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#Mandatorythegestureisforthedead

Those dear to the gods die young…

Ingram "Gram" Cecil Connor III Parsons (1946-1973) Singer-songwriter, guitarist, pianist. Former member of the Byrds and the Flying Burrito Brothers, he is universally recognized as the main figure responsible for the transition of more traditionally country music into rock-infused territories, not only by his contemporaries, like the Eagles or Jackson Browne and their assorted company, but also by the advocates of the alt-country resurgence at the end of the last century.
With both the Byrds and the Flying Burrito Brothers, he contributed to the production of two albums that were hugely significant in their genre, almost cult, despite their poor sales, such as "Sweetheart The Rodeo" and "The Gilded Palace Of Sin." Even as a solo artist, he released two albums, at least the second of which is regarded as nothing less than one of the Gospels of modern country rock. He was also one of the mentors to a band as seminal as it was seemingly distant from his world, the Modern Lovers of Jonathan Richman, so ahead of its time that it inspired half of the coming new wave.
That's how the world goes.
Cause of death: Guess what? A lovely cocktail of morphine, heroin, cocaine, assorted alcoholic beverages.
A special mention is deserved for the odyssey of his corpse: he had greatly loved what is today Joshua Tree National Park, to the extent that he expressed to his friends the wish, upon his death, for his ashes to be scattered there.
However, upon his passing, his mother ensured that no representatives from the music world attended the funeral, believing, not without reason, that they were responsible for introducing her son to the use and abuse of drugs and alcohol.
Yet two friends stole a hearse and his coffin that was waiting for departure from the New Orleans airport, drove the beloved body to Joshua Tree, and there filled the coffin with gasoline, setting it on fire. The corpse, only partially charred, was discovered by the police who returned it to the mother after several days. Now the poor remains of the Sorrowful Angel lie at the Garden of Memories in Metairie, Louisiana.

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Gram Parsons - A Song For You
 
Lucio Battisti | Equivoci Amici Famous but never mediocre, beautiful!
 
2 Step fuck *off*, turn back 2 *R*Tone*R*!
bad manners , inner london violence
A tribute to 2 Tone, inevitably to the Specials, to integration, to skanking.
From gangsters to Mandela, more or less.
 
Wonderful scene from Dersu Uzala (1975)

"Dersu Uzala"
by Akira Kurosawa (1975)

#35mm
 
Message To A Friend

Charlie Haden (9 out of 10)
"Message to a friend" from: Beyond the Missouri Sky
1997 (Verve)

#jazzlegends
 
You Don't Tell Me - Yard Trauma

Last in alphabetical order on the class register of the neo-garage of the '80s, Yard Trauma wrapped up the academic year '84/'85 with flying colors: after the great reviews collected with the "red album" and despite Lee Joseph having effectively disbanded the band and left Tucson for Los Angeles, ending up in the last lineup of Unclaimed, Yard Trauma decided to follow up their debut album: Must‘ve Been Something I Took Last Night is a small classic of the genre with its intrusive Farfisa stomped both by the owner Lance Kaufman and (I‘m Invisible, Situations) by guest Rich Coffee, and the cryptic whirl of guitars that forge the perfect link between the sound of Unclaimed and the more spectral tones of Fourgiven and Plan 9, perfectly balanced between energetic beats (You Don‘t Tell Me, the Situations close to the spirit of Untold Fables, the cover of I‘ve Got a Girl by Dearly Beloved, Only Mistakes) and a psychedelia wrapped in dark hues (Must‘ve Been Something I Took Last Night, Black and White, I‘ve Seen You Walking) and split in half by a magical folk-rock like Dreamt in Color.

Guiltily overlooked at the time even by those who limited themselves to buying the key releases of the neo-garage phenomenon, Must‘ve Been Something I Took Last Night is instead an excellent sample of beat-punk capable of standing up to the small recognized masterpieces of the genre from that time (a step above the debut by Cynics or the second by Lyres, a notch above Stop Pretending by the Pandoras, just to name a few, NdLYS) and that still today adeptly shakes off the dust of time.
 
Gabe Gurnsey - Push (Official Music Video)

@[ZiOn] do you know? Truly a great album. I definitely think you'll like it.