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‘Happens’ is an esoteric work on the fringes of official culture, a tribute to oriental-hippie culture, almost unknown to most. David Hemmings, a solid singer but with some precarious grip on the tones, is granted a mitigating factor… serving as a reference for the ‘summer of love’ across the ocean.
‘Happens’ is an esoteric work on the fringes of official culture, a tribute to oriental-hippie culture, almost unknown to most.
David Hemmings, a solid singer but with some precarious grip on the tones, is granted a mitigating factor… serving as a reference for the ‘summer of love’ across the ocean.
David Hemmings, famed for his 1960s acting career, ventured into music with his 1967 album 'Happens.' The album blends acid-folk and psychedelic sounds enriched by oriental instruments and notable collaborations. Despite some vocal imperfections, Hemmings contributes uniquely to the American hippie and acid-folk scene. 'Happens' includes classic folk covers and rare, exotic compositions, making it a prized gem for aficionados of 60s acid-folk. Discover the rare acid-folk vibes of David Hemmings' 'Happens' and experience a unique 60s psychedelic journey!
Rarely has a reunion been more dignified and fruitful than that of the Zeros. Wimp, an incredibly heavy song, an unknown classic of punk, not surprisingly covered by combos like Hoodoo Gurus and Nomads.
Rarely has a reunion been more dignified and fruitful than that of the Zeros.
Wimp, an incredibly heavy song, an unknown classic of punk, not surprisingly covered by combos like Hoodoo Gurus and Nomads.
The Zeros’ album Knockin' Me Dead offers a gritty and passionate revival of their classic punk rock sound. Originally active in the late 70s with only a few releases, the band reunited in the 90s influenced by later punk waves. The album mixes original strong tracks with impressive covers, showcasing their unique blend of punk, rock'n'roll, and beat. Though sometimes compared superficially to the Ramones, The Zeros deliver a distinct and timeless record full of energy and heartfelt homage. Explore The Zeros’ Knockin’ Me Dead to experience a passionate punk rock revival infused with raw energy and timeless classics!
I’m convinced that Wolf is Tyler’s masterpiece. He demonstrates in an absolute way that he has become a well-rounded artist.
I’m convinced that Wolf is Tyler’s masterpiece.
He demonstrates in an absolute way that he has become a well-rounded artist.
This review praises Tyler, The Creator's third album 'Wolf' as a mature and well-rounded masterpiece. It highlights his growth from darker themes to more melodic, soulful sounds influenced by Pharrell Williams and 70s-80s funk/soul. The album blends aggressive rap with falsetto singing, exploring fame's paradoxes and personal conflicts through complex production and diverse collaborations. Overall, 'Wolf' is seen as a demanding but rewarding listen that showcases Tyler's evolution as an artist. Dive into Tyler, The Creator's 'Wolf' and experience a bold, innovative evolution in alternative rap—listen now and discover the masterpiece!
All the elements remain, albeit slightly diluted, that made 'Are we not men?' great. 'Freedom Of Choice' remains very enjoyable in its intelligent disengagement.
All the elements remain, albeit slightly diluted, that made 'Are we not men?' great.
'Freedom Of Choice' remains very enjoyable in its intelligent disengagement.
Devo's 'Freedom Of Choice' marks a significant shift towards synth-pop while maintaining intelligent satire and melody. Though not as groundbreaking as their debut, it remains an enjoyable and influential record. The album features 'Whip It,' their greatest commercial success, reflecting their transition to a broader audience. Despite mixed critical views, it is appreciated for its unique blend of robotic energy and pop sophistication. Discover Devo's unique synth-pop sound and their classic hit 'Whip It'—listen to 'Freedom Of Choice' and explore their musical evolution today!
Once Upon a Time, Love, But I Had to Kill It places us as observers within the suburban reality of Bogotá and its surroundings. Efraim Medina Reyes magnificently interprets the iconoclastic spirit of the tormented man without falling into banal clichés or stock phrases.
Once Upon a Time, Love, But I Had to Kill It places us as observers within the suburban reality of Bogotá and its surroundings.
Efraim Medina Reyes magnificently interprets the iconoclastic spirit of the tormented man without falling into banal clichés or stock phrases.
Efraim Medina Reyes’s novel offers a raw depiction of suburban life in Bogotá through intertwined stories filled with angst, punk references, and existential search. It reflects on the restless post-adolescent spirit struggling with identity and ambitions amid a harsh urban environment. The book avoids clichés, delivering personal insights and vivid scenes that resonate deeply with those questioning their place in the world. Its unique blend of reflection and action makes it a memorable generational narrative. Dive into this gritty, reflective novel and experience the raw pulse of suburban Bogotá through Efraim Medina Reyes’s unique voice.
Republika also deserves at least a listen from enthusiasts of certain sounds, to always remind us how good music knows no borders and is certainly not confined to the usual four countries. Bands like Republika are the solution to your problem, and I am here to introduce them to you!
Republika also deserves at least a listen from enthusiasts of certain sounds, to always remind us how good music knows no borders and is certainly not confined to the usual four countries.
Bands like Republika are the solution to your problem, and I am here to introduce them to you!
Republika's debut album 'Nowe Sytuacje' stands out as an important milestone in Eastern European post-punk. Despite language barriers, the band's poetic lyrics and dark, funky sound showcase their unique artistic vision. The album carries a compelling political and cultural background as a product of Poland's vibrant 1980s alternative scene. Recommended for fans of new wave and those curious about rock from behind the Iron Curtain. Explore Republika's 'Nowe Sytuacje' and uncover a hidden gem of Eastern European post-punk—listen now and dive into unique alternative sounds.
"Is it the same Ferretti singing from Emilia Paranoica? Yes, it is the same, whether you like it or not." It remains a fine example of experimental electronics carried forward by great names in Italian rock, too overlooked and underrated.
"Is it the same Ferretti singing from Emilia Paranoica? Yes, it is the same, whether you like it or not."
It remains a fine example of experimental electronics carried forward by great names in Italian rock, too overlooked and underrated.
Per Grazia Ricevuta's debut album marks a significant transformation from Giovanni Lindo Ferretti's past with CCCP and CSI, moving toward a minimalist, experimental electronic rock sound. The unique vocal fusion of Ferretti and Ginevra Di Marco and the album's ethnic atmospheres shine on standout tracks. While it lacks the grit of previous projects and receives mixed critiques on some songs, it remains an important, underrated work in Italian rock history. Dive into Per Grazia Ricevuta's unique blend of experimental electronics and Italian rock — listen and discover a different side of Ferretti.
A scorching version of Outside In opens the album and acts as a calling card, the guitar battered in a volcano boiling under Martyn’s blows. Martyn acquired a sound that is uniquely his own: made of a very distinctive voice, of a gadget – the Echoplex – of which he could calmly claim the right of ius primae noctis.
A scorching version of Outside In opens the album and acts as a calling card, the guitar battered in a volcano boiling under Martyn’s blows.
Martyn acquired a sound that is uniquely his own: made of a very distinctive voice, of a gadget – the Echoplex – of which he could calmly claim the right of ius primae noctis.
John Martyn's Live At Leeds is a vital live recording from 1975 capturing his peak artistic form. The album highlights his masterful guitar work, emotive vocals, and intimate trio interplay with Danny Thompson and Paul Kossoff. It represents a compendium of his early career, focused on the joyful period from 1970 onwards. Though initially rare, this album remains a cherished treasure for fans and collectors. Listen to John Martyn's Live At Leeds and experience the magic of his iconic live guitar and voice!
They seem to sound retro and very modern at the same time: nice! A big plus in the record goes to Nicola Baronti’s production, who managed to make this album sound exactly as it should, a 'living' album.
They seem to sound retro and very modern at the same time: nice!
A big plus in the record goes to Nicola Baronti’s production, who managed to make this album sound exactly as it should, a 'living' album.
Zocaffe's second album 'Noi non siamo figli' mixes retro and modern sounds with compelling rhythms and interesting lyrics inspired by village stories. While some tracks shine with strong instrumentation, others feel less engaging. The vocals receive mixed impressions, and the production quality by Nicola Baronti is praised for bringing the album to life. Overall, a solid listen that hints at future growth potential. Listen to Zocaffe's 'Noi non siamo figli' and explore the blend of retro vibes and modern rhythms!
Hegel, 1994, was the last roar of a man who preferred the semi-anonymity, isolation, press silence, sequence of white covers, low chart achievements, and the bloody crusade of infuriated critics and early pro-Battistians who were disappointed. The album marries surreal, hermetic, extremely complex texts with diverse and composite sounds, not simply reducible to a vacuous and sterile digression of europop and synth-pop as claimed by many exegetes.
Hegel, 1994, was the last roar of a man who preferred the semi-anonymity, isolation, press silence, sequence of white covers, low chart achievements, and the bloody crusade of infuriated critics and early pro-Battistians who were disappointed.
The album marries surreal, hermetic, extremely complex texts with diverse and composite sounds, not simply reducible to a vacuous and sterile digression of europop and synth-pop as claimed by many exegetes.
Lucio Battisti's 'Hegel' marks his final artistic phase, characterized by a profound departure from traditional Italian pop into experimental and electronic domains. Partnering with philosopher Pasquale Panella, Battisti embraced complex, hermetic lyrics and synth-driven sounds. Despite mixed critical and commercial reactions, 'Hegel' stands as a bold, avant-garde statement that blends philosophy with music. The album reflects Battisti's isolation from mainstream visibility and his quest for creative innovation. Dive into Lucio Battisti's 'Hegel'—experience the provocative fusion of philosophy and electronic music that defined his groundbreaking final chapter.
The sound of “Black Faith” is indeed modern and powerful, with overwhelming groove, bombastic riffs. An honest, smooth album, with a good drive and seasoned here and there with some winning flashes that perk up the ears even of the most inattentive listener.
The sound of “Black Faith” is indeed modern and powerful, with overwhelming groove, bombastic riffs.
An honest, smooth album, with a good drive and seasoned here and there with some winning flashes that perk up the ears even of the most inattentive listener.
Cancer's 1995 album Black Faith represents a brave fusion of thrash and death metal with post-grunge and industrial influences. The band avoids cliché nu-metal trends, instead delivering a varied and powerful album with nods to classic metal and alternative rock. Though not groundbreaking, the album shows creativity and effort worth revisiting. It remains a notable record for fans nostalgic for early 90s metal diversity. Explore Cancer's Black Faith and rediscover a unique 90s metal fusion—listen now to experience its powerful grooves and diverse styles.
Dismember have always been authentic champions of consistency or perhaps musicians completely unable to vary their formula. ‘The God That Never Was’ is one of those that is listened to with the most pleasure, between reminiscences of the rawest vintage thrash and tributes... to the eternal masters Judas Priest and Iron Maiden.
Dismember have always been authentic champions of consistency or perhaps musicians completely unable to vary their formula.
‘The God That Never Was’ is one of those that is listened to with the most pleasure, between reminiscences of the rawest vintage thrash and tributes... to the eternal masters Judas Priest and Iron Maiden.
Dismember's 'The God That Never Was' (2006) stands as a strong example of the band’s consistent Swedish death metal style. While the band never drastically changed their formula, this album balances raw thrash roots with nods to classic metal influences. Despite later signs of fatigue and lineup changes, this release remains one of their most enjoyable. The review highlights the band's significant role in the Stockholm metal scene and their dedication to a signature sound. Dive into Dismember’s iconic Swedish death metal sound—listen to 'The God That Never Was' and experience a classic metal journey today!
A work of many faces, all magnificent tracks that range from dominant blues, to folk, to psych, arranged in a very original and complex way. This legendary work of the Albion underground of 1969, with its unmistakable blues matrix, is a mix of psych-prog-jazz experimentation, with undisputed expressive potential.
A work of many faces, all magnificent tracks that range from dominant blues, to folk, to psych, arranged in a very original and complex way.
This legendary work of the Albion underground of 1969, with its unmistakable blues matrix, is a mix of psych-prog-jazz experimentation, with undisputed expressive potential.
The review praises Pete Brown and his Battered Ornaments' 1969 album as a unique and richly eclectic work blending blues, folk, psych, and jazz elements. The raw vocal delivery and varied guitar styles add depth to this overlooked underground classic. It highlights Brown’s significant role in rock history, his poetic approach, and the album's lasting appeal for fans of experimental music. The reviewer strongly recommends the album, especially for listeners who appreciate music that's unconventional and challenging. Explore Pete Brown's pioneering psychedelic rock album and immerse yourself in a timeless blend of blues, folk, and jazz. Listen now!
"Inside Pignatiello’s songs there is humility and purity, therefore, and there is anxiety and research; there is the desire to continue moving forward." "Finally, after so much sniffing, we can come home happy to have found a work of art by a young artist who...care[s] little for the laws imposed by the record market that tend to standardize everything and everyone."
"Inside Pignatiello’s songs there is humility and purity, therefore, and there is anxiety and research; there is the desire to continue moving forward."
"Finally, after so much sniffing, we can come home happy to have found a work of art by a young artist who...care[s] little for the laws imposed by the record market that tend to standardize everything and everyone."
Antonio Pignatiello's album 'Ricomincio da qui' is a beautifully crafted chamber music work that blends warmth, irony, and deep poetic lyrics. The album features notable collaborations and covers, drawing on Mediterranean influences and literary inspirations. Tracks like 'Folle' and 'Non Torna' showcase Pignatiello's ability to evoke rich emotions through thoughtful arrangements. Overall, the album is praised for its humility, purity, and artistic integrity, standing out in a commercialized market. Explore Antonio Pignatiello's 'Ricomincio da qui' and immerse yourself in poetic, heartfelt chamber music.
"Boia Chi Molla is perhaps the most beautiful song written by ZPM, a melancholic and romantic text urging not to give up and to fight against an unfair society." "There were young people fighting against the system, without necessarily loving Marx or Marcuse."
"Boia Chi Molla is perhaps the most beautiful song written by ZPM, a melancholic and romantic text urging not to give up and to fight against an unfair society."
"There were young people fighting against the system, without necessarily loving Marx or Marcuse."
Zetapiemme's 'Boia Chi Molla' showcases an important chapter in right-wing alternative Italian music with rich singer-songwriter influences. Originating from Verona and active between 1977-1994, the album mixes political and existential themes. The title track stands out as a melancholic yet motivating anthem. Other notable songs recall the style of famed Italian songwriters, offering a blend of emotional depth and political reflection. Explore Zetapiemme's 'Boia Chi Molla' to experience a unique blend of heartfelt singer-songwriter tunes and potent political messages.
"Not bad for the new Gilmour management which produces an album that has all the credentials to try, respectfully, to honor the past while respecting the present." "A Momentary Lapse Of Reason draws the Pink Floydian vision from Gilmour’s viewpoint, who, as the main protagonist, tries in every way (and succeeds) to produce an album with a clearly familiar sound."
"Not bad for the new Gilmour management which produces an album that has all the credentials to try, respectfully, to honor the past while respecting the present."
"A Momentary Lapse Of Reason draws the Pink Floydian vision from Gilmour’s viewpoint, who, as the main protagonist, tries in every way (and succeeds) to produce an album with a clearly familiar sound."
A Momentary Lapse Of Reason marks Pink Floyd's renewal after Roger Waters' departure, led by David Gilmour and Nick Mason. The album balances the iconic Floyd sound with fresh influences and collaborations. While it may not rival classic Floyd masterpieces, it successfully captures the spirit and creativity of the band’s later era. Highlights include tracks like "Learning To Fly" and "Sorrow," which reflect Gilmour's artistic direction and musical craftsmanship. Explore Pink Floyd’s evolution in 'A Momentary Lapse Of Reason' and discover Gilmour’s fresh take on a legendary sound.
A legendary underground figure, a trailblazing genius and co-creator of the current psych-pop genre. He uses all the innovations of the era for his creations, from effects to electronics, to the use of mixing techniques like collage and overlays.
A legendary underground figure, a trailblazing genius and co-creator of the current psych-pop genre.
He uses all the innovations of the era for his creations, from effects to electronics, to the use of mixing techniques like collage and overlays.
This review shines a spotlight on Big Boy Pete's 1967 album Return To Catatonia. It praises the artist as an underground legend and psych-pop pioneer, highlighting the innovative use of psychedelic sounds, sitar, and studio techniques. Though not widely recognized, the album is celebrated as an important historical artifact within the British Invasion era. The reviewer encourages appreciation of this overlooked gem for fans of 60s psych music. Pete Miller's later career in California is also noted. Discover the psychedelic magic of Big Boy Pete's Return To Catatonia—listen now and explore a legendary yet overlooked classic!
"The lyrics do talk about dying young but in the sense that these young people have no future without jobs and education." "The album closes with 'Love Into the Light,' a track that gives us hope for a good future, the light at the end of the tunnel is closer for everyone."
"The lyrics do talk about dying young but in the sense that these young people have no future without jobs and education."
"The album closes with 'Love Into the Light,' a track that gives us hope for a good future, the light at the end of the tunnel is closer for everyone."
This review praises Kesha's second album Warrior for its deep and thoughtful lyrics, especially addressing misunderstood themes in 'Die Young.' The album explores spirituality, personal struggles, lost love, and hope for the future. The reviewer recommends the deluxe edition for fans wanting the full experience. Overall, it highlights Kesha's growth as an artist beyond catchy singles. Discover the deeper side of Kesha's Warrior—listen now and experience its soulful journey!
This album is embarrassingly lackluster. It’s impossible to recognize Green Day, in whatever form we knew them in the past.
This album is embarrassingly lackluster.
It’s impossible to recognize Green Day, in whatever form we knew them in the past.
The review critiques Green Day's Dos! as an embarrassingly lackluster album and the best of a generally poor trilogy. It condemns the album's commercial and uninspired nature, poor songwriting, and unrecognizable style compared to earlier works. Though some tracks show minor promise, the overall impression remains disappointing. The reviewer calls for the band to retire or change direction to honor their legacy. Discover why Green Day's Dos! failed to impress critics—read the full review and listen to decide for yourself.
The Strokes are still cool, alternatively cool. Exponential engagement with increased listens, awaiting the final evolution.
The Strokes are still cool, alternatively cool.
Exponential engagement with increased listens, awaiting the final evolution.
The Strokes' 'Comedown Machine' marks a clear shift from their early rock sound towards an 80s disco and synth-influenced style. While initially less impactful, repeated listens reveal a cohesive blend of soft atmospheres and catchy rhythms. Julian Casablancas experiments vocally, complementing the synth-driven melodies. The album balances vintage flavors with new wave and dream pop elements, inviting listeners to embrace this evolving musical direction. Listen to 'Comedown Machine' and explore The Strokes' unique blend of rock and 80s disco influences today!
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