blues4theredsun

 Zu throw the new album "Jhator" in my face, leaving me as doubtful as I am bewildered like never before.

 Like a youngster who would like to know the world but first still has to learn to flow and know himself, I feel like... Listen without distraction to grasp every subtle nuance of being.

Zu's album Jhator defies expectations with two extended suites that explore post-ambient and oriental-influenced soundscapes. The album departs from their usual jazzcore style, offering subtle and difficult listening moments. This ambitious work demands focused attention to fully appreciate its nuanced emotions and innovative rhythms. Dive into Zu's Jhator for an adventurous sonic experience unlike any other.

 The relentless drum machine seems to match the beats of my heart, and the guitars are like blades piercing me.

 Their nihilistic fury totally enveloped me, every note was in its place, every hit precise.

The review captures a vivid personal experience with Big Black's Racer X, highlighting the intense and relentless noiserock sound shaped by Steve Albini's distinctive vocals and drum machine. Despite not fully understanding the lyrics, the reviewer feels deeply connected to the album's sense of nihilistic fury and emotional honesty. The music provides a stark contrast to the noisy, drunken environment, acting as a cathartic outlet. Dive into Big Black's Racer X and feel the raw intensity of noiserock at its fiercest—listen now!

 The voice of the damned, the cries of the desperate, the bites of sudden withdrawal, just one shot, one injection to go.

 Four blows to the back from the Laughing Hyenas who, like nihilistic preachers, show us the price we all will have to pay one day or another.

Laughing Hyenas' EP Crawl channels a raw and dark energy blending filthy garage rock with blues-infused punk. Led by John Brannon, the sound is intense and primal, evoking themes of desperation and nihilism. The review praises the band's direct, brutal style and compares Brannon's vocal delivery to icons like Nick Cave and Iggy Pop. Dive into the fierce sounds of Laughing Hyenas' Crawl EP and experience raw punk energy at its best!

 A splendid (successful) attempt to capture live, in all its majestic abrasiveness, the destructive essence and sonic assaults of a band at its (almost) best period.

 From a band like the Jesus Lizard, you can expect nothing less; live or not, the songs don’t give you a moment’s respite, always there, pressing, fast, and sharp.

The review praises The Jesus Lizard's live album 'Show' as a successful capture of the band's raw, abrasive energy during one of their best periods. Recorded in 1993 at CBGB, the album showcases the band's tight performance and includes tracks from previous albums and the then-upcoming 'Down.' The reviewer highlights the captivating vocal style of David Yow and the hypnotic guitar work of Duane Denison alongside a fierce rhythm section. Overall, it's considered an essential live noise-rock record that introduced the reviewer to the band. Dive into the raw power of The Jesus Lizard's 'Show' and experience one of noise-rock's greatest live albums today!

 The EP of 6 tracks goes from bursts of post hardcore-punk to dark industrial sounds that remind me of early Killing Joke, Big Black, and why not, certain tracks by Godflesh.

 The Minor Threat singer offers a performance of hardcore outbursts with moments of apparent calm and fits wonderfully with the ensemble.

The review highlights the unique fusion of post-hardcore and industrial sounds on Pailhead's 1988 'Trait' EP. Featuring Ian MacKaye and members from Ministry, it delivers sharp guitars, relentless rhythms, and strong vocals. The reviewer appreciates the album's cohesion and expresses regret that the project was not continued. Overall, it's praised as a standout release blending hardcore energy with industrial edge. Listen to Pailhead's 'Trait' EP and experience this rare fusion of hardcore and industrial power!

 It’s a kind of a bad copy of Queens of the Stone Age (and not from the good old days) but played by Mastodon.

 The song isn’t bad per se, but simply, it isn’t a Mastodon song.

The review expresses disappointment in Mastodon's song 'Show Yourself,' viewing it as a weak and uninspired track compared to their earlier work. The reviewer feels the song resembles a lesser version of Queens of the Stone Age and lacks the band's usual technical prowess and creativity. While open to change, the reviewer hopes this is only a minor slip in an otherwise strong career. Discover the full review and decide if Mastodon's 'Show Yourself' aligns with your metal taste.

 "If we assume Grunge can truly be considered a genre, this is how I imagine Grunge to be."

 "It's raw, dirty, mean, noisy and full of great ideas, certainly an excellent album of a group that’s undoubtedly underrated or overlooked."

This review highlights Tad's Salt Lick EP as a raw and heavy grunge record produced by Steve Albini. It praises the band's underrated status, drawing comparisons with iconic grunge acts like Nirvana and Melvins. The reissue by Sub Pop is welcomed after years of scarcity. The album is described as a powerful mix of heavy metal riffs, punk elements, and haunting vocals, cementing Tad's place in the grunge legacy. Listen to Tad's Salt Lick and explore the roots of raw grunge with this essential reissue!

 This return by Eyehategod is serious and powerful, a no-nonsense comeback that did not leave me dissatisfied.

 It demonstrates that EHG still has something to say and that they can still do it exceptionally well.

Eyehategod's fifth album, released after a 14-year hiatus, delivers a strong and authentic comeback. The album features 11 tracks filled with heavy sludge riffs, hardcore elements, and blues-infused grooves. It stays true to the band's signature sound without losing its freshness. The reviewer prefers it over their previous album, 'Confederacy of Ruined Lives', noting that the band remains relevant and powerful. Listen now to Eyehategod's fierce comeback album and experience their raw sludge metal power.

 An incessant and noisy bass that churns out metal-flavored riffs as if it were raining.

 A hammering drum that is just as relentless and destructive as you’d wish many other bands would be.

The review praises Zu's album 'Cortar Todo' for its solid and heavy sound, marked by relentless bass and drums with a complementary saxophone. It highlights the band's live performance energy and novel sonic elements that still respect their classic style. The reviewer considers it a valid addition to their discography, even if it does not surpass past masterpieces. The album is recommended especially to fans of Zu and the noise rock genre. Listen to Zu's 'Cortar Todo' to experience their powerful noise rock energy and explore their evolving sound.