Alfredo
Alfredo
6 feb 22

DeRank™: 3,00

Cherubs - Heroin Man (Full Album 1994) years since I last listened to it, that bombarding of albums
 
RamirezAlHassar
RamirezAlHassar
6 feb 22

DeRank™: 1,69

Ermanno De Biagi ‎– Preludio finale
This game helps me pretend to be honest
What I say I say for this reason
What I say I say in silence
Damn, don't you feel I'm cursing?
But tell me you feel and that you're about to understand
 
adrmb
adrmb
6 feb 22

DeRank™: 10,00

Sally Oldfield - Water Bearer Oh my God, but it's basically Elisa if she were a good artist.
 
Almotasim
Almotasim
6 feb 22

DeRank™: 10,13

One Hundred Years from Now
#wilco Alpha Mike Foxtrot selected: Rare Tracks 1994-2014
 
Martello
Martello
6 feb 22

DeRank™: 7,07

Finally, Sanremo is over, everything is over. See you Monday for the big real-time commentary. I won’t say much because there will be a lot to talk about and I’d like to say it all at once, but I’d like to attach a little postscript here: the fact that Truppi didn’t receive any recognition, not even an award at the end of the Festival (Best Lyrics Award to Fabrizio Moro, are you kidding?) from anyone connected to the Festival is further proof that no matter how hard one tries to bring something made solely for artistic purposes and not to be a music merchant, it shows how wrong and lazy the mindset of our entire country has become. We are now forced to see useless characters like Sangiovanni go to Sanremo and receive disproportionate appreciation without even deserving it, while figures like Truppi remain sidelined in general indifference. And I’m absolutely not complaining that Truppi has not found success, that’s not important: it’s the fact that excellence and talent have become the exception in today's musical world (and not just that), becoming external satellites to everything with which they have nothing to do. As Truppi himself said, "better to bore a hundred than to move one" and I wholeheartedly agree with him, but at the same time, I wish these hundred would finally have the desire to listen instead of opting for the easier choice out of laziness. I know this is impossible, but I really wish something of value wouldn’t be thrown away into general mediocrity just because it’s more "difficult." I hope for next year at this point, even though hoping has now become just a wish thrown to the wind.
Tuo padre, mia madre, Lucia
 
sergio60
sergio60
5 feb 22

DeRank™: 25,82

Depeche Mode - Behind The Wheel (Remastered Video) a detail from this video...the coins falling into Gahan's hand...one is our 50 lire coin! ...also the small car loaded onto the tractor is an Isetta from Iso Rivolta...a bit of Italy..
 
Conteverde
Conteverde
5 feb 22

DeRank™: 9,64

The Style Council - Have You Ever Had It Blue (1986) full 12" Maxi-Single
But then a Venere rice can take more than 30 minutes to cook, huh.
 
dsalva
dsalva
5 feb 22

DeRank™: 1,69

Desperate

#unaltrochesiannoiavapoco

A semi-serious journey through the discography and countless collaborations of Tony Levin, in almost chronological order.
1985 Lawrence Gowan - Strange Animal
 
hjhhjij
hjhhjij
5 feb 22

DeRank™: 1,91

Open HD | The Fearless Vampire Killers | Warner Archive Here, this definitely isn't podium material, but I like it; I find it quite charming, a horror-tinged comedy or a comedy tinged with horror, with a deliciously unhealthy and "homemade" atmosphere and fitting sets. It even has some funny moments. Plus, it’s the "first" of many things for Polanski: the first color film, the first comedy (or at least, the first that’s so clearly lighter compared to his initial trio of films and most of his later work), the first with a sensibly substantial budget, the first where he had to argue with the producers. It's the third film out of four written together with Brach (there will be quite a few others) after the wonderful "Repulsion" and "Cul de sac," and the third with music by Komeda (after "Knife in the Water" and again "Cul").