Jimmy Silva - Remnants of the Empty Set (1986)
A beautiful work unknown to me, reminiscent of American/Australian open spaces from the mid-80s.
I think the thoughts that come to mind while listening to it are roughly the same for everyone.
 
 
Dance Me to the End of Love - Madeleine Peyroux

I don't know...
When I hear the distant, but not so distant, echo of the soul of the Goddess who, for a cosmic, wonderful moment, disguised herself as human and sang like never before and never again will be heard, I close my eyes and travel back in time.
And I see Madeleine dancing with Billie and Leonardo. Until the end of that love we are losing, lost as we are in ourselves.

Ps. "The echo of the soul" is metonymy?
@[GrammarNazi] IF YOU'RE THERE, MAKE A SOUND!
Come back to correct us, as the good soul of Carolo the Pole would say.
 
New Era - L'ultimo viaggio
They and the Consorzio Acqua Potabile are the best Italian bands of the 90's neo-prog.
 
 
Il tamburo di latta - Dall'omonimo romanzo di Günter Grass

"The Tin Drum"
by Volker Schlondorff (1979)

starring David Bennent
Mario Ardof
and Angela Winkler

#35mm
 
Mike Westbrook - Let The Slave - The Westbrook Blake - 1980

Mike Westbrook (3 out of 5)
"Let the Slave..." from: Bright as Fire
1980 (Original)

#jazzlegends
 
Toto Cutugno - Gli amori
Thank you, Nes, for all the DeAmori of your countless reincarnations.
All reciprocated, by the way!
 
 
The Meters - Cissy Strut

A FANKITE ATTACK… THAT NOBLE ONE…
 
 
Baltimore Oriole

Motherless Children

I’ve completely fallen in love with this girl. I knew nothing about her… I take one record, then another, then a third… I think I’ll end up getting the rest as well. From what little you can read, she’s surrounded by the typical total misfortune both in her personal and professional life. Last-minute publications and missed signatures, ignored collaborations… fabulous albums that hardly receive any attention. Her first partner died suddenly and the second passed away two years ago… She followed him just a few hours later.

Basically a female Tom Waits, with a sprinkle of Janis Joplin and Patty Smith. Disjointed blues, clumsy RnB. Her voice is a grumpy, capricious, naive, childish lament…

I’m including her - even if she doesn’t fit the sound much - for a mini showcase within the showcase, and if anyone knows more and wants to talk about it, please do…

Thanks Sandy, “better late than never” fits well this time for IlConte…

#garagedintorni (218/3)