Swans - Song for Dead Time
That cheerful Michele Gira delights us with this beautiful song
 
 
 
 
I ring my neighbor's intercom and ask if he can move his van since it's blocking me from getting into my car. He comes down annoyed and tells me, "if you had parked a bit further away"—what does that even mean? Francesco Salvi - C'e Da Spostare Una Macchina (1988)
 
 
 
 
 
 
 
 
Pozzolo's self-defense after the accident and the positive breathalyzer test: "Blame it on aquaplaning, I wasn't under the influence" L'autodifesa di Pozzolo dopo l'incidente e l'alcoltest positivo: "Colpa dell'acquaplanning, non ero alterato" positivo:
 
 
 
 
Queen of the Highway
Those were the days when a room only cost 2 $$$ & a half...
 
 
 
 
Un Giorno Di Sole
Today is a sunny day, not even Jova can hurt me (horrible song)
 
 
 
 
 
 
Serpentine
HAN BENNINK & DAVE DOUGLAS
"Serpentine" from: Serpentine
1996 (Songlines)
#jazzlegends
 
 
 
 
Risultato della ricerca immagini di Google per https://tg24.sky.it/assets/images/8837e6b45ee825e8850b48d2d5c11ba060ffbc29/skytg24/it/mondo/2026/04/13/trump-gesu/trump_truth.jpg?im=Resize,width=1218
I think that when it comes to charlatanism, he is second to none.
He’s even surpassed those who considered themselves Anointed by the Lord...
 
 
Hampton Hawes - Thou Swell
#jazzlegends
 
 
CADAVERI ECCELLENTI - tutta colpa di Voltaire
"Illustrious Corpses"
by Francesco Rosi (1976)
with Lino Ventura
Max von Sydow
Charles Vanel
Renato Salvatori
Alain Cuny
Fernando Rey
Luigi Pistilli
Tina Aumont
Paolo Bonacelli
Tino Carraro
Marcel Bozzuffi
and Maria Carta
#35mm
 
 
Archie Shepp & The New York Contemporary Five, "Consequences", Copenhagen, 1963
NEW YORK CONTEMPORARY 5
"Consequences" from: Recorded 'Live' at Jazzhus Montmartre, Vol. 2
1964 (Sonet)
#jazzlegends
 
 
Swamp Thing
g O o D n I g H t
 
 
Kleenex-LiLiPUT and Lora Logic, ten + ten (19)... LiLiPUT - A Silver Key Can Open an Iron Lock Somewhere
 
 
 
 
 
 
 
 
 
 
Neil Young - Borrowed Tune
June 1975... in my opinion Manuel Insolera had either been drinking or hadn’t properly listened to the LPs mentioned in the article.
Ingrandisci questa immagine
Ingrandisci questa immagine
 
 
‘Tales From Monographic Oceans’: an off-the-cuff journey in a stretch of sea, cutting through the isthmuses of certain discographies (Todd Rundgren 63, 12).
That great genius, my friend Todd—also known as the Dictator of the Free State of Utopia—a lone man at the helm of pop in its thousand forms (post-Beatles, sunshine, power, art, progressive: often all these things at the same time).
And like all geniuses, he’s contradictory too (here sublime, there tacky, here visionary, there crude).
Torch Song (2015 Remaster) ovvero: progressivo:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Shampooh! · Guido Prudente - Il Peto, Lo Stronzo, La Sciolta
After a short internship, I have the audacity to submit to the Professor and his illustrious colleagues this entrance exam to the charlatan-like ensemble. I hope to stimulate your cul-tural-popular effort.
 
 
 
 
 
 
David Bowie - Fame (1975)
It was supposed to be just the cover of a forgotten song from the '60s.
Then, from a spontaneous studio jam, a "funk style" riff, and a chance meeting between David Robert Jones and Sir John Winston Ono Lennon, everything changed.
That's how "Fame" was born, one of the most important songs in Bowie's career, lasting only three and a half minutes.
In the studio there's also Carlos Alomar, guitarist and Bowie’s collaborator. He's the one who brings that riff which will become the starting point of the jam. From that moment the structure of the cover is abandoned, the groove becomes more funk, more personal, more direct. It's no longer a reinterpretation, now it's something completely new.
#storie
 
 
Vorrei poter essere come voi tutto il tempo, cieco, sordo e muto tutto il dannato giorno,
ma ognuno ha bisogno solo di un po' di pausa,
quindi mi volterò e me ne andrò.
Weedeater - For Evan's Sake (Official Music Video)
 
 
 
 
 
 
 
 
 
 
Skylark - Virgin Green
2 great albums with this instrumental prog bomb, the first band of David Foster...a multi-award-winning artist who produced most of the American records of the '80s, his solo works are also stunning.
 
 
 
 
Tribute to Someone
GIORGIO AZZOLINI
"Tribute to Someone" from: Tribute to Someone
1965 (Ciao! Ragazzi)
#jazzlegends
 
 
Adrian Munsey - The Lost Sheep (1979)
Gentlemen! Anyone can just say "charlatans"... it's easy, you lump everything together: lunatics, drunkards, loafers, random Fallopios and Dislocations... it all becomes a melting pot, a muddle, a free-for-all! But NO! The title of "Charlatan" must be earned! With study, perseverance, and dedication! Like ME (not to brag)! Or the present Adrian Munsey, who is not just any fool (perhaps a fool, yes, but certainly not just any fool), but a full-fledged musician and composer, a history scholar at King’s College, Cambridge, and a graduate of the Royal College of Art, apparently even a collaborator of Elton John. He's famous in England thanks to soundtracks, documentaries (mainly focusing on the British royal family), and his work as a producer. His "Adrian Munsey, His Sheep, Wind and Orchestra" made no less than TWO albums! And only when people saw them live did they realize there were no sheep in the line-up... tutto:
 
 
Adrian Munsey - The Lost Sheep (1979)
Gentlemen! It's easy to just say "hacks"... anyone can do it! Lunatics, drunkards, layabouts, any old Falloppi and Dislocation! It's all a mishmash, a melting pot, a free-for-all, and people throw around "hack" just like that, for free... BUT NO!! That title has to be earned, you have to study for it! Like - not to boast - ME! Or the present Adrian Munsey here, musician and composer of the highest order, history scholar at King’s College, Cambridge and graduate of the Royal College of Art, apparently he’s even collaborated with Elton John. Composer of film scores, documentaries (especially focused on the British royal family), and established producer. This is fine stuff, for refined palates, because you don’t just become a hack overnight!
 
 
Il Labrador
Enzo always deserves an encore, to say the least...