610 - Grande Capo Estiqaatsi (4)

Great Chief Estiqaatsi greets the entire Debaser tribe
 
 
Hold on Together

Dollhouse - Last Night

SWEDEN first decade of the millennium give or take...

They are really good, let's make it clear right away. Basically, they operate in that garage that nobly exaggerates by DIPPING into the murky hard rock punk Detroit sound of the MC5 and similar stuff, but above all, fine.

In the album ROCK’N’ROLL REVIVAL, however, their GARAGE is exalted with SOUL nuances that are no joke...

#garagedintorni (212)
 
Farmer Adalgisio, after a few weeks of pondering the matter, realizes that from the tree he has in his yard, every night, one of his delicious oranges is stolen.
One a night.
The countryside is tough, low, often ruthless, and rarely inclined to selfless charity. So, the following evening, after finishing the variety show on the first channel, Adalgisio prepares a twelve-cup carafe of coffee, places his most uncomfortable chair in front of the entrance window, and with an impatient desire for revenge waits for the nighttime arrival of the greedy thief.
Sleep begins to cloud his vision when he finally sees a dark figure stealthily climbing among the branches of the orange tree.
Adalgisio grabs the sickle, with the grace of someone who’s about to miss the 7:45 train, steps out of his house, and rushes to the base of the tree, just in time to grab the balls of what, beyond any reasonable doubt, turns out to be the sneaky thief thirsty for juice.
"Come down, you piece of shit! How many nights have you been coming here to steal my apples? And tighten your grip on your balls."
Receiving no answer, Adalgisio escalates: "I swear I’ll pull you down by your balls now, let’s see who you are, Santa Carolina Incoronata!"
From up above, Adalgisio hears only silence and a bothersome acrid smell.
He takes the sickle, places it against the thief’s balls, and plays his last card.
"If you don’t come down, if you don’t tell me who you are, I’ll cut your balls off."
- "Mmmmmmnnnnooooooooooo," replies the other.
"Who the hell are you? Come down and tell me who the hell you are," presses Adalgisio, applying pressure with the sickle.
- "Mmmmmmarioooo!"
"Mario who, you piece of shit? Mario who!?"
- "Mmmmario il mmmmuto!"
 
Andrea Mingardi - Datemi Della Musica – FULL ALBUM

Reaching a certain point in the career of a music enthusiast, I believe that listening to Mingardi could be one of the right indulgences for retirement. I mean in anticipation, unfortunately, I don't yet have the 115 years of age agreed upon by the unions with the government to access it. But I digress! Back to the point.
Mingardi, I was saying... Sarcastic about the inevitable misfortunes, like a real man who knows how to move forward instead of whining... there's a lot to learn on a philosophical level. He can make you laugh to the point of tears in certain Bolognese songs. Witty, deep, poetic lyrics when he stops playing around. He sings like a god on the record and, even on stage, he performs at the highest levels. A live talent. Skatch poetry, stunning improvisations. Exceptional musicians always, beautiful music blending rock, soul, and blues. Everything in uppercase.
In the Italian episodes, like this album I'm linking, I don't think it all works perfectly every time. The professor Vecchioni writes that the song is an art form in itself: it’s not poetry, it’s not music: it's a song.
Here in "Datemi della musica," there's EVERYTHING, but it's a bit disjointed. Beautiful lyrics, music, instrumental parts, arrangements, musicians, and his vocal interpretation... but perhaps it doesn't quite come together perfectly, which is why it's not a masterpiece of Italian song. Each of the musical, lyrical, and interpretive elements sometimes seems to stand a bit apart; always at high levels, but without fully blending with the rest. With exceptions, because "Il pagliaccio" and "Solo" flow almost like Dalla. He placed them at the end of the record, I wonder why.
In any case, an album like this would sit well alongside those of Alloisio or other engaged and profound '70s works, also a bit of Lolli, with the flavor of real life and the historical moment, with some edges but in full beauty and with a strong, cheeky ironic component that is not for everyone, rather a rare treasure.
These days I'm traveling across the Po Valley far and wide, at a pace that would be quite exhausting if I hadn't discovered this artist. He nourishes. He makes you think and enjoy. There’s sunshine and night, but even when it’s cold, he provides a soft blanket.
 
Delilah

#dedicatedto
 
C'era una volta in Anatolia - Trailer italiano ufficiale

"Once Upon a Time in Anatolia"
by Nuri Bilge Ceylan (2011)

starring Muhammet Uzuner
Yılmaz Erdoğan
and Taner Birsel

#35mm
 
Kenny Wheeler • 3/4 In The Afternoon (1978) Canada

Kenny Wheeler (3 of 10)
"3/4 in the Afternoon" from: Deer Wan
1978 (ECM)

#jazzlegends
 
Una Storia Sbagliata - Loredana Bertè - Faber(amico fragile)[Tributo a Fabrizio De Andrè]

Let's not forget the scandalous moment Adriano Celentano had in this extraordinary tribute.
Let's not forget Franco Battiato, whose voice breaks, overwhelmed by the words of the Great Genoese.
Loredana sings this as if it were her own.
And it is.
 
PAUL REVERE & THE RAIDERS- "LOUIE LOUIE" (VINYL UPLOAD)

Paul Revere & The Raiders - I'm Not Your Steppin' Stone (1966)

The task is also to remind some very old fools who, in this specific case, come even before the Sonics and the like. Those who really made the connection between 1950s rock and roll and the Garage and Rhythm’n’Blues of those we know better…

There are many from those years in between who never received the proper recognition…

The first ones are them… their story summarized in the competent review by the legendary Lewis Tollani here on the best DEB…

How can you not include their L.L…. so soulful with Lindsay and that wonderfully beat voice... and the other that tears apart the contemporaneous of the Monkeys…

#garagedintorni (211/1)
 
#attentiaqueidue

because "ciù is mejo che uan" but how many times have I heard them... here you have Uncle Eric & Uncle Gigicheil giving the white JJ Cale, Eric Clapton (After Midnight & Call me the Breeze)