Far Away Blues

Ken Colyer - from "Back to the Delta"
1954 (Decca)

#jazzlegends
 
 
 
 
Ulysses' Gaze Opening Scene

Theo Angelopoulos (2 of 3)
"The Weeping Meadow" - (1995)

#35mm
 
 
Pino Daniele - Bella 'mbriana Tour 1982 [Speciale Mr.Fantasy]
Enjoy these last moments of beauty... tomorrow we start with the ranking on Pinuzzo.
 
 
 
 
 
 
 
 
 
 
 
 
Fall - Tempo House
Stone(r) 🍄
 
 
 
 
 
 
 
 
l'ascolto di Martello: Edoardo Bennato - È Arrivato Un Basti...

I found the listening experience from which the famous #masterpiece emerged.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Check out "Sonic Youth cover The Ramones" on YouTube
Sonic Youth cover The Ramones #mojoisapunkrocker. This is a gem.
 
 
 
 
 
 
Watch "Godspeed You Black Emperor - Yanqui UXO (Full Album) [1080p]" on YouTube
Godspeed You Black Emperor - Yanqui UXO (Full Album) [1080p]
 
 
 
 
Check out "The Clash - Should I Stay or Should I Go (Official Audio)" on YouTube
The Clash - Should I Stay or Should I Go (Audio)
#mojoisapunkrocker. Gnuranzia d.o.c.
 
 
masssì a bit of healthy ignorance, look Mojo, this one is even more clueless Whatever You Want
 
 
The Mothers of Invention = Wowie Zowie
 
 
Watch "No Fun" on YouTube
No Fun
#mojoisapunkrocker. If it weren't for me bringing ignorance...
 
 
 
 
 
 
 
 
Picking up the brilliant idea of @[Alemarcon] who picked up the brilliant idea of @[Martello], I allow myself, as a further kick in the... ahem, sneak preview of the columns that will start in a week, to create a ranking of the worst albums by Antonello Venditti (from 1991 to 2015, excluding "Dalla pelle al cuore" from 2007), from the least unbearable to the peak of absolute diarrhea.

N°1: "Goodbye Novecento" (1999)
And here we are at the gem. The grand vizier of all the horrible records by Venditti. The apotheosis of all the crap he has pushed onto the market from '91 to today: "Goodbye Novecento", a farewell to the millennium now at the dawn of its sunset. It’s an album that tries to depart from its predecessors, using more guitar arrangements and fewer electronic ones, striving to give a new "turn," moving (or rather, trying to move) from sentimental trinkets (which he had cozy-ed up to for a decade) to reflective and engaged themes. Successful result? Of course not! In fact, it manages to be even worse than the previous two albums, which at least, despite being of a very low general level, started off as pop without too many pretensions... and if the supposed engaged songs are things like the title track, "In questo mondo che non puoi capire," or "Fianco a fianco," then I much prefer "Ogni volta" and various atrocities. But the point is that this album also contains the most syrupy, vulgar, and unbearable love song, not only of Antonello but probably of the entire Italian singer-songwriter scene...

The masterwork of the album: Che tesoro che sei