At minute 3:32, Brian Eno announces the glitch.
 
 
Eric Carmen - All By Myself
A moment of calm amidst all this madness.
 
 
School - Roger Hodgson (Supertramp) Writer and Composer Unfortunately, there's not much from the early Supertramp on YouTube, but this one is fabulous, even in a live performance from two years ago. The song I really like from the Supertramp, the rest, I don't know blahblahblah.
 
 
TOP SUITE #11 Jethro Tull - Thick as a Brick full Your comments...
 
 
 
 
Einstürzende Neubauten Yu Gung 12

Never gone crazy for them. But this is really tough.
 
 
 
 
 
 
 
 
dEUS - Suds & Soda -- fridayfridayfridayfridayfridayFRIDA YFRIDAYFRIDAY
 
 
"100 masterpieces of #ItalianPunx" Raf Punk - I Morti Di Reggio Emilia
 
 
EHUEUHEAHEUHOOOOOOOOOOOOOOOOAAAAAAA AAAHEEEEEEEEEEHOOOOOOOOOOOOOO UEHAHUEAUHOOOOOOOOOOOOOOAHUEHUEAOOO OOOOOOOOOOOOOOOOOOOOO HEHAEUHEAUHEAUHAOOOOOOOOOOOOOOOOOOO OOOOO OOOOHHAOHOAHOO OOOOOHHOOOOOHHHOOO Federale - Train song / War cry
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Southern pride (1) Dedicated to @[SandroGiacobbe] Almamegretta - Figli di annibale because every promise is a debt.
 
 
 
 
CLAUDIO LOLLI - IO TI RACCONTO I tell you the strange dream of chasing with my hand an ever-distant horizon...
 
 
VITAL MILESTONES, or records imprinted on my skin #1 Soft Machine - Third (1970) To kick off this column is "Third," one of the greatest albums in the history of progressive rock, marked by this jazz element that truly makes a difference... a special record, with four high-level suites... but "Moon In June" always remains in my personal top 3 of the best rock songs ever... thank you Soft Machine and thank you Robert Wyatt...
 
 
postcards from the impossible, or how merry madness took hold of me (30) Tom Zé - Tô [I'm]
 
 
Aphrodites Child - The Four Horseman A nice track from an album I should explore further... and, like some of his fellow platter companions, not free from Greek influence.
 
 
 
 
#80's top songs (02) Bon Jovi - Livin' On A Prayer
 
 
 
 
 
 
@gnagnera and others: is anyone going to see Adolescents tonight?! Oi! Oi!
 
 
Suede-By the sea (with lyrics) She can walk out anytime, anytime she wants to walk out, that's fine
She can walk out anytime, anytime she feels that life has passed her by
And when I start my new life, I won't touch the ground
I'm gonna try hard this time not to touch the ground

Immense.
 
 
 
 
Rock ballads, because deep down we have a tender heart! #31 The Who - Love, Reign O'er Me
 
 
 
 
Metro - Criminal World University of the People
 
 
 
 
 
 
Black Dice - Snarly Yow "What did you do with 20 euros?" - "I bought a cd, mom!" - "I don't believe it! Show it to me" - "Mh" PAAAA (all of this to make you smile, before you see the cover. I hope, in short, that no one voted DC)
 
 
 
 
 
 
 
 
Beautiful concert!
In Piazzola sul Brenta. Started around 9:30 PM and finished around 12:30 AM!
SUPER!
Like in Amsterdam (on July 9, 4 days earlier), Neil starts alone. Piano-harmonica. 4-5 lively, poignant songs, highly participative, with the pump organ bringing a grand closure to this mini cycle with "Mother Nature." Then the robust Promise of the Real enters, with the two Nelsons (Lukas and Micah) in the spotlight. A show-trip of substance, a lot of energy, with peak moments in various songs, including several from "Harvest" and the highly anticipated "Hurricane" in a psychedelic finale version. A surprise synth descended from above, dressed as a bird in "Zuma" style; and the grand finale of an everlasting "Rockin' in the Free World" with several repetitions. And two delicate and stimulating "encores." Great "youth" on stage but also great professionalism and cohesion from Promise of the Real (excellent rhythm section: bass-drums-percussion, namely: Corey McCormick-Anthony LoGerfo-Tato Melgar), always under the attentive yet discreet guidance.
 
 
"(Power)Pop Will Eat Yourself !": a hundred songs that should have been number one everywhere but weren't (03)
REM - It's The End Of The World
 
 
 
 
 
 
 
 
 
 
 
 
 
 
The films that make cinema great #50 Umberto D. - film intero - Vittorio De Sica - 1952 (Cesare Zavattini) for me, the most beautiful film of the entire neorealism season, and one of the most beautiful in Italian cinema.