Red Rocket | Welcome Back Dude | Official Clip HD | A24
"Red Rocket"
by Sean Baker (2021)
with Simon Rex
Bree Elrod
Suzanna Son
and Shih-Ching Tsou
#35mm
 
 
The John Wright Trio, South Side Soul
JOHN WRIGHT
"South Side Soul" from: South Side Soul
1961 (Prestige)
#jazzlegends
 
 
Ladies and Gentlemen, here for you Mr. Baaabdiiilan Bob Dylan - Trouble No More
 
 
The Slits and The Raincoats, ten + ten (8)... Black and White
 
 
 
 
 
 
 
 
Junior Senior - Move Your Feet (Official music video, HD)
after just 6 seconds my heart skipped a beat 🚀
 
 
 
 
This record came into the house thanks to my older brother. Every time I listen to this song again, I cry. Who knows if, in his last moments, he also asked forgiveness from our father, from me, from us who stayed here in this world and...shit. Delirium - Johnnie Sayre (Il perdono) - 1971
 
 
 
 
Milton Nascimento - Coisas da Vida
 
 
The Little Prince (1974) - Bob Fosse Scene
The Little Prince (1974) - Bob Fosse Scene Did Michael Jackson take inspiration from this film?
 
 
 
 
This new way of writing, collaborating with AI, and even playing with the irony of perfectionism represents a direction that, whether we like it or not, is already taking shape and will likely be part of the future of communication. Today, it is often viewed with suspicion, as if it were a deviation from “real” writing, but in reality, it’s simply an evolution of the way ideas are developed, refined, and shared.
What is criticized as artificial or overly controlled may, over time, be recognized as a new aesthetic: not the replacement of human thought, but its extension—a dialogue between intention and technological support. The irony about perfectionism, then, is not a denial of quality, but an awareness of its limits and its obsessions.
Perhaps today we are not yet fully ready for this transformation. Every radical change initially tends to generate resistance, because it challenges established habits and already settled criteria for judgment. But what seems controversial today may simply be normal tomorrow.
As Marcel Proust wrote, “The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.” Perhaps that is precisely the point: it is not writing that is changing, but the way we look at it. estetica: punto:
 
 
Kid Cudi - Day 'N' Nite (Crookers Remix)
I toss and turn I keep stressing my mind
 
 
 
 
 
 
Everything has already been done. Les Fo’Plafonds - #1 The Simpsons (Cartoon Session)
 
 
 
 
 
 
Thin Lizzy - Emerald
Fight Or Fall
 
 
 
 
 
 
The Slits and The Raincoats, ten + ten (7)... The Slits "Ping Pong Affair" (rough mix)
 
 
Alberto Sordi - Il giudizio universale (1961)
"Il giudizio universale"
by Vittorio De Sica (1961)
with Alberto Sordi
Vittorio Gassman
Anouk Aimée
Fernandel
Silvana Mangano
Paolo Stoppa
Nino Manfredi
Jack Palance
Renato Rascel
Ernest Borgnine
Franco Franchi
Ciccio Ingrassia
Lino Ventura
Domenico Modugno
Mike Bongiorno
Elisa Cegani
Eleonora Brown
and Vittorio De Sica
#35mm
 
 
Blue Notes for Mongezi: Third Movement
THE BLUE NOTES
"Blue Notes for Mongezi: Third Movement" from: Blue Notes for Mongezi
1976 (Ogun)
#jazzlegends
 
 
Iggy Pop - Beat 'Em Up
 
 
 
 
China Crisis - Black Man Ray
“Music for anyone, but for no one in particular.” Johnny Marr had labeled them like that, quickly—maybe too quickly.
 
 
 
 
 
 
link rotto
Folk wisdom
 
 
M. E. Giovanardi's new album is solid.
Il Buio Nella Pelle
 
 
 
 
 
 
 
 
But what a beautiful leg, what a beautiful cushion. Spremuta di 'nkia!
 
 
Riccardo Cocciante - Corpi Di Creta
Uomo
"Corpi Di Creta" minute 1:42...SBAM!
 
 
Today I'm reading this, #maybe...
Ingrandisci questa immagine
Has anyone already read it?
 
 
Neil Young - Thankful
 
 
 
 
You are not a person, you are a concept. You are the perfect prototype of the transitional millennial/Gen Z, straight out of the bourgeois factory of conformity with the quality stamp. There’s a standardization in your gestures, your thoughts, even in the way you get outraged or moved—it’s almost scientific. You think you have a multi-faceted personality, but the truth is you’re as one-dimensional as a sheet of tissue paper: if you’re held up to the light, there’s no depth behind you, just the backlit screen of a smartphone.
Your tastes are downright depressing. A parade of banalities paraded as “cutting-edge research.” You buy the same shoes everyone else has, listen to the “Indie Italia” playlist or whatever trapper is trending, convinced you have a refined ear, read the book everyone’s talking about on Instagram stories, only to post a picture of the page with a coffee cup on the side, heaven forbid a pseudo-cultural moment goes unmonetized for views. Everything you consume is ephemeral, prepackaged, predigested by someone else and chewed by you with the pride of someone convinced they’ve made a revolutionary discovery. You are embarrassingly predictable: if a computer had to calculate your next move, it would take three milliseconds.
And now let’s talk about this pathological ostentation, this show-off syndrome 2.0. But do you even know there's a life beyond social media, or do you pass out if you see the world without a Lightroom preset? You have to document everything. Every weekend away turns into an anthropological report. Three days in Lisbon and you feel like Vasco da Gama: pinned stories, carousels with captions in English (fair enough, it sounds more international), melancholic reflections on the “meaning of travel” and the beauty of getting lost in little alleyways. Get lost where, exactly? You kept Google Maps open even to go to the bathroom! You can’t enjoy a sunset unless you’re sure the focus is perfect for your followers. You live in delay, playing the part of yourself having fun, just to show a handful of people that your life is “amazing” and “full of stimulation.”
But you really hit peak pathetic when you put on the mask of the seasoned pedagogue. This life coach narrative, the enlightened teacher descending among the desks to save young souls, honestly gives me goosebumps, it’s so fake. You do videos or posts with that tired but proud look, the martyr gaze of public education, and you dispense pills of alternative teaching, talking about relational dynamics, inclusion, and classroom group management as if you had forty years of experience in the roughest schools in the world. And the hilarious part is that you talk with that tone of a worldly woman, a matron who’s seen it all, suffered, learned how the world works and now, from the heights of your immense wisdom, explains to everyone how to live.
Who exactly are you trying to fool? Just look at your- velina: imbarazzante:
 
 
 
 
 
 
 
 
Hey Melania by The Dwarves
Melania.
In purity.