I really feel embarrassed when in the morning I find myself at the SERD and, with a background of neomelodici, they hit me with the fateful question "Frate' che musica ascolti?"

Foresteppe — Mæta│2018 (moments of silence)
"Electronic music" is the simplest answer. Here comes a Trap track about how much cocaine they’ve snorted in a night and how much of a slut the last girl was. This is what’s going around in the cells. Have we really reached this point?
What about singer-songwriters? Long live Venditti, then. Is it the fault of reality music shows, or is the level just getting lower and lower?
 
I think I need to set some rules for #iladri
-) The original should be relatively unknown to most
-) The original should not have enriched the original author
-) The cover should be well known
-) The cover should have made a good amount of money for the performer.
-) It would be nice if there were a bit of a story to tell... not just the link thrown there which then I have to go figure out. [I can’t understand anymore]
 
All Night - PREVIEW
Dear witch, you are making me relive my past as a convinced AOR fan!
 
Sinead O'Connor "cries" Nothing Compares to You (sub ita) #thieves. Long live the #thieves ...yes, because in reality Nothing Compares to You was written by Prince, for the band The Family.. and then he released a live version of the song with Rosie Gaines for his album Hits ...and then came his interpretation that always sends shivers down your spine...
 
Man Dance

Ronald Shannon Jackson - from "Mandance"
1982 (Antilles)

#jazzlegends
 
#iladri The Jimi Hendrix Experience - Hey Joe
That is: "how Jimi became a #thief without knowing it" (this is good @[G], you'll see, there's enough material for half a show...)
When Jimmie records it, he credits it as a "standard", meaning it's common property, no one knows who owns it, a popular piece, nobody to credit the rights to...
And he really believes it, you know! After all, the story of Joe who takes out his woman with a knife appears in a lot of ballads...
However, this song was composed by a certain Billy Roberts in 1962. Billy (luckily for him) also registered it (sure, it’s based on some standards, but it’s his), performs it at a few concerts, then forgets about it and continues his career as a bluesman.
In short, Billy is not a star but works, and they call him around to play.
On New Year's Day 1965, Billy participates in a nice concert at San Quentin with Louis Armstrong, Sarah Vaughan, Johnny Cash, and others. On that occasion, the singer Dino Valenti should have also been present.
Anyway, Dino hears that piece and is blown away.
Now, who is Dino Valenti (or Dino Valente, or Chet Powers, or Jesse Oris Farrow...)? It would take a book to tell it. The magnificent loser, the greatest loser there is, a man who has missed every train that has passed him by, someone who could have become rich and famous countless times, a genius who left behind a wonderful and obscure record (and much more), his own worst enemy...
Fortunately, here on DeB, there are those who have been able to tell it better than I can (yes, our King of the Constipated, dear @[imasoulman]) Dino Valente - Dino Valenti - Recensione di imasoulman
So Dino "takes" that piece and decides it's his, and one day he sells it for a few bucks (to buy a dose) on the promise of not performing it or recording it.
The guy who buys it (I can't remember who it is right now, I'll try to jog my memory...) makes that piece circulate.
In '65, a California group, the Leaves, records it and makes some money thinking it's a standard. Billy Roberts hears it purely by chance on the radio and nearly has a heart attack; he calls a lawyer friend and begins a lawsuit to have his rights recognized.
In the meantime, the guy whose name I can't recall gets the song into Jimi's hands, but he doesn’t mention Dino Valenti (nor Billy Roberts, of whom he knows nothing).
So Jimi records it as a standard.
Dino will try to get some money and have himself credited as the "true" author of Hendrix's masterpiece, convinced that Billy cannot say otherwise. However, Billy (who knows nothing of what is happening, and knows Jimi Hendrix even less) wins the lawsuit and finds himself, without knowing how or why, with a nice little sum that will allow him a decent old age, despite a series of ailments.
Dino will die very poor and (almost) forgotten. Among other things, one of his pieces "Let's Get Together" that he sold to the future Jefferson A...
 
[It's A] Big World
Big World is a live album by JJ without applause and recorded in a single concert. The audience was asked to remain silent during the performances and, of course, not to applaud. I'm sharing it with you because the sound of this album is out of this world!! One of the most beautiful vinyl recordings I've ever heard!
 
For those who follow the Constellation, this gem cannot have escaped notice
Eric Chenaux | "Wild Moon" a work that I find fantastic in its minimalism, a minimalism that evokes a series of names. Great shy work.
 
Formalismi Made in Italy
 
Wild is the Wind - David Bowie #iladri once again Nina Simone, once again the Duke. This time it does justice...