Noel Gallagher's High Flying Birds - We're On Our Way Now [Official Visualiser]

The Chief is back❤️
Released just a few minutes ago.
First single, unreleased, from the best of "Back the Way We Came 2011-2021 Vol 1" which will be released in June.
 
Arti & Mestieri - Mirafiori
Furio Chirico is our Billy Cobham, period.
 
Christian Nostalgia (1983)

A special dedication to @[Dislocation] whom I know will appreciate it.
 
Spacemen 3 - OD Catastrophe (1986)

Can someone help me understand why the first Spacemen 3 is just so-so, while the second one is considered a monument?
 
Antônio Carlos Jobim - Wave - 01 Wave

Antonio Carlos Jobim - from "Wave"
1967 (A&M)

#jazzlegends
 
Never Make Your Move Too Soon

Ernestine Anderson - from "Never Make Your Move Too Soon" 1981 (Concord Jazz)

#jazzlegends
 
Sato-Sato some really good stuff! very good!
 
Manchester City FC Goal Song

Oh City you've got me singing the blues!!!!

Come on, come on, come on, the final is near!!!!!
 
Ingrandisci questa immagine
Picazzo, the crazy painter!
[a.k.a. the man who painted music while listening to the paintings] [28 out of 40]
 
Mexico e nuvole {1970} * Enzo Jannacci Puerto Escondido - 10 - Guantanamera listening to Mexico and clouds reminded me of this movie and this soundtrack that has nothing to do with it but fits well.
 
Willem Breuker Kollektief - Parabasis [A Paris / Summer Music] ☆☆☆☆☆

Willem Breuker Kollektief - from "A Paris. Summer Music"
1978 (Marge)

#jazzlegends
 
Ingrandisci questa immagine
Picasso, the mad painter!
[a.k.a. the man who painted music by listening to paintings] [28 of 40]

Preview
Double portrait of the Dukes of Urbino - Piero della Francesca (circa 1465-1472)

Among the most famous portraits of the Italian Renaissance, the diptych depicts the rulers of Urbino, Federico da Montefeltro (1422-1482) and his wife Battista Sforza (1446-1472). In accordance with the 15th-century tradition, inspired by ancient numismatics, the two figures are represented in profile, a cut that ensured remarkable likeness and precision in the details, without revealing their emotional states: the Dukes of Urbino appear indeed immune to turmoil and feelings. The couple faces each other, and the spatial unity is suggested by the light and the continuity of the hilly landscape in the background – the Marche landscape over which the Montefeltro ruled. The chromatic contrast between Federico's tanned complexion and Battista Sforza's very pale one stands out, a pallor that, apart from adhering to the aesthetic conventions of the Renaissance, may allude to the premature death of the duchess, who died young in 1472. On the back of the panels, the dukes are depicted being triumphantly carried on chariots, accompanied by Christian Virtues; the Latin inscriptions praise the couple's moral values. The presence of paintings on the back suggests that the two paintings, now placed in a modern frame, may have originally constituted a diptych.
Among Piero della Francesca's most famous works, the double portrait fits within the established relationship between the painter and the Dukes of Montefeltro, at whose court Piero repeatedly stayed, finding himself in contact with a cultured, refined environment that quickly became one of the most important cultural and artistic centers in Italy. The master reconciles the rigorous perspective learned during his Florentine training with the lenticular representation of nature characteristic of Flemish painting, achieving extraordinary and unparalleled originality. [source uffizi.it]

Associated LP of 1977
 
New Idea - Realtà
Pinnacle of the debut alongside the psych prog suite of "Come come come", two tracks that truly have nothing to envy from the Trolls' Searching for a land.
 
FU MANCHU - GODZILLA go go godzillaaah..
 
Maxophone - Elzeviro
Dark, jazz and folk in just over five minutes 👽