dsalva
dsalva
23 nov 19

DeRank™: 13,98

Weather Report - Elegant People (Live At Montreux 1976)
special dedication to @[mrbluesky] who I know appreciates....
 
sfascia carrozze
sfascia carrozze
23 nov 19

DeRank™: 6,78

BRUUT! & Anton Goudsmit - Baha-ree-ba!

When it rains heavily from the Manzanarre to the Rhine, you can also #surf

It’s known.
 
tia
tia
23 nov 19

DeRank™: 13,46

Madrugada - This old house good rain to everyone.
 
Battlegods
Battlegods
23 nov 19

DeRank™: 3,00

Tommy Shaw - Kiss Me Hello Perhaps the piece closest to the prog swirls of Styx. A perfect 10!
 
musicanidi
musicanidi
23 nov 19

DeRank™: 14,91

Battles - Fort Greene Park (Official Video) But the new album by Battles is out...great single #thebestvideos
 
adrmb
adrmb
23 nov 19

DeRank™: 0,45

La Sirenetta - Toei animation (1975) - Primo doppiaggio italiano I just watched it again tonight, go clean up Arieluccia's house.
 
zappp
zappp
23 nov 19

DeRank™: 3,45

Ohio Penitentiary 511 Jazz Ensemble - Psych City (1971)

Ohio Penitentiary 511 - from "Hard Luck Soul"
1971 (Jazzman)

#jazzlegends
 
nangaparbat
nangaparbat
23 nov 19

DeRank™: 16,49

Raisans - Dinosaur Jr.

I'll be down, I'll be around, I'll be hangin' where eventually you'll have to be
 
DavideWilliams
DavideWilliams
22 nov 19

DeRank™: 0,00

L'uomo Senza Gravità | Trailer ufficiale | Netflix I watched it this afternoon and I must say I liked it. I recommend it—it's a simple and enjoyable film.
 
JonatanCoe
JonatanCoe
22 nov 19

DeRank™: 6,42

Ingrandisci questa immagine
TOP(PA) 100
In other words, a hundred episodes spied on from beyond the door!

Episode [10]
Ready, set, spy!
 
dsalva
dsalva
22 nov 19

DeRank™: 0,38  JukeBox

Mony Mony
digging and digging...
 
zappp
zappp
22 nov 19

DeRank™: 9,39

Ryan’s Daughter (1970) – Affair In The Woods

David Lean (5 out of 5)
"The Ryan's Daughter" - 1970

#35mm
 
JonatanCoe
JonatanCoe
22 nov 19

DeRank™: 12,00  Championship

The Heads - Thumbs
Reflections on the Discography of the Heads
The lengthy version of "Coogan's Bluff" gives a renewed shine to "Relaxing With," which is packed with psycho-stoner vibes that could knock the plaster off the walls—it's a really great album, no doubt about it. The thickness of the electrifying debut creates high expectations for the second album, "Everybody Knows We Got Nowhere" from 2000, which absolutely meets those expectations, and even exceeds them. It has a sound similar to the first work but more robust, with particular attention to production, which is definitely cleaner. "Coogan's Bluff" is a stunning suite, but the qualitative thickness of the tracks coupled with an underlying homogeneity makes this the highest peak of their career. "Thumbs" (one of my favorites) sounds like a track gifted by Bevis Frond. Paul Allen himself seems at times possessed by a resurrected Nick Saloman. All the premises are good, and with these conditions, you can only move forward. The third work, however, is the first slight step back. "Under Sided" is an honest album, with solid chapters like the opening "Dissonaut," which echoes the shoegaze of My Bloody Valentine’s "Isn't Anything," with the arabesque scenery set up by Simon Price's guitar in "Trilogy Part 3," but something is lost in the sound, which is more submissive and inclined to explore new horizons—a change that arrives with "33" (2004), divided into thirty delirious parts where tribal rhythms alternate with industrial-ambient scratches. The musical turning point is evident and is cemented with the two volumes of "Rituals From The Heads & The Big Naturals" (2007) created in collaboration with, indeed, The Big Naturals. Even in these grooves, there’s plenty of ambient with forays into free improvisation spread throughout the album. Between 2004 and 2007 (but also beyond), notable mentions include "Dead In The Water," a somersaulting and listless piece on a psycho-noir thread that's been reheated and consumed more times than can be counted over the past 40 years, and "Under The Stress Of A Headlong Dive," where, except for the final 14-minute suite "Creating The Eternal Now Is Always," they could have skipped the appointment without any regrets. The downward trajectory is now in free fall. "Irrepressible Heads" from 2008 is an album that is supposed to be intentionally lo-fi (and I love lo-fi), but in reality, it’s an album devoid of ideas, poorly executed, and sounds that way as well. The same judgment applies to the subsequent "Vertigo Swill" (2011), a miserable orgy of noise that even the cassette recorder my uncle gifted me for my first communion couldn’t have produced. Looking back, I would have never subjected myself to such torture. Which, the communion? Yes, but also the listening of the album.
The trend doesn’t change in "Enten-Eller" (subliminal message in the backward vocals in Either Part 2?) and "Inner Space Broadcasts Volume 1 Part 1." But sooner or later, everyone returns to their roots, everyone finds their way home, and that’s how in 2015 the album of redemption arrives.
 
zappp
zappp
22 nov 19

DeRank™: 14,99

Lee Morgan - 1960 - The Young Lions - 05 That's Right

The Young Lions - from "The Young Lions"
1961 (Vee Jay)

#jazzlegends
 
dsalva
dsalva
22 nov 19

DeRank™: 9,00  JukeBox

Nancy Sinatra - The City Never Sleeps At Night, mono 1966 Reprise 45 record.
digging through digging through....
the flip side of the much more famous "these boots....."
 
andisceppard
andisceppard
22 nov 19

DeRank™: 25,50

#iladri well, I like to win easily.
Marvin Gaye - I Heard It Through The Grapevine
The song isn't from this kind of genre. It was by an unknown group called the Miracles. Later, they called themselves Smokey Robinson and The Miracles. If you search for it on Google, you'll find it. They go a bit too fast. Marvin doesn't. He sings something else. Oh, it’s not that there are ways to say it. He just says what it means to make love. So no one will ever be able to do it – not again, not before – like him. He just speaks about what is beautiful. Without even knowing how to express it (but he doesn’t even question it – typical of white people). The soundtrack of my life. Always. Usually, I sing it at the top of my lungs while – on my scooter – I ride through the downpours in the morning. People say poor guy, he’s getting wet. But I have Marvin Gaye in my ears. I think that rain is part of life. And life sings. And it’s beautiful.
Pythagoras thought so, but oh well, that’s a long story (oh, also Fourier!)