Underground - theatre scene

"Underground"
by Emir Kusturica (1995)

starring Predrag Manojlović
Lazar Ristovski
and Mirjana Joković

35 mm
 
Magnolia Regret Scene

"Magnolia"
by Paul Thomas Anderson (1999)

starring Philip Seymour Hoffman
Tom Cruise
William H. Macy
Julianne Moore
and Jason Robards

#35mm
 
The Black Angels - History of the Future (Official Video) how beautiful is this song? And the video too! Angeli Neri always on point!
 
Nightwing - Long Hard Road
Other greats of hard and heavy fused with prog.
 
Pooh - Uno straniero venuto dal tempo (2014 Remaster)
One of the most beautiful prog pieces in the Italian scene...the ending is reminiscent of Uriah Heep's The Magician's Birthday and Pink Floyd's Animals...
 
Amy Winehouse (New - Inedit 2014) - Sentimental Journey
this song comes back to my head every couple of years - even sooner - and I end up humming it for months. I think it’s cursed, considering I don't remember the first time I heard it, maybe in a movie. this is a nice version even though Ella Fitzgerald's might be better... whatever...
 
The Cult - She Sells Sanctuary
A bit sacred texts
Look quite flashy.
What more can one want from life?
 
Ramblings From Green To Green

If the first wave of neo-garage drew inspiration from music and records released fifteen/twenty years before and was already categorized as nostalgic, who knows how the choice of many protagonists to pick up their instruments thirty years later will be interpreted. The latest in line are the English band Beatpack, creators of a beautiful album and a striking sequence of singles where they fanatically reinterpret nederbeat, maximum European R 'n B, and garage punk. The new album, arriving ten years after a reunion that yielded a quartet of singles, is released in three hundred copies via Spinout Nuggets, so few that not even Discogs has updated in real time, and it goes back to blowing on those dusts even if the approach is now less feverish and more studied, with a total of eight musicians involved and the addition of exogenous instruments to that mixture, showing a partial widening of perspective towards freakbeat and the elaborate baroque style of late beat. In this direction definitely go tracks like Five O’Clock Sunday Morning, Endless Halls of Her Reflections, Footsteps, Echo, Poor Old Billy Wren. However, the main path, that traced by bands like Outsiders and the early Yardbirds and Pretty Things, is by no means abandoned; on the contrary, it is traversed thoroughly on tracks like Or So It Seems, All Good Things, Black Sea Tobacco Pose, Winter’s Child, Money in My Pocket, Rambling from Green to Green, finding also new side escape routes and labyrinthine intersections that make the setlist vibrant and full of surprises.

The puritans can keep their evaluations on nostalgia and go back to sleeping on indie-rock records. For now, just let us enjoy this half-hour in the company of the Beatpack.