little horn 2.0
little horn 2.0
19 feb 24

DeRank™: 2,66

Damn cockroaches, can’t you see that Yeat is currently the closest existing thing to the concept of God?

Psycho CEO [Official Audio]

Album of the millennium, damn it, and you’re still stuck with Lateralus which doesn’t even work as a coaster.
 
Stanlio
Stanlio
19 feb 24

DeRank™: 0,00  DeSarder

The true location of DeBaser link rotto namely the wild beach of Berchida...
 
Marcorock
Marcorock
19 feb 24

DeRank™: 27,00

Valley of Rain

legendary album
 
Battlegods
Battlegods
19 feb 24

DeRank™: 9,00

Capsicum Red - Patetica
The very young Red Canzian...
 
Almotasim
Almotasim
19 feb 24

DeRank™: 35,23

Camper Van Beethoven "Take The Skinheads Bowling" Director's #justonesongcancauseconfusioninsid eandoutofme (6?)
 
zappp
zappp
19 feb 24

DeRank™: 17,91  BarNecchi

Un Homme Et Une Femme The last scene

"A Man and a Woman"
by Claude Lelouch (1966)

starring Jean-Louis Trintignant
and Anouk Aimée

#35mm
 
zappp
zappp
19 feb 24

DeRank™: 9,00

As Far As The Eye Can See

Matana Roberts (1 of 5)
"As Far as Eyes Can See" from: Coin Coin Chapter Four: Memphis
2019 (Constellation)

#jazzlegends
 
IlConte
IlConte
18 feb 24

DeRank™: 12,00

Is There A Place I Can Go (Official Audio)

Twist It, Shake It, Rock & Roll (Official Audio)

How BEAUTIFUL…

In all this listening, this 2019 album came to light alongside the EP from two years earlier by these noble lads from Liverpool… and it’s truly beautiful… if all pop were this classy and a bit quirky at the same time… there’s a bit of everything from Sinatra to Costello, Phil Spector, and Talking Heads…

But maybe they explain it better here…

Inspired by a retro-avant-garde statement from the Strokes (“Imagine you took a time machine into the future and found a classic album from way in the past and really liked it”), Taylor crafts the trompe-l’oeil backdrops of a surreal rock tale, remixing the fluttering pages of entire musical encyclopedias into a dreamy, pleasantly vaporous wall of sound. Doo-wop, Phil Spector, the primordial rock’n’roll of the Cavern Club, Pet Sounds, psychedelia, garage, Jonathan Richman, baroque pop, Broadway tunes, and the Hitchcockian soundtracks of Bernard Hermann and Henry Mancini: everything (and much more) is released and soars in the genre-defying aeropoem of Trudy and The Romance, in a weightlessness that is both rhetorical artifice and subtly naive levitas.

#garagedintorni (169/1)