Dreamless Night - Soma #space Horrible cover. It reminds me of 90s bands that dove into Jam touching on Space rock, Dub, Reggae, Psychedelia, acid guitar solos. They lasted a couple of seasons and then disappeared; I'm thinking of Magic Mushroom Band, Soma Ozric Tentacles (who lasted). Divine Soma Experience, and I can't remember anymore.
 
Dif Juz - Heset
#ilove4ad [A sonic journey through the catalogs that ignited my imagination]
A gift that has always been present in Dif Juz is audacity. Tireless experimenters, they guided the new wave through dreamlike territories until they brushed against the lands of jazz, long intersected and mixed even by reggae and dub. I can almost certainly sense that the afro-acid-jazz scene that exploded in London in the '90s is heavily indebted to Dif Juz.
In ethereal stretches reminiscent of the Cocteau Twins, the band of the Curtis brothers never veered into dream pop, remaining framed within an underground undergrowth of exquisite quality.
 
Do The Police Embrace?
Efrim Manuel & Kevin Doria
"Sing, Sinck, Sing" LP #2019
 
slowthai - UGLY (Visualiser) A magnetic blend of genres from one of the most versatile and interesting rappers in the Italian scene. Perhaps a bit too hybrid for hiphopheadz, but definitely appealing for all fans of the post-punk scene. Maybe we'll drop a review soon.
 
Ally Venable with Buddy Guy - Texas Louisiana

pagu pagu de sanu blues a mengianu!
 
I remember an old article in Ciao 2001 (what do the 2000s know about it?) "Filtered Europe and with Faust'o they're in two" it was 1983 but the masses preferred "to stay on the beach, drink Coca Cola surrounded by heavy nightmares" (find the three cited songs yourself) Gino D'Eliso - Cattivi Pensieri "Aquatic summer in Milan Anguish and watermelon go hand in hand" we could replace Milan with another city but it represents what I felt... PS Gino has a record four albums four different record labels.
 
THE PRIMATES - I Ain't Like You

What a RiFFuzz!!

Just one album. And then the Primates return to the jungle they came from.

Born in Youngstown (what better name for a band of stupid teenagers who enjoy answering the few interviews with chimpanzee-like verses?, NdLYS), the Primates arrive in Los Angeles on the emotional wave that carries countless long-haired folks to the Cavern Club in search of their moment of popularity. Erik Bluhm, Brett Miller, Ted Edlefsen, Brian Corrigan have that moment in 1986.

Just a moment.

And what would having a second be good for?

That single moment is enough.

Because that moment produces one of the most enjoyable garage records of the entire 80s, even though at the time it was dismissed as just a B-level album. Produced by Brett Gurewitz during his sixties-sound frenzy (he will also produce the second Morlocks album, the debut of Untold Fables, Magic Still Exists by the Leopards, and Drop of the Creature by the Steppes before briefly joining Yard Trauma, NdLYS) and Greg Shaw, We Are The Primates reeks of primitive garage punk.

It’s the itchy vulva of a Neolithic woman that opens up, primordial and hungry, the ancestral and wild scent of a female in heat around which these four Stone Age Monkees dance, stuffed with alcohol and covered in mammoth fur.

Those who love refined sounds should stay away, now more than ever, as it's all a jungle of maracas, essential chords, cembalo, and howls from a heat-stricken macaque. Three covers that seem tailor-made for them (Outside by Downliners Sect, Born Loser by Murphy & The Mob, I Got Nightmares by Q65) are so in line with the primitive style adopted by the group, plus a curious version of I Go Ape by an unsuspected Neil Sedaka and eight original tracks that are a devastating representation of basic beat wrapped in fuzz paper and Pretty Things saliva from the Get the Picture? era.

Then, nothing more: of the primates, except for Eric Bluhm who will become one of the finest American DJs, guardian of the purple haze of garage, acid rock, and folk rock from the Sixties, there will be no trace left, and even the reissue of their album, on Soundflat-branded vinyl, will go unnoticed, as no one will dare to speak about it, not knowing what to say.

Uh! Uh! We are The Priiiiiimates!!!!

The Rev
 
The Big *R*Lebowski*R*, the philosophical rug that sets the tone for the universe
Anton Dermota, Ilona Steingruber in Die Tote Stadt, Marietta lied

It was a nice clean story, it made me laugh. At least in certain parts.

That’s how the damn human comedy goes on...

I hope you had fun and that we’ll meet again along the way.
 
John Zorn - Bith Aneth

John Zorn (10 out of 10)
"Bith Aneth"

#jazzlegends