Alè... at the end of the second chapter of Note di viaggio we will find a song called Migranti sung by Guccio together with the musicians... rejoice @[Zimmy] and @[Ditta] Guccio's voice has appeared!
 
 
 
 
 
 
 
 
 
 
Picking up the brilliant idea of @[Martello], I would like to pay a sort of "tribute" to a great artist like Pino Daniele, that is, a ranking of his album popularity (stopping at Mascalzone Latino from 1989) from worst to best...

N°7: "Mascalzone Latino" (1989)
We are at the end of the '80s, and after three decent albums that were overall quite unconvincing, the definitive - and unfortunately last - tail end finally arrives. The path of "80s" sounds continues, but this time with excellent work done on the acoustic guitar (his technique has grown in an inversely proportional manner to his creativity) and with several little gems that are absolutely on par with the Pino of the golden years, this time definitely more so than the previous three albums. Not a masterpiece, but certainly a great album, even if - alas - Pinuccio’s path was already marked, and even in this album, in some small passages, you can feel it...
Overall rating 7.5

The masterpiece of the album: Anna verrĂ  (2017 Remaster)
 
 
@[dsalva] but then did you go where I told you Ingrandisci questa immagine Ritornerai - Bruno Lauzi.
 
 
 
 
THE ERA OF THE CHICKENS, or THE EPIC OF THE YARDBIRDS... (6)

The sound evolves, changes, not necessarily for the better, less blues and more riffs... Giacomino Pagina arrives...

The Yardbirds Heartful of Soul mix (Jimmy Page / Jeff Beck)
 
 
A Trial in Our Native Town
playlist Cope & Iggy n 16) ps: always worse.. or better, it depends :-))))
 
 
Watch "BUDGIE - Who Do You Want For Your Love (1975 UK TV Performance) ~ HIGH QUALITY HQ ~" on YouTube
BUDGIE - Who Do You Want For Your Love (1975 UK TV Performance) ~ HIGH QUALITY HQ ~
 
 
Picking up on the brilliant idea of @[Martello], I take the liberty of making a sort of "tribute" to a great artist like Pino Daniele, that is, a ranking of his albums (stopping at Mascalzone Latino from 1989) from the worst to the best...

N°8: "Ferryboat" (1985)
Only a year passes, and here comes this new album of unreleased tracks. An album that contains a -for many- unwelcome novelty: Pino loses his superband, which had accompanied him from the second album until Sciò. Anyone who has followed Pino since his early days can't help but feel disappointed by this album. Don't get me wrong: there isn't a single track that can be defined as "bad" or "unlistenable," but there are perhaps 3, at most 4, songs that can match the GREAT Pino Daniele. The rest, yes, maintains levels that are adequate or just above, but still lesser compared to the immense works produced earlier.
Overall rating 6.5

The masterpiece of the album: Ferryboat (2017 Remaster)
 
 
THE AGE OF COCKS, or THE EPIC OF THE YARDBIRDS... (7)

Still in blues orthodoxy...

The Yardbirds w/ Eric Clapton - Got to Hurry (1965)
 
 
 
 
 
 
 
 
 
 
 
 
Thus did Mike Bongiorno define them at Sanremo, in 1966. By literally translating the name of the band to "yard birds," he aimed to make the well-dressed and stiff audience at the festival smile, referring to them, by extension, as "Gallinacci," given that they could hardly speak a word of Italian... He, may his soul rest in peace, was unaware that "Yardbird" was the slang term for "inmate" but also for "grunt soldier."
Oh well...

Here we are still in the heroic era of blues orthodoxy... Clapton just a step away from John Mayall's Bluesbreakers...

The Yardbirds with Eric Clapton- "Louise/I Wish You Would" Live 1964 [Reelin' In The Years Archives]
 
 
 
 
 
 
 
 
 
 
Barclay James Harvest - Play To The World
 
 
 
 
 
 
 
 
'Tales From Monographic Oceans': a spontaneous journey across a stretch of sea, cutting through the isthmuses of some discographies (Pub-Rock 29, 12)
'Give me a pint of draught, give me some rock'n'roll': for a (brief) recap of a non-genre genre that encompasses everything we want from rock'n'roll. Thirst, sweat, and no tears, just fun: because the workday has been tough
12. Kilburn & The High Roads
Kilburn & the High Roads - Upminster kids
 
 
#new
Electronics and bittersweet singer-songwriter
A. G. Cook - Silver (Official Video)
 
 
 
 
Lately, it’s out of fashion to use the term Kraut, so I won’t say a searing descent into a dark world....
Squadra Omega - Rennes le Chateau
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
That's how Mike Bongiorno defined them in Sanremo, in 1966. By literally translating the band's name to "yard birds," he wanted to make the well-groomed and stiff audience of the festival smile by extending the term to "Gallinacci," since they hardly spoke a word of Italian... He, may his soul rest in peace, didn’t realize that "Yardbird" was the slang term for "prisoner" but also for "low-ranking soldier."
Well...

"We need to include 'For Your Love,' even though it was the over-commercialized song that made Clapton decide to leave them to secure a career rooted in the blues, which, in his view, the group was abandoning.... Here we see them with an unrecognizable Jeff Beck, somewhat subdued by having to simply accompany a song on acoustic guitar that, let's be honest, was just okay.... In a live version, he would have added an explosive solo, it’s clear... but here we are on TV...
The Yardbirds had much better arrows in their quiver....

The Yardbirds - For Your Love (1965) (Full version)
 
 
THE ERA OF THE YARDBIRDS, or THE EPIC OF THE YARDBIRDS... (9)

So defined by Mike Bongiorno at San Remo in 1966, where they presented this infamy along with Lucio Dalla, in the "new" lineup featuring two lead guitarists, Jeff Beck and Jimmy Page. The former had replaced Eric Clapton about a year earlier, while the latter joined them after a brilliant start to his career as a highly sought-after session musician... Mike Bongiorno literally translated the band's name to "backyard birds" and wanted to amuse the neatly dressed, stiff audience of the festival by humorously calling them "Gallinacci," since they were totally unable to speak a word of Italian... He, God rest his soul, was unaware that "Yardbird" was the slang term for "prisoner" but also for "foot soldier."
Oh well...

"We have to include 'For Your Love,' even though it was the over-sold song that made Clapton decide to leave them in order to secure a career in the name of the blues, which he felt the band was abdicating.... Here we see an unrecognizable Jeff Beck, a bit subdued as he simply accompanies an average song with acoustic guitar; let’s be honest, it’s not all that great.... In a live version, he would have added a blazing solo, of course... but this is TV...
The Yardbirds had much greater arrows in their quiver....

The Yardbirds - For Your Love (1965) (Full version)
 
 
 
 
 
 
6th: IVAN GRAZIANI
In '83 Ivan returns to play confidently, allowing the great Giampiero Reverberi to refine the arrangements, resulting in this Ivan Graziani. First of all, the album marks the evolution of the style from the previous Seni e coseni: on one hand, unforgettable ballads emerge such as Signora bionda dei ciliegi, Navi, and 140 km/h, which acquire a pathos and vigor that slightly diminished in some ballads of the previous album; on the other hand, we have hard and refined rock in the famous Il chitarrista and in the surreal story of Torna a casa Lassie. Throughout all this, the inspiration seems to have returned to the standards of our time, touching on the discovery of sex in Signora bionda dei ciliegi, a love story in the windy Trieste in 140 km/h, winning a night with a girl in a card game in Il chitarrista (which was co-written with Alfredo Rapetti, son of the legendary Mogol), and so on. To balance things out, Palla di gomma is included, where Reverberi's touch becomes almost bothersome, and the closing track Gran Sasso, a ballad with many good ideas but that doesn't captivate. Sales won’t pick up, despite the success of Il chitarrista and participation in various festivals, and like many other albums by Ivan, it will remain in obscurity. Nevertheless, Ivan Graziani is an album that regains the punch of the previous works, amplifying the slower moments while refining the more energetic ones, managing to avoid boredom almost entirely and capturing the listener’s attention with songs that are always original and meticulously crafted.

The gem: Navi
 
 
Watch "BUDGIE - BREADFAN" on YouTube
BUDGIE - BREADFAN
 
 
 
 
 
 
 
 
Watch "Motörhead – Overkill (Official Video)" on YouTube
Motörhead – Overkill (Official Video)
....
 
 
In the spring of '75, Bob Dylan crossed the heavy bars of Rahway State Prison in Woodbridge to meet in person Rubin “Hurricane” Carter, unjustly accused of triple murder by an all-white jury, just as the prosecutor was also white.

It was an emotional meeting captured by a famous black-and-white photograph that inspired Bob Dylan to write a song destined for history, a song that from the start achieved such success it was pressed as a 45 RPM, with 4 minutes on each side.

In '75, Bob Dylan also held a benefit concert for Rubin “Hurricane” Carter at Madison Square Garden, accompanied by Joan Baez, Joni Mitchell, and Allen Ginsberg, where he raised $100,000 for “Hurricane's” lawyers.

Thanks to the collective protest movement greatly influenced by Dylan's song, in 1985, Judge Haddon Lee Sarokin of the Federal Court declared that the trial had been tainted by racial motivations.

On February 26, 1988, all charges against the former boxer "Hurricane" were finally dropped, and he returned to freedom.

After Rubin “Hurricane” Carter's release, Dylan has not performed the song live again, but the memorable lines still resonate today:
“This is the story of Hurricane/
but it won’t be over until they clear his name/
and give back the years he lost/
They put him in a cell but he could have been champion of the world.”

Bob Dylan - Hurricane (Audio)