene, these individuals are not extreme but definitely perfectly fried... they are among my favorites. Sometimes they add that psycho-Stoner detail that fits like a charm.
 
The Power Of Love - Huey Lewis (New Orleans Blues Cover) ft. Sarah Potenza what a voiceeee! what a dress! what hair! great woman
 
My Bloody Valentine - Ecstasy and Wine Full Album
When I listened to it for the first time, half my brain just melted instantly.
 
Litfiba - cuore di vetro ... but doesn’t it piss any of you off the little heart made with four fingers???
 
The Fugitives - You Can't Blame That On Me (1966).

Me And Them Guys- I Loved Her So(1966).(lyrics).

It's the excitement of a moment, perhaps two. That's why it works especially for a 45 RPM record, often with titles and names misspelled on the masters and on the vinyl labels. This further confirms a sloppiness that dominated all phases of the process. For many others, it won’t work at all, stopping at the space and limited finances of a demo tape, of a reel, of a cassette."

Merci, Reverendo (23)