#Sputtanarsiunacarriera - Pino Daniele

Pino Daniele - Tango della buena suerte

For me, who, during the worst of Pinuccio from Naples, had overlooked this marvel!
 
YouTube video non trovatoK8pHWy1ki3M.... tell us, tell us, but is the foreign experience for artistic or commercial reasons? I've never heard anything more stupid, it's a sign of the times. those over there..
 
Peter Lemer - Live 80's

Peter Lemer - from "Asilah 80"
1980 (Association Culturelle Al-Mouhit)

#jazzlegends
 
Ingrandisci questa immagine
fantastic....I'm signing up for Sardegna Sicura and you can select limba sardu........
 
Hitmen : I Don't Mind
Excuse me Brother @[sfascia carrozze], here we have another serious issue with the brainless one who, except for the Noble review of the Maestro, combines indecipherable photos and albums and even a film by Uillis...
@[imasoulman] can confirm
#maybe
 
SEREBRO - Mi Mi Mi (Official Video)

It's nice to listen to great music: and when the refrain is so powerful, it’s even better.
 
The Daily Planet (2015 Remaster) 1:34 the change of melody always makes me feel ecstatic
 
YouTube video non trovatozqTO6bQkWnk....you and I, a knot in the soul, the same desire to die and then be reborn, you and I.
 
Per una lira ... not just today..... but we remember you always!
 
So, JACK SAVOIARDI will interpret Farewell... I'm mainly addressing @[Ditta] and @[Zimmy] hoping that this one behaves well with those hands... even under the watchful eye of Mauro Pagani.
 
#new Sea Glass "Shift" Sea Glass - Splicing Shadows
the work that many groups do is soul shoegaze detached from the pedal board, leaving a deep melancholy
 
#Sputtanarsiunacarriera - Pino Daniele

Pino Daniele - Bambina

For me, who, during the worst of Pinuccio from Naples, had overlooked this masterpiece!
 
#beyondthespeakingeight Buffy Sainte-Marie - God is Alive, Magick is Afoot
Without beating around the bush, let's talk about a magical album; if you don't know it, make it yours.
 
Appendix of the Baroque Corner of Radiocapish ("at the court of the Capish King”) and clarification to be noted at the bottom of my page: Goldberg-Variationen (BWV 988) - Johann Sebastian Bach - recensione

Let’s dot the i’s as only a capish can (and must) do. Regarding the interpretations of the Goldberg Variations (Bach-Werke-Verzeichnis 988), I would dare to say that, as beautiful and personal as Glenn Gould’s version is (doubly beautiful, both in his impetuously youthful 1955 recording and his mature 1981 one; quite different from each other, as is obvious), the principal instrument on which this paradigm of “variations on a theme” best reveals its essence is the harpsichord. Both in the ancient (1933/'34) and magical recording (which practically coincides with the rediscovery of the instrument itself) by Wanda Landowska, and in Keith Jarrett's inspired rendition (1989). Although it is textually precise, the famous recording by Gustav Leonhardt (1978) feels a bit cold and mannered, while I prefer to refrain from commenting on others (there are options for all tastes). Unique, however, is the performance for string trio published in 2007 by Deutsche Grammophon, featuring Mischa Maisky on cello. For more on Maisky and the soaring suites for solo cello, refer to @[odradek]'s extensive page: Suites Per Violoncello 1-6 - Johann Sebastian Bach - Mischa Maisky - recensione

Therefore, if you really like baroque music played on the piano (a notion that’s hard to understand, except for the exception of G. Gould, which proves the rule), stick to Gould, because the others (I might be mistaken, but this is an opinion carefully formed after mooooooltiple listens) completely betray the spirit of the composition. And if you have to choose between the two Goulds, the mature one (in my taste) is the best. If you truly love Bach, first listen to W. Landowska's version (obtain it digitally or, even better, in analog; the one on yutub is quite poor). You will likely not be disappointed.

Best regards,
*

Glenn Gould plays Bach - The Goldberg Variations, BMV 998 (Zenph re-performance)
J.S.Bach "The Goldberg Variations" [ Glenn Gould ] (1955)
J.S.Bach, Wanda Landowska, Harpsichord Goldberg Theme & Variations BWV 988
 
Edoardo Bennato - Così non va, Veronica "I could even learn to play the harpsichord, but the saxophone has always been my forbidden dream."
 
Kevin Coyne & Dagmar Krause - I Really Love You I'm not joking, I wanted to hang Kevine Coyone behind the mirror because I'm convinced that behind the mirror there is a gallery (Just kidding). I know Coyone because he was nominated by a member of the Flaming Lips, but I don't remember the title, so nothing, and I didn't want to search like a fool blindly; they say he's good. Here’s the honesty.