TheJargonKing

 The main flaw of this record is that it induces a state of boredom-induced torpor.

 It’s a record past its prime, made by a marathoner who reaches the finish line when the jury is already dismantling the stamping bench.

The review critiques Mike Oldfield's 2017 album 'Return to Ommadawn' as a minimalist and introspective sequel that falls short of his earlier work. Despite emotional depth rooted in personal tragedy, the album's sparse instrumentation and simplified composition result in a tedious listening experience. The reviewer respects Oldfield's effort but ultimately finds the album uninspired and lacking the brilliance of the original. Discover the full critique and explore Mike Oldfield’s latest work to form your own opinion.

 Apocalypse cannot be called the band’s best record, but it remains a highly recommended, intriguing work.

 The result, full of strength and contrasts, was remarkable.

Mahavishnu Orchestra's 1974 album Apocalypse boldly combines jazz rock with the London Symphony Orchestra, producing a rich and complex symphonic fusion. Despite internal band conflicts and lineup changes, John McLaughlin led the project with a stellar new ensemble and George Martin's production. The album features varied tracks blending orchestral arrangements with intense jazz-rock elements, making it an intriguing though not their best record. Apocalypse remains a recommended listen for fans seeking a unique orchestral-jazz rock experience. Dive into Apocalypse and experience Mahavishnu Orchestra’s bold symphonic jazz rock fusion today!

 The primary and fundamental component of Camel’s music has disappeared from the record: the soul.

 A record like this, which is listened to with expectation and curiosity and then tossed onto the shelf to gather dust, is not good, no.

The 2015 re-recording of Camel's The Snow Goose revisits a prog rock classic with updated arrangements and digital orchestration. While the performance is melodically rich and showcases Latimer's guitar work, the album lacks the original's soulful warmth and orchestral depth. Health challenges and aging have influenced Latimer’s approach, resulting in a more synthetic and detached feel. The reviewer acknowledges the quality but ultimately finds the re-recording less satisfying than the original masterpiece. Explore Camel's musical journey with The Snow Goose re-recording and decide for yourself how it compares to the timeless original.

 Every acoustic guitar arpeggio gives me relief, every press of black and white keys becomes healthy air for my lungs, every blown word is a surrogate endorphin.

 This is a record that goes by itself and goes straight where it has to go. The heart receives it in its entirety, and its weight can be a rich burden or an ethereal feather, a leap to heaven or a stab.

This review deeply explores the emotional and poetic qualities of Anthony Phillips' 1978 album Wise After the Event. The album serves as a healing force during the reviewer's personal struggles, showcasing Phillips' intimate acoustic style and melancholic melodies. Although not considered his compositional peak, the record is praised for its raw emotional honesty and subtle beauty. It is described as an album that embraces listeners fully, offering solace and introspection. Listen to Anthony Phillips' Wise After the Event and experience a poetic, healing journey through heartfelt melodies.

 Hammill was given an immense gift by nature: the ability to sing anything in the most splendid way imaginable.

 As in every Hammill album, there is no sterile administration of talent and cold application of the script dictated by sheer skill.

Peter Hammill's 1979 album PH7 highlights his extraordinary versatility across genres from progressive rock to punk and electronic music. Recorded mostly solo, the album blends melodic richness with experimental elements, featuring poignant tracks like 'Mirror Images' and tributes such as 'Not For Keith.' Despite pressures for a hit single, Hammill maintains emotional and artistic depth, making PH7 a visionary work that paves the way for his future masterpieces. Discover Peter Hammill's PH7 and dive into a rich blend of art-rock mastery and soulful experimentation today!

 Listening to it, you taste decidedly Teutonic sounds despite strong English progressive influences.

 "Smile a While" is a long, variable, dynamic, and entertaining masterpiece that defines the album.

Brainstorm's 1972 album Smile a While blends krautrock, jazz rock, and Canterbury influences to create a unique, dynamic soundscape. Despite an awkward cover, the music offers powerful grooves, improvisational passages, and experimental flair. The band’s change from Fashion Pink marks their growth into a solid jazz rock act with notable tracks like "Das Schwein Truegt" and the title track. The album also includes a standout extended live version of "Thesen & Antithesen." Explore Brainstorm’s Smile a While for a powerful mix of krautrock and jazz rock—an essential listen for progressive rock enthusiasts!

 Their music breathes in small puffs, it’s rich in minimalism, full of that intense cyclicity reminiscent of Terry Riley’s studies.

 An anachronism that becomes an estranging modernity.

Spires That In The Sunset Rise's 2015 album Beasts In The Garden exemplifies the American new folk movement with innovative use of acoustic instruments. The Chicago female duo crafts evocative, minimalistic, and free-form music blending folk, free jazz, and ambient sounds. Their unique style evokes comparisons to Terry Riley and Nico, creating a disorienting yet beautiful listening experience. The album's seven tracks move beyond traditional song structures, offering deep, dreamy, and haunting atmospheres that linger. Dive into the haunting world of Spires That In The Sunset Rise and discover the unique blend of folk, jazz, and ambient in Beasts In The Garden.

 "Dance me this! The tracks travel on polyrhythms that are absurd."

 "Calculus brings us rhythmic devastation with continuous accelerations and decelerations automatically generated based on the variation of the diphonic singing improvisation of the Tuvan throatsingers."

Dance Me This is Frank Zappa’s 100th album, released posthumously, featuring intense experimental and avant-garde compositions dominated by Synclavier sounds and complex polyrhythms. The album continues his exploration of sonic innovation, blending influences like Tuvan throat singing and referencing his earlier works. It is recommended for dedicated fans familiar with Zappa’s challenging style rather than newcomers. The work marks a fitting and provocative finale to Zappa's legacy of experimentation. Dive into Frank Zappa's revolutionary Dance Me This and experience a bold avant-garde journey!

 The final financial downturn did not affect the quality and validity of the project, which aimed to bring together artists from all over the world for the first true gathering of World Music, arts, and dances.

 Despite stemming from authors very different from one another in terms of culture, origin, and musical approach, the final result was quite homogeneous and, even today, it is not difficult to detect a common direction that ultimately made the blend accessible and consistent on a listening level.

Music and Rhythm is a significant 1982 double album capturing the first WOMAD event's spirit, blending world music and electronic innovation. Curated by Peter Gabriel and others, it features rare studio tracks by prominent artists and lesser-known musicians worldwide. Despite financial struggles during its creation, the album remains a landmark for early 80s world music enthusiasts. The compilation offers a cohesive sound uniting diverse cultural influences with emerging electronic technologies. Dive into the innovative sounds of Music and Rhythm and discover a pioneering world music fusion from the early 80s now!

 The record essentially consists of a single track of over 40 minutes divided into two suites whose title is Anglicized as 'Mad Cucumber 1 and 2.'

 We are not talking about a masterpiece, but about a very commendable record, which could represent the gateway to the Russian musical world.

Sepsis' 1991 album Liturgia Bezumia is a rare and ambitious post-Soviet psychedelic space rock work. Despite censorship delays, it blends progressive and krautrock influences into an instrumental 40-minute suite. The album offers complex, varied writing with occasional vocals and symphonic touches. A commendable record and gateway to Russian underground rock history, it rewards curious listeners with its unique style. Discover the hidden depths of Russian psychedelic rock—listen to Sepsis' Liturgia Bezumia and explore post-Soviet musical innovation today!