Ingrandisci questa immagine
Reply to @[Marcorock]
Click on YOU AND THIS I LISTEN
 
Ivan Graziani | Tutto Questo Cosa C'entra Con Il R&R
Come under the moonlight to make "love" with me...
 
After the 10 worst things produced by Venditti, by Daniele, the column "L'inascoltabile Dalla" by @[fabriziozizzi], the Edoardo Smerdato of @[Martello], and the column "COME SPUTTANARSI UNA CARRIERA" in volumes by @[Dislocation], I feel it is right and necessary to mention the scraps from my previous two columns. There will be a total of 10 scraps, divided into two listens. We continue with Mr. Daniele from Naples. (in purely random order)
Pino Daniele - Come un gelato all'equatore
Pino Daniele - Ladro d'amore
Pino Daniele - Bella da vivere
Pino Daniele - It's Now Or Never
Pino Daniele - Continueremo a navigare
And let's also annoy @[dsalva] and @[Farnaby], as always.
 
Ennio Morricone - L'uccello dalle Piume di Cristallo

Drawing inspiration from the jazz film noir soundtrack review, I am reminded of the remarkable soundtracks by Goblin in the thriller-horror films of Dario Argento directed between 1975 and 1982. In particular, everyone remembers the famous little song sung by a child's voice in what is considered by the majority to be his masterpiece: “Profondo Rosso” (the fans might say Suspiria, but let them say that).

Well, that lalala, chilling and disturbing, even though performed by an innocent girl, which we know heralds the death (perhaps in a brutal manner) of the unfortunate character, is certainly rooted in our hippocampus; however, perhaps not everyone knows that the lalala was not an absolute novelty in silver films. Consider that at its debut, with the formidable “L’uccello dalle piume di cristallo,” which I consider one of the peaks of Argento’s work, there is a piece with a lalala sung by a young woman but more structured, which eventually expands into a mournful choir, a splendid piece that opens with a distant and unsettling ringing that we will hear again in other genre soundtracks. Who did Dario Argento choose for the soundtrack of his first film? Ennio Morricone.

P.S. For the soundtrack of Profondo Rosso, he wanted to hire Deep Purple, but they were too expensive.
 
#noclassics Mississippi Fred Mcdowell Good Morning Little School Girl
how much the listening to 80s garage bands has helped me
 
Can - Spoon (Live 1972)
The photonic jams that have been missing since the post Soon over babaluma phase, but we still love them just as much!
 
Stay tuned to #radiocapish

Let’s continue our showcase of jazz and film noir with the soundtrack (Various Artists) of Robert Altman's 1996 film: "Kansas City".

Here’s the tracklist: Kansas City (A Robert Altman Film, Original Motion Picture Soundtrack) (1996, CD) | Discogs

Enjoy listening.

Kansas City (1995) Soundtrack
 
#news Mele Manu & Ho'okani Pila
15th anniversary of a work by Mike Cooper. Remarkable as long as it stays on ambient/experimental sands, at other times it becomes too regular; it seems to me a well-crafted sound postcard or a magical landscape that always releases well-made musical notes. A work suited for this summer heat, and Cooper, a skillful painter of soundscapes.
 
Marquee Moon Give me some thumbs up, thank you!
 
Martina Topley Bird - Carnies
Fascinating and sensual
 
Crêuza de mä pe Zêna
I have chills... and not from pleasure...
 
Tuskegee Strutter's Ball

Don Byron - from "Tuskegee Experiments"
1992 (Elektra Nonesuch)

#jazzlegends
 
High Llamas - "Nomads"
Every time it takes my breath away, one of the closest things to Pet Sounds that can't be called plagiarism.
A great talent in arrangements, in the instrumental string progressions, the production of the strings section in Stereolab's "Emperor Tomato Ketchup" is, in my opinion, the pinnacle of the group and the album, in some sections more refined Kraut (unless one gets trapped in a nonsensical definition that means much more than others, everything and nothing.)
The discussion just had on these pages is pointless to reiterate.
 
#noclassics3 Blue Moon (original Al Bowlly, 1936)
I don't know if this is the original version.
 
Tango Whiskyman

(I'm obsessed, forgive me)
 
LES ENFANTS DU PARADIS - Trailer (Il Cinema Ritrovato al cinema)

Marcel Carnè (2 of 3)
"Les Enfants du Paradis" - 1945

#35mm
 
Ingrandisci questa immagine new version 2020. Definitely contagious!