The Daily Planet (2015 Remaster) 1:34 the change of melody always makes me feel ecstatic
 
YouTube video non trovatozqTO6bQkWnk....you and I, a knot in the soul, the same desire to die and then be reborn, you and I.
 
 
 
Per una lira ... not just today..... but we remember you always!
 
So, JACK SAVOIARDI will interpret Farewell... I'm mainly addressing @[Ditta] and @[Zimmy] hoping that this one behaves well with those hands... even under the watchful eye of Mauro Pagani.
 
#new Sea Glass "Shift" Sea Glass - Splicing Shadows
the work that many groups do is soul shoegaze detached from the pedal board, leaving a deep melancholy
 
#Sputtanarsiunacarriera - Pino Daniele

Pino Daniele - Bambina

For me, who, during the worst of Pinuccio from Naples, had overlooked this masterpiece!
 
#beyondthespeakingeight Buffy Sainte-Marie - God is Alive, Magick is Afoot
Without beating around the bush, let's talk about a magical album; if you don't know it, make it yours.
 
Appendix of the Baroque Corner of Radiocapish ("at the court of the Capish King”) and clarification to be noted at the bottom of my page: Goldberg-Variationen (BWV 988) - Johann Sebastian Bach - recensione

Let’s dot the i’s as only a capish can (and must) do. Regarding the interpretations of the Goldberg Variations (Bach-Werke-Verzeichnis 988), I would dare to say that, as beautiful and personal as Glenn Gould’s version is (doubly beautiful, both in his impetuously youthful 1955 recording and his mature 1981 one; quite different from each other, as is obvious), the principal instrument on which this paradigm of “variations on a theme” best reveals its essence is the harpsichord. Both in the ancient (1933/'34) and magical recording (which practically coincides with the rediscovery of the instrument itself) by Wanda Landowska, and in Keith Jarrett's inspired rendition (1989). Although it is textually precise, the famous recording by Gustav Leonhardt (1978) feels a bit cold and mannered, while I prefer to refrain from commenting on others (there are options for all tastes). Unique, however, is the performance for string trio published in 2007 by Deutsche Grammophon, featuring Mischa Maisky on cello. For more on Maisky and the soaring suites for solo cello, refer to @[odradek]'s extensive page: Suites Per Violoncello 1-6 - Johann Sebastian Bach - Mischa Maisky - recensione

Therefore, if you really like baroque music played on the piano (a notion that’s hard to understand, except for the exception of G. Gould, which proves the rule), stick to Gould, because the others (I might be mistaken, but this is an opinion carefully formed after mooooooltiple listens) completely betray the spirit of the composition. And if you have to choose between the two Goulds, the mature one (in my taste) is the best. If you truly love Bach, first listen to W. Landowska's version (obtain it digitally or, even better, in analog; the one on yutub is quite poor). You will likely not be disappointed.

Best regards,
*

Glenn Gould plays Bach - The Goldberg Variations, BMV 998 (Zenph re-performance)
J.S.Bach "The Goldberg Variations" [ Glenn Gould ] (1955)
J.S.Bach, Wanda Landowska, Harpsichord Goldberg Theme & Variations BWV 988
 
Edoardo Bennato - Così non va, Veronica "I could even learn to play the harpsichord, but the saxophone has always been my forbidden dream."
 
Kevin Coyne & Dagmar Krause - I Really Love You I'm not joking, I wanted to hang Kevine Coyone behind the mirror because I'm convinced that behind the mirror there is a gallery (Just kidding). I know Coyone because he was nominated by a member of the Flaming Lips, but I don't remember the title, so nothing, and I didn't want to search like a fool blindly; they say he's good. Here’s the honesty.
 
#beyondthespiegel Dashiell Hedayat & Gong - Obsolete (1971) - Full Album. I believe the author has to do with the Gong spirit from what I’ve heard, 2 pieces. A secret between us, I haven’t listened to the records behind the mirror yet, I’m taking it one listen at a time, and I want to hear them well even if it takes a lot of time, I want to discover a "My Heart Record". A few more records and I’ll dedicate myself to listening with a few ZOOT! reviews. Is it a throw or is it saved?
 
 
FIRE (POZAR)

Opinions?
 
Emerson Lake & Palmer - Memoirs of an Officer and a Gentleman: i. Prologue / The Education of a Gentleman, ii. Love At...
The last masterpiece in a completely dispensable album, like the subsequent stuff soaked in that neo prog/AOR sound of the late 80s in the style of Black Moon. This suite features one of Sinfield's last sublime lyrics. It's that punchy sound in the style of Brain Salad Surgery that was missing from Works 1, which was glorified only by Fanfare for the Common Man and Pirates (Works 2 is useless from start to finish, instead).
 
Elio e le Storie Tese - Complesso del Primo Maggio "Video Ufficiale tratto da Album Biango"
how to take down the May Day concert in less than 5 minutes.