Richard Abrams ‎– Levels And Degrees Of Light

Muhal Richard Abrams - from "Levels and Degrees of Light"
1968 (Delmark)

#jazzlegends
 
Look at "Again" on YouTube
Again
The archives are the most beautiful thing I've heard in a while... try it and see.
 
Return to Pat. (8)
From This Place from From This Place. How much melancholy in this adagio, the only song on the album with Pat's acoustic guitar accompanying Meshell (whom I didn't know). But it's still positive, with an optimistic ending:
From This Place
From this place I cannot see
Heart is dark
Beneath rising seas

From this place, I don’t believe
All my hopes
My sweet relief

From here, I say I cannot breathe
Fear and hurt
Again we bleed

Unsafe, unsound, unclear to me
Don’t know how to be

From this place, I must proceed
Trust in love
Truth be my lead
From here I will stand with thee
Until hearts are truly free
 
Because the night - Patti Smith Group

In the video, a film, if one can say, Isolabile.
 
 
Francesco Bianconi - Certi Uomini (Official Video)
The album is out today, and after a first listen, I'm pleasantly surprised.
 
Dollar's Moods

The Jazz Epistles - from "Verse 1"
1960 (Continental)

#jazzlegends
 
Johnny Griffin & Matthew Gee. Soul Groove.

Matthew Gee & Johnny Griffin - from "Soul Groove"
1965 (Atlantic)

#jazzlegends
 
The Last Detail Bathroom Scene HQ

Hal Ashby (2 of 4)
"The Last Detail" - (1973)

#35mm
 
The Smashing Pumpkins - X.Y.U. (LYRICS ON SCREEN) 📺 ...RAT - TAT - TAT....KA - BOOM - BOOM...
 
Cristalli Liquidi - QILDE (Questa Insostenibile Leggerezza Dell'Essere) feat. Polosid

Referring back to my comment under the previous listening of @[Alemarcon], I present to you a cover that surpasses the original.
 
Recalling the brilliant idea of @[Martello], I would like to pay a kind of "tribute" to a great artist like Antonello Venditti, presenting a ranking of his albums (stopping at Cuore from 1984 and including Theorius Campus with De Gregori) from the least beautiful to the best...

Offside: "Venditti E Segreti" (1986)
It's now established that this marks the beginning of the end for Antonello. However, I would like to take a closer look at this album, and you will understand why.
Eight songs and 34 minutes and 32 seconds of music. About 6 minutes might be salvaged: those of Giulio Cesare the third track on the list and probably the most famous song of the album. But also Peppino, another fairly known piece, wouldn’t be too bad if it weren’t for a bit too much sweetness here and there in the lyrics. And then there's the rest…:
-A excruciatingly sappy almost-title-track, which begins with the lines "C'è un diavoletto nel tuo cuore / C'è un diavoletto chiuso dentro di te / Lui si nasconde con il sole / La notte poi si prende gioco di te". A nice "fuck off" would fit well here, but I'll refrain.
-The "rock" piece (to say) of the album, the musically and lyrically chilling Rocky Rambo & Sting, probably in the top 5 of the worst things by 'Ntunello.
-The piece that should be the "popular denunciation", Questa Insostenibile Leggerezza Dell'Essere, could also be described as a bucket of cold water on the balls, if not worse. Every time I accidentally hear it in the car, I feel like throwing the radio out the window.
-The song about Rome in the album, C'è Un Cuore Che Batte Nel Cuore Di Roma. If the title doesn’t promise anything good, the piece is even worse. A text written in 4 counted minutes that resembles elementary school musings.
-The last two tracks, Settembre and Esterina, are ugly but not unbearable.

In short, an excellent track and another still salvageable are interspersed with TERRIFYING crap. This is because without that nonsense, the album would have lasted barely 10 minutes. But a "record" of 10 minutes would make even stones laugh, so to stretch it to the "ideal duration" of 35-40 minutes, you have to include all the bullshit that comes to mind! Why Antonello?.. Why?
 
#my music from yesterday
 
Loredana Berte’ - Coccodrilli bianchi

inserted the "Loredana BERTé" from the homonymous artist, from '89 (+o-)
 
Depeche Mode - But Not Tonight
You can find me in every second of this piece.