kyra1
kyra1
1 feb 23

DeRank™: 34,64

Warren Zevon - Carmelita even though I hadn't heard it in a while, Carmelita by W.Z always has the same effect on me.
I remind you, Warren Zevon.
 
puntiniCAZpuntini
puntiniCAZpuntini
1 feb 23

DeRank™: 23,37

All Them Witches - Real Hippies Are Cowboys (Official Video) Of all the tracks released "free without an album" in recent months, this is definitely the best. Even "Tua Mamma Nonricordocosa" is not bad, and it's the exact opposite.
Led Zeppelin, we're coming to get ya, and we're phokkin cloUse.
 
vibration
vibration
1 feb 23

DeRank™: 0,00

The Arcs - Electrophonic Chronic (Full Album) 2023 even though the cover looks terrible, I’m curious to hear what they do, it might be interesting.
 
vibration
vibration
1 feb 23

DeRank™: 19,50

Un Chien Andalou (1929) - cortometraggio completo everything to understand or perhaps better the wall of mystery?
 
IlConte
IlConte
1 feb 23

DeRank™: 14,69

It's Just A Matter Of Time - The Tell-Tale Hearts

How wonderful to rediscover them all...
 
vibration
vibration
1 feb 23

DeRank™: 7,42

Bardo Pond ‎– Bufo alvarius, amen 29:15 (1995) FULL ALBUM and to be mean I could claim that only with "Amanita" can they justify their otherwise quite flat existence.
 
Stanlio
Stanlio
1 feb 23

DeRank™: 3,04  Enigmatico

"The Exterminating Angel" (El ángel exterminador) by Luis Buñuel, Mexico 1962 - Dramatic 95' - b/w

"Is 'The Exterminating Angel' a parable of the human condition?"

Luis Buñuel: "About the bourgeois condition, rather.

Among workers, it wouldn't be the same; there would certainly be a solution to being trapped.

For example, in a working-class neighborhood, a man baptizes his daughter, invites 50 friends for a party, and in the end, they cannot leave...

I believe they would somehow find an exit.

Why?

Because a worker is more accustomed to the concrete difficulties of life."

"The Exterminating Angel," a title Buñuel borrowed from a friend who was writing a play and who, in turn, had taken it from the Bible (Revelation), was initially supposed to be called "Los naufragos de la calle de la Providencia."

Probably, this is the most explicit work of the Spanish director.

A film "without meanings," as an opening caption in some editions (French and Italian) reiterates, Buñuel states, "If the film you are about to see seems enigmatic or incongruous to you, life is too.

It is repetitive like life and, like it, subject to many interpretations."

Buñuel claims he did not intend to play on any symbols, at least not consciously.

Perhaps the best explanation for "The Exterminating Angel" is that there is none.

"Sometimes I regret having shot 'The Exterminating Angel' in Mexico," says Buñuel, "I would have imagined it better in Paris or London, with European actors and a certain luxury in the costumes and accessories.

In Mexico City, despite the beauty of the house, despite all my efforts to choose actors who did not resemble just Mexico, I had to face a certain misery in terms of quality.

Showcasing just a napkin, for example, which then belonged to the makeup artist who lent it to me.

In life as in films, I have always been drawn to things that repeat.

I don't know why and I don't try to explain it.

In 'The Exterminating Angel,' there are at least a dozen repetitions.

For example, two men whom someone introduces to each other, and they shake hands saying, 'Very happy.'

A moment later they meet again and introduce themselves as if they didn't know each other at all.

A third time they finally greet each other warmly like two old friends.

On two occasions, but from a different angle, the guests are seen entering the foyer while the host calls the butler.

After the editing, Gabriel Figueroa (the chief operator and photographer) took me aside and said: 'Louis, something serious has happened.'

'What?'

'The sequence of when they enter the house has been edited twice.'

How could he have thought, even for a moment, he who had filmed both sequences, that such a blunder could have escaped the editor and me?

"The Exterminating Angel" is one.
  
adrmb
adrmb
1 feb 23

DeRank™: 6,45

Sleeping Beauty OST - 02 - Hail to the Princess Aurora Listening to the soundtrack of Sleeping Beauty while heading to work has something glorious about it.
 
Stanlio
Stanlio
1 feb 23

DeRank™: 16,38  DeSarder

Ingrandisci questa immagine
um, a bit of snow in Separadorgiu…
 
hjhhjij
hjhhjij
1 feb 23

DeRank™: 34,36

Genesis-Get Em' Out By Friday The ugliest song from every Genesis album, even from those albums where "ugliest" is a very relative term to mean "the one that’s slightly less wonderful than the others," otherwise what’s the point? Guys, I’ve just thrown one in randomly, I’ve given up. Here I’ve really given up. For me this is a perfect album, THE Genesis album in a sense. Not even for fun could you really find one to put in...
 
Stanlio
Stanlio
1 feb 23

DeRank™: 6,00  DeBastards

Ingrandisci questa immagine
@[G] or to other bilinguals, but how do you say "VI-A-EFFE-EFFE-NCUULO!" in tetesko? (asking for a friend)
 
hjhhjij
hjhhjij
1 feb 23

DeRank™: 38,37

Genesis For Absent Friends The ugliest song from every Genesis album, even from those albums where "ugliest" will be a very relative term to say "the one that's slightly less wonderful than the others," otherwise what’s the point? Well, here it was easy. Not because it’s ugly, far from it, it's a little gem, but it’s just a small compositional showcase by the two new entries, Collins (in his first solo vocal performance with the band) and Hackett, who co-write this delightful sketch together.