Cock Robin - Just Around The Corner (HQ)

#canzonisottolanaja
Memories of a world that no longer exists
14/18
 
Pather Panchali 1955 La vecchia zia Indir e il guava rubato

"The Lament on the Trail"
by Satyajit Ray (1955)

#35mm
 
African Herbs - Abdullah Ibrahim

Abdullah Ibrahim (Dollar Brand) (7 out of 10)
"African Herbs" from: African Herbs
1975 (Chiaroscuro)

#jazzlegends
 
Gilda Giuliani - Serena

#sanremo50annifa

- Hosts: Mike Bongiorno and Gabriella Farinon
- Orchestra: del Festival; Raymond Lefevre (repetition of pieces)
- Total pieces: 30
- Organization: Comune di Sanremo (Vittorio Salvetti)
- FORMAT: 1 performance per piece, 16 pieces qualified for the final evening. The selected pieces were 32 but the following were excluded: Terra che non senti by Rosa Balistreri (not considered unpublished) and L'unica chance by A. Celentano, who declared himself unwell.
Di Mescoli, Musikus. GILDA GIULIANI - SERENA
Points 1413 FIFTH place
 
MIRACOLO A MILANO I really recommend it
 
Ingrandisci questa immagine
COELUMBIA
[Action! It gets twisted!]

Episode [13x 30]
 
Ingrandisci questa immagine
COELUMBIA
[Action cut!]

Preview [13x 30]
Associated LP from 1970
 
Bruce Springsteen - Secret Garden (lyrics)

A gem of world music together with The River
 
Arthur Hurley & Gottlieb - Bobby's Song - 1973

#unochenonsiannoiavaperniente

An almost impossible attempt at a semi-serious journey through the discography and countless collaborations of Steve Gadd, in almost chronological order.
1973 Arthur, Hurley & Gottlieb - Self-titled
 
Led Zeppelin - We're Gonna Groove (January 9, 1970) Royal Albert Hall

Today, while I was listening to the Crawdaddys, a song reminded me of "my" guys...
 
Amon Düül 2 - Jalousie
Babooshka in Wonderland
 
Sanctified The Veldt
Strange characters perhaps too smart for me. In 2017 they blended soul with shoegaze to great effect with this track, while at other times they strayed from the path (for my tastes) with songs that sounded like a Prince meets Ride.
 
Knife-Edge - Emerson, Lake & Palmer [2012 Remaster] The Emerson, Lake & Palmer who don’t (or do?) bore me to death. This piece, the best on the album and one of the best overall from the trio, is for me the synthesis of what they should have been: the hybridization between influences and recoveries from classical scores and the electric rock-pop of the time, which here beautifully fuck each other, with that visceral and rock soul born of Wight, incendiary, beautiful, without Emerson veering off into a wannabe classical composer like he sometimes does.