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DeRank : 39,03
DeAge™ : 7570 days • Here since 25 september 2005
Cannibal Corpse Vile
Voto:
A decidedly UGLY record (not brutal..) indeed. A (usual) stale portion of pseudo-corrupted vocals, habitual elements of sulfuric riffage, the umpteenth drummeratic beatings heard and overheard aplenty if not more.
De-Recensorea pseudo-laughable action (de gustibus, as usual) or perhaps it would be better and more appropriate to simply define it [as the appropriate definition suggested in the appreciation scanning/range during the voting process] UGLY (and unfortunately not Brutal as it would desperately like to ironically appear): that is, strongly adequate to the acoustic substance of the vile-disc aforementioned. Brutalizing regards in abundance. Your s.c. of (dis)trust.
Dream Theater Images and words
Voto:
As the ever charming and gracious Mademoiselle zzzzzzzzzzzzzz once said (forgive me if I might have forgotten a consonant) while de-commenting a dreadful de-review of a vacant action: debaser will never cease to amaze me (and not necessarily, obviously.. on the upside). Respectfully incubotheatrically and in jest to the fullest. Your s.c. of (s)confidence.
Shora Malval
Shora Malval
25 jan 06
Voto:
He even quotes (who knows if it's appropriate or not) Wittgenstein... musically/sound-wise intriguing, to say the least, cordial de-review Mister Open Mind. Although I've only audio-sampled a little bit and only very recently [and in this sense, it should be read as a non-vote for disquo], it seems to be a formation capable of impeccable as well as interesting sonic scans. Kind regards (as usual). Your shabby chauffeur.
Asphyx Embrace The Death
Voto:
Exactly.. cordial de-jokester Monsieur Personne: is it possible that you too were one of the (few) time-wasting/listeners? Devastated by doubt, I respectfully bow to you. [For your information: the radio miserably failed - and not only because of the messager - in the now distant 1993..]
Asphyx Embrace The Death
Voto:
Dear death/multiple de-review Monsieur Tepes, having been (in due time) a decided and solid admirer of the above-mentioned de-genre [and having avidly explored the thick Tepes de-review actionem in this respect] from time immemorial until now, I ask you: is it so certain that (almost everything) the material you de-reviewed is all (except for rare exceptions) composed instead of excellent/stunning (master)works? I noticed that you generously dispense excellent four-fifths or five-fifths often though willingly (regardless of the classic de gustibus Latin saying) with a mastery/ease (forgive the term, in that eventuality) to works that objectively (?) barely reach a minimal qualitative sufficiency (only referring to the de-genre in question.. let alone trying to frame them in broader sound contexts at 360 degrees). Believe me, I understand the passion and the necessity to want to spread (..and I say this as one who has broadcasted the worst acoustic trivialities on the radio for years) the word of one's favorite sounds.. but evaluating the invaluable super-positively in this sense doesn’t really benefit anyone/nothing. Take, for example, the de-presented Asphyx/disquo: an artistically raw/poor group, if not more so, provided with audio-ideas that are almost absent if not often semi-untraceable. (The personal de gustibus expressed at the beginning of this de-commentary remains valid, let it be clear). In summary, who benefits from all this? Those who do not listen to this type of acoustics, should they come across these sounds (advocated as semi-essential), will find (perhaps trying to start from groups/albums like this) a work not truly worthy of maximum auricular attention, therefore they will be led to believe that the de-presented de-genre is all at this level/register instead. I would therefore suggest (then you do as you see fit) a slightly more balanced and sober critical attitude. Warm regards in abundance. Your devoted confidant.
Bill Evans Waltz For Debby
Voto:
Esteemed and intriguing de-reviewer of actions, dear Monsieur Mullah; not being familiar with the presented discourse, I learn from your effective description that within these grooves lie pristine yet intriguing jazz/epochal acoustic fragments. Another (n-th) note on the already saturated note-smasher.. Endless respects. Your s.c. of (d)istrust.
Bathory Twilight Of The Gods
Voto:
Dear de-reviewing Monsieur Emanuele, while I completely respect your de-commentation, I would not share almost any aspect of it (starting from the two highlighted points of your discourse). It may be that having (as a youth) greatly appreciated the de-artistam in quaestionem in previous times and albums (especially the first three dark works), I did not truly learn with any joy about the vacuous (de gustibus, of course) and almost inaudible pseudo-epic turn taken since the disappointingly (still de gustibus..) Hammerheart, onwards. An almost pompous and inaudible album: at least that is the case to the filthy ears of the veteran wreckage-writer. Kind regards and plenty. Your s.c. of (dis)trust.
Black Sabbath Born Again
Voto:
Malign and maleficarum album right from the (horrid) cover: Disturbing The Priest and Zero The Hero, after many years, still leave a pleasant/notable memory regardless. Gillan screams and writhes vocally like in the good old days, and it's not something we've often heard him do (especially in recent times) elsewhere. Sabbath-like tributes abound. Your s.c. of (dis)trust.
Vinicio Capossela Ovunque Proteggi
Voto:
Dear de-reviewing Monsieur LazzaroBlu, respecting your more than pleasant de-comment, I would consider (albeit only briefly and not reiteratedly listened) the de-presented new Caposseliano trabajo, a work that is perspicaciously and globally successful and quite intriguing indeed; a brave piece that often significantly audio-displaces more than usual, if not more. Cordial respects as well as a hand crank. Your s.c. of (d)trust.
Appaloosa 5 Questions to Simone Di Maggio
Voto:
Fear & delirium elsewhere. Abundant misplaced tributes. Your s.c. of (s)trust. Your s.c. of (s)trust. P.S. 5+ to the de-questions 4-- to the pseudo-answers
p.s.#2 if by chance one day I were to pick up los instrumentos I would long for an interview like yours
p.s.#3 I would dare say you would find unleavened bread for your sharp teeth