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Gioca Jouer remains a notable piece of 1980s Italian dance music that many remember fondly. The album captures the nostalgic disco vibe but may feel dated to some modern listeners.
Gioca Jouer remains a notable piece of 1980s Italian dance music that many remember fondly.
The album captures the nostalgic disco vibe but may feel dated to some modern listeners.
This review covers Claudio Cecchetto's album Gioca Jouer, highlighting its impact as a classic 1980s dance track. While the album stays true to its disco roots and evokes nostalgia, the reviewer offers a balanced perspective with a moderate rating. The discussion touches on its cultural significance and music style without excessive praise or criticism. Listen to Claudio Cecchetto’s Gioca Jouer and experience the classic 80s Italian dance vibe today!
The album is not bad at all. It is so crystal clear in its total lack of sincerity that it can be appreciated for what it is, without too many expectations. Castello had a job to do and he perfectly fulfilled his duties. It’s a pity that, in doing so, he created a product as glossy as it is devoid of any real underlying energy.
The album is not bad at all. It is so crystal clear in its total lack of sincerity that it can be appreciated for what it is, without too many expectations.
Castello had a job to do and he perfectly fulfilled his duties. It’s a pity that, in doing so, he created a product as glossy as it is devoid of any real underlying energy.
Marco Castello's Pezzi Della Sera is a well-crafted album that consciously embraces a late-seventies Italian disco-funk aesthetic. While the arrangements and production are skillful, the album lacks genuine energy and feels like a product made for trend-driven audiences. Lyrics fall short of sincerity, with only the closing track 'Melo' offering a rare moment of spontaneity. Overall, it's an accomplished but emotionally hollow work. Explore Marco Castello's latest album to hear a polished homage to 70s Italian disco-funk – listen and decide if style beats substance for you.
This album is very catchy and rhythmic, with beautiful and moving melodies. Well done Valeria, you are my life, you are beautiful and talented, and your recipes are very delicious!!!!!!!!!!!!
This album is very catchy and rhythmic, with beautiful and moving melodies.
Well done Valeria, you are my life, you are beautiful and talented, and your recipes are very delicious!!!!!!!!!!!!
Bimbincucina marks Valeria Rossi's return after 10 years with an album full of catchy, rhythmic, and moving melodies. The songs blend music with playful cooking themes, though the recipes in the songs are unclear without the accompanying book. Highlights include the dance-flavored track 'turbo fiore.' Overall, it's a charming and enjoyable album recommended for listeners. Listen to Valeria Rossi's catchy Bimbincucina album now and enjoy the playful mix of music and cooking!
The album showcases a great amount of musical talent and creativity. The album is the absolute gem of the national Mariadele’s discography and is worth a listen.
The album showcases a great amount of musical talent and creativity.
The album is the absolute gem of the national Mariadele’s discography and is worth a listen.
This review praises Mariadele's 2002 album ...Ora Mi Faccio Un Caffè as a standout work in her discography. It highlights her songwriting and production skills, balancing vocals and instrumentation well. Though once known differently, Mariadele showcases considerable talent and creativity here. The album is recommended as a hidden treasure worth exploring. Listen to Mariadele’s ...Ora Mi Faccio Un Caffè and discover a rare independent music gem!
THEY ARE THE Best GIRL BAND OF ALL TIME!!!!!! Listen to them everyone
THEY ARE THE Best GIRL BAND OF ALL TIME!!!!!!
Listen to them everyone
This enthusiastic review praises Argentovivo as the best girl band of all time. It strongly encourages everyone to listen to their album 'La Normalità è Una Forma Di Pazzia'. The tone is highly positive, brief, and emotive, focusing on the band's excellence. Listen now to Argentovivo's thrilling album and discover the best girl band ever!
Rondo da Sosa, a trap artist of the drill style who blew up recently more due to the unintentional comedy of his character than his talent. "What makes me better than those people? The fact that I’m aware of how ridiculous I was in that situation?"
Rondo da Sosa, a trap artist of the drill style who blew up recently more due to the unintentional comedy of his character than his talent.
"What makes me better than those people? The fact that I’m aware of how ridiculous I was in that situation?"
This review recounts a first-time visit to the renowned Liv nightclub, centered around Rondo da Sosa’s live performance. The reviewer reflects on the awkward and varied atmosphere, including poor sound, a dull DJ set initially, and a mixed crowd. While the artist’s talent is questioned, the night’s energy and unexpected enjoyment shine through. The experience ends with a thoughtful contemplation of personal identity and social nightlife dynamics. Discover the raw and candid experience of Rondo da Sosa live at Liv – dive into the review and feel the nightlife energy!
"A second to midnight" is a classic Kylie dance track with 80s/90s sounds. Welcome back, Kylie, you were the only one missing in this post-pandemic period :)
"A second to midnight" is a classic Kylie dance track with 80s/90s sounds.
Welcome back, Kylie, you were the only one missing in this post-pandemic period :)
Kylie Minogue returns with the upbeat single 'A Second to Midnight,' a collaboration with Olly Alexander from Years & Years. The song embodies classic 80s and 90s dance vibes and is the lead single from the reissued 'Disco' album. Along with engaging choreography and a highlighted friendship between Kylie and Olly, the release excites fans with additional collaborations and exclusive content. This marks a welcomed post-pandemic comeback for Kylie. Listen to Kylie Minogue & Years & Years' 'A Second to Midnight' and dive into the new 'Disco' reissue today!
Who is this woman singing? The song turns out to be credible and convincing despite its trendy electronics and autotune. Rosalba Pippa manages to convey a bit of healthy madness, a desire to take risks, to do something far from her comfort zone.
Who is this woman singing? The song turns out to be credible and convincing despite its trendy electronics and autotune.
Rosalba Pippa manages to convey a bit of healthy madness, a desire to take risks, to do something far from her comfort zone.
Arisa, renowned for her beautiful, precise voice, releases Psyco, a new single rich in electronic influences and autotuned vocals. The song tells a story of female independence wrapped in a catchy, modern sound. Though unexpected, this track marks an important step outside her comfort zone. Psyco signals artistic growth and willingness to take risks in her career. Discover Arisa’s bold new single Psyco—listen now and witness her artistic evolution!
Dargen D'Amico is undoubtedly the best pen in the Italian rap (and beyond) scene. 'CD' is the Greek Tragedy of Dargen D’Amico, his call to human feelings.
Dargen D'Amico is undoubtedly the best pen in the Italian rap (and beyond) scene.
'CD' is the Greek Tragedy of Dargen D’Amico, his call to human feelings.
Dargen D'Amico's album 'CD' is celebrated as his most romantic and emotionally deep work, with lyrical brilliance and inventive beats. While mostly centered on love, the album balances heartfelt ballads with bright, experimental sounds. Collaborations with notable Italian artists enrich the record's quality. Though some tracks feel overly sentimental, Dargen's artistry shines through, marking 'CD' as a significant and compelling entry in his discography. Dive into Dargen D'Amico's 'CD' for an emotional and experimental rap experience that redefines Italian hip hop!
Planet Funk are the most stomach-churning pineapple pizza ever tasted. This is truly bad music, but not that guilty pleasure kind of bad: it’s genuinely bad, authentic, whole, with no prospect of improvement.
Planet Funk are the most stomach-churning pineapple pizza ever tasted.
This is truly bad music, but not that guilty pleasure kind of bad: it’s genuinely bad, authentic, whole, with no prospect of improvement.
The review harshly criticizes Planet Funk's album Non Zero Sumness for failing to blend rock and electronic music effectively. The vocals and melodies are considered grating and poorly constructed, leading to an overall impression of jarring mediocrity. The reviewer also laments the broader Italian music industry's acceptance of such work. The album is described as genuinely bad without any redeeming qualities. Discover why Planet Funk’s Non Zero Sumness album is divisive—read the full review or listen and judge for yourself!
A mysterious Italo-American with rather questionable English who sang...rapped...talked... From the first, what certainly needs to be remembered is the very incisive text, moreover sung in a horrendous macaronic English.
A mysterious Italo-American with rather questionable English who sang...rapped...talked...
From the first, what certainly needs to be remembered is the very incisive text, moreover sung in a horrendous macaronic English.
The review delves into Gino Latino's 'Welcome' EP, recalling a nostalgic 90s Italo dance vibe marked by quirky, catchy but repetitive lyrics. While fun and danceable, the work remains obscure with the artist's identity shrouded in mystery. Tracks like 'Welcome' and 'YO!' offer a retro house music experience, though the lyrics and delivery may feel unusual to modern listeners. Ultimately, it's a forgotten gem worth revisiting for fans of nostalgic electronic dance music. Listen to Gino Latino's 'Welcome' and rediscover a unique 90s Italo dance classic full of charm and mystery.
I am the main architect of Richard Benson’s electronic turn, which obviously doesn’t replace the genres that made him a legend but integrates perfectly, adding something extra. With Richard Benson’s hyper-technical lead voice and guitar, Ester Benson’s epic choirs, and Danny The Kid’s avant-garde production, what to expect but WAR, THE MOST TOTAL WARRRRRRR!!!
I am the main architect of Richard Benson’s electronic turn, which obviously doesn’t replace the genres that made him a legend but integrates perfectly, adding something extra.
With Richard Benson’s hyper-technical lead voice and guitar, Ester Benson’s epic choirs, and Danny The Kid’s avant-garde production, what to expect but WAR, THE MOST TOTAL WARRRRRRR!!!
The review enthusiastically highlights Richard Benson's 'I Nani' as a masterful fusion of electronic and rock styles. It praises Benson's virtuosic guitar work combined with Danny The Kid's avant-garde production and Ester Benson's commanding choirs. The review teases the forthcoming album 'L'inferno dei vivi' and emphasizes the unique blend of esoteric symbolism and danceable grooves. Fans are encouraged to experience this fresh take on Benson's legendary sound. Listen to Richard Benson's 'I Nani' now for a powerful blend of electronic beats and virtuosic rock guitar!
"Bum Bum, a continuous cut and paste, a remote control on the fritz. A musical hiccup." Orchestral jazz, contemporary music, Carl Sterling, exotica, lounge, skipping needles, radio spots, disco music, electronics...
"Bum Bum, a continuous cut and paste, a remote control on the fritz. A musical hiccup."
Orchestral jazz, contemporary music, Carl Sterling, exotica, lounge, skipping needles, radio spots, disco music, electronics...
Andromeda Mega Express Orchestra's album Bum Bum offers a dynamic collage of musical styles ranging from orchestral jazz to electronic beats. The review highlights the album’s vibrant, kaleidoscopic feel and its skilful fusion of influences like exotica, lounge, and baroque music. The listener is taken on a sonic journey full of nostalgic references and experimental sounds. This album stands out for its creative composition and diverse inspirations. Explore the vibrant soundscape of Bum Bum by Andromeda Mega Express Orchestra—immerse yourself in this unique blend of jazz and experimental music today!
I call him James 'the whiner' now. You CAN'T AFFORD a solo album like this.
I call him James 'the whiner' now.
You CAN'T AFFORD a solo album like this.
This review harshly criticizes James LaBrie's solo album 'Elements of Persuasion.' While praising LaBrie's iconic voice with Dream Theater, the reviewer feels the solo work is disappointing, repetitive, and unworthy of such a talented frontman. The album fails to meet expectations and is described as indecent for an artist of his caliber. Discover why James LaBrie's solo album sparks such debate—listen now and decide for yourself!
"Illud Divinum Insanus" is nothing more than the new brother of "St. Anger" and "The Unspoken King"; thus, to be counted among the most obscene and disastrous "experiments" of all metal. The album sounds uninspired, incoherent, and tedious; an embarrassing collage of pseudo-experiments past their prime and weak metallic forays.
"Illud Divinum Insanus" is nothing more than the new brother of "St. Anger" and "The Unspoken King"; thus, to be counted among the most obscene and disastrous "experiments" of all metal.
The album sounds uninspired, incoherent, and tedious; an embarrassing collage of pseudo-experiments past their prime and weak metallic forays.
Morbid Angel's 'Illud Divinum Insanus' marks a dramatic and disappointing departure from their classic death metal roots. Attempts at blending industrial, electronic, and rave elements fall flat, producing an incoherent and sterile album. The few death metal tracks feel uninspired and fail to redeem the record. Production quality is criticized as artificial, diminishing the music's impact. Overall, the album is seen as a failed experiment that tarnishes the band's legacy. Read the full review and decide if Morbid Angel’s risky new direction is worth your time or a metal misstep to avoid!
You’ll choke on them too, suffocated by the stench of ammonia, you’ll slump slowly and die in the muck. The old mumble mumbles can still make sense of it, oh yes. They lift up ominous eyes of molasses embittered by time and resentment.
You’ll choke on them too, suffocated by the stench of ammonia, you’ll slump slowly and die in the muck.
The old mumble mumbles can still make sense of it, oh yes. They lift up ominous eyes of molasses embittered by time and resentment.
The review depicts Nightstick's album 'Death To Music' as a heavy, suffocating sludge metal experience filled with raw, dark imagery. It evokes a sense of decay and oppressive atmosphere through vivid metaphors and powerful language. The reviewer appreciates the album's brutal intensity and bleak thematic content. Overall, the album is praised as a richly textured doom masterpiece. Explore Nightstick's Death To Music and immerse yourself in this crushing doom metal journey today!
It's always the same old "new wave" revival story that a thousand other bands around the world are doing. The result is a somewhat boring track but one that still makes you tap your foot (even if only for the first minute).
It's always the same old "new wave" revival story that a thousand other bands around the world are doing.
The result is a somewhat boring track but one that still makes you tap your foot (even if only for the first minute).
The review covers Made's debut single 'Suburbia,' noting its mix of diverse influences like new wave, techno, shoegaze, and italo disco. While the track is described as somewhat boring and unoriginal, it remains foot-tapping for a brief period. The reviewer questions whether the project is amateurish or genuine but finds potential in the ideas presented. Discover Made's 'Suburbia' and decide if their blend of styles clicks for you!
Listening to this album again, you can understand what 883 and their music were, simple but direct, banal but not predictable, perhaps crude but effective and successful. The 883 can be unanimously considered one of the first groups/bands to address young people with an extremely blunt, simple, almost banal language, yet direct, effective, and possessing an energy.
Listening to this album again, you can understand what 883 and their music were, simple but direct, banal but not predictable, perhaps crude but effective and successful.
The 883 can be unanimously considered one of the first groups/bands to address young people with an extremely blunt, simple, almost banal language, yet direct, effective, and possessing an energy.
This review revisits 883's 1995 album 'La Donna, Il Sogno & Il Grande Incubo,' highlighting its blend of catchy dance tunes and melancholic romantic songs. The album’s simple yet direct lyrics and energetic music made a lasting impact on Italian youth of the '90s. The reviewer reflects on personal nostalgia and notes the album's unique place in Italian pop history despite its lyrical simplicity. The band’s later decline is touched upon, contrasting the album’s success. Discover the raw emotion and catchy sound of 883’s classic album – listen now and relive the magic of ’90s Italian pop!
It’s truly amazing and fantastic and in comparison, you all suck. Those who don’t appreciate it cannot call themselves music lovers, the good, the true music.
It’s truly amazing and fantastic and in comparison, you all suck.
Those who don’t appreciate it cannot call themselves music lovers, the good, the true music.
This review celebrates Melt-Banana and Dynamite Anna & the Bone Machine's 7'' Split as a fantastic, innovative work full of energy and daring experimentation. Highlighted is Melt-Banana's unique cover of Mina's 'Tintarella di Luna' and Dynamite Anna's atmospheric B-movie influenced track. The reviewer praises the blend of styles and calls the release a masterpiece that defies flaws. Dive into this explosive 7'' Split and experience Melt-Banana’s groundbreaking sounds and Dynamite Anna’s cinematic vibes today!
"If I would die tomorrow, I wouldn’t care; if I die tomorrow, I am lucky." "I was the one who advised them to have bob haircuts; back then, I still had all my hair."
"If I would die tomorrow, I wouldn’t care; if I die tomorrow, I am lucky."
"I was the one who advised them to have bob haircuts; back then, I still had all my hair."
This exclusive interview with Donato Mitola reveals the heartfelt reflections of the celebrated Italian singer-songwriter. Mitola shares stories about his inspirations, career struggles, and connections with other artists from Mai Dire Tv. He also discusses his roles in horror films and offers insight on his artistic legacy, highlighting Salvatore Lo Iacono as a worthy successor. The review captures Mitola's unique persona and enduring influence despite his retirement. Read this exclusive interview with Donato Mitola and explore the story behind one of Italy's unique singer-songwriters.
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