proggen_ait94

DeRank : 11,03 • DeAge™ : 4986 days

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  • Here since 4 november 2011

 Trying to figure out the functioning of something that by definition is neither measurable nor observable is the biggest challenge.

 To push us beyond what we know, we must abandon an unknown quantity of rules and 'certainties,' to try to think modularly, imaginatively.

Rovelli's 'Buchi Bianchi' presents a complex theory of white holes in an accessible way, enriched with reflections on the history and philosophy of science. The book challenges readers to rethink time, causality, and the nature of reality through quantum physics concepts. While the theory of white holes remains abstract and difficult to grasp, Rovelli’s humanist approach and analogical reasoning invite imaginative contemplation beyond traditional scientific boundaries. The final sections deeply explore the perception of time and its directionality. The review appreciates the intellectual depth but leaves some questions open. Dive into Rovelli’s insightful 'Buchi Bianchi' and rethink your understanding of time, reality, and the cosmos.

 At this point, they probably don’t even listen to each other anymore, the musicians: so many are the years that the brushes, the breaths, the strums add up with the peace and naturalness of muscle memories.

 Young the old produces his best album since Psychedelic Pill, which is like visiting your grandfather and listening to the usual stories, the rants against old politicians.

Barn by Neil Young & Crazy Horse is praised as their best album since Psychedelic Pill, characterized by spontaneous composition and authentic rock energy. The review highlights Neil Young's unique voice and guitar style, contrasting with often superficial country-rock. The album evokes a nostalgic, sincere experience, enriched by the veteran band's natural chemistry and raw sound. Listen to Barn now and experience Neil Young & Crazy Horse’s timeless, raw rock storytelling!

 To be able to compose such music it’s essential to have a certain level of melodic genius, and indeed every single track is a pleasure for the ears.

 Imagine an Aphex who had seven sachets of sugar spilled into his cocaine.

Lorenzo Senni’s Scacco Matto offers a unique IDM take on trance music with inventive melodic structures and euphoric sounds. The album is praised for its originality and intelligent composition, although a minor track dip prevents a perfect rating. The review also reflects on Italy's underground music scene and delayed industry recognition. Dive into Lorenzo Senni's Scacco Matto and discover a groundbreaking IDM take on trance—stream it now and experience melodic genius!

 In 1965 Coltrane with his takes a maximalistic and very calculated approach with his left hand and a wild and promiscuous minimalism with his right, and he works magic.

 Coltrane sets fire. He has torn the wood from his heart, the sparks from his brain, and gifts them to the world by throwing the incinerated confetti of a brilliant project into the air.

The review explores John Coltrane's 1965 album Sun Ship, highlighting its balance of calculated complexity and raw freedom. It praises the interplay of the quartet and Coltrane's intense expression. The music is seen as both deeply emotional and meticulously crafted, transcending typical European free jazz. Overall, it acknowledges the album as a brilliant and powerful project full of tension and release. Dive into John Coltrane's Sun Ship and experience the fiery genius of jazz's boundary-pushing classic.

 In the Year Without Concerts, it becomes even more important to make the weeks as grimy as possible so that their stench expands into autumn.

 The brunette stoutella who wins hearts, the one you take where it counts, jamming in the complete absence of air conditioning and any molecule of air that isn’t distilled armpit sweat.

The review captures the gritty, raw spirit of Pigs Pigs Pigs Pigs Pigs Pigs Pigs' album Viscerals, reflecting the bleakness of city life in summer and the comfort found in punk music. The writer uses vivid, sometimes surreal imagery to describe the mood and sound, emphasizing the immersive, sweaty jam sessions and the unpolished charm of the album. Rating stands at 3/5, indicating moderate appreciation. Experience the raw energy and gritty sounds of Viscerals—listen now and immerse yourself in the punk summer soundtrack!

 Someone might say oh you’re a fanboy, but just trying to give it a tone.

 The true gourmand chews slowly and appreciates the simple beauty of wiping the plate with that perfect sauce.

The review reflects a patient yet appreciative stance toward Owen’s album 'The Avalanche.' It praises Mike Kinsella’s consistent acoustic style, noting a subtle edge influenced by his reunion with American Football. While the album doesn't break new stylistic ground, its refined, familiar sound is likened to a comforting homemade meal—enjoyed and savored for its unique moments within a beloved routine. Discover the comforting familiarity of Owen’s 'The Avalanche'—listen now and savor the subtle growth in this acoustic gem.

 "In this LP everything evokes a certain imagery... a meeting place of so many things, each dragging along an additional array of things."

 "Here lies a possible idea of the 20th century... amidst beautiful women, quality cigarettes, drinks, raised eyebrows, smiles, chiaroscuros, guns, and that eternal, mysterious night."

This review examines Carla Bley and Paul Haines' album Escalator Over the Hill as a complex, multi-genre masterpiece reflecting the 20th century’s diverse musical landscape. The album integrates jazz, classical dodecaphony, opera, rock, and psychedelia to create a dense cultural tapestry. It highlights the historical and cultural significance embedded in the music while acknowledging its challenging and ambitious nature. The reviewer reflects on how the album encapsulates many lost traditions and artistic forms from the past century. Dive into the eclectic world of Escalator Over the Hill – listen now and experience a landmark jazz fusion journey!

 A perfect wonky machinery, in this sense jazz, with a taste for iteration that might remind one of an electronic project based solely on the obsessive sampling of some early-century composer.

 The courage of solutions, combined with the follow-up... makes the album, despite being old, more representative of urban alienation than a new one.

Art Zoyd's 'Symphonie pour le jour où brûleront les cités' is an intricate work blending brutalist angles with sinuous curves. It combines electric bass with strings within a chamber music context, evoking urban alienation. The album reflects 1970s avant-garde jazz with expressive dissonance and modern structure, offering no easy answers but fresh listening experiences. Despite its age, it remains a relevant and atmospheric commentary on contemporary city life. Dive into Art Zoyd’s avant-garde masterpiece and experience the sounds of urban alienation and brutalist jazz.

 If you put on a bvdub album, you get serious, to understand it just the start of the first track is enough.

 Beautiful music to listen to, aesthetically pleasing, boundlessly cold but never inhospitable; instead, it’s like watching the snow fall beyond the glass and further ahead a white abyss, but you are well-wrapped in a thick blanket warming the last person remaining on the face of the earth.

Brock Van Wey, prolific as bvdub, delivers an emotionally rich ambient album with 'Home.' Combining ambient textures with subtle beats and vocal inserts, it stands out as a heartfelt, immersive experience. The album evokes feelings of solitude and contemplation, balancing cold atmospheres with warmth and musical variety. 'Home' is praised as one of his best, especially among his arctic-themed releases. Dive into Brock Van Wey's 'Home' for a soulful ambient journey—listen now and experience its haunting beauty and emotional depth.

 Turning up the volume and closing the door means battling with an otherworldly, Lovecraftian vertigo, not in jest.

 From the solar system to the Milky Way. Here things get truly difficult.

Roland Kayn's album is a monumental 14-hour exploration of machine-driven, cybernetic music that defies traditional structure. With no rhythm or melody, the work uses randomness as its foundation, creating an uncanny, cosmic sound experience. Curated posthumously by Jim O'Rourke, it challenges listeners with a blend of otherworldly themes and complex sonic textures. It’s an immersive journey into an abstract, alien sound universe. Dive into Roland Kayn's cosmic cybernetic soundscape—challenge your senses with this epic 14-hour sonic journey.