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 One of the ugliest albums I ever allowed myself the luxury to purchase and repeatedly listen to.

 This Album... turns out to be a Villaggistic 'Incredible Crap', literally played like dogs.

This review delivers a harsh and unapologetic critique of Necrophagia's 1987 debut album, 'Season Of The Dead'. The author recounts the frustration of purchasing the album as a young fan and describes the music as poorly executed with subpar production. Despite its rarity and underground status, the album is labeled a disappointing relic overshadowed by better works from the era. The reviewer acknowledges the band's later activity but warns fans about this uneven starting point. Read this brutally honest review and discover why Necrophagia's 'Season Of The Dead' is a controversial cult death metal debut.

 "Barbed Wire Maggots is an authentic, crystalline, ecstatic avant-garde delirium/martyrdom in its pure state."

 "It will be exclusively vivid, reverberating, blinding, damnably steep, sonic raving."

Borbetomagus' 1983 album Barbed Wire Maggots is a fierce celebration of unrestrained avant-garde free jazz. The trio of saxophones and guitar deliver an abrasive, intense sonic experience that challenges listeners with chaotic and raw sound layers. The album consists of two long, single-track sides that unfold as immersive, overwhelming sound deluges. It represents one of the most manically iconoclastic works in free jazz history. Dive into the chaotic brilliance of Borbetomagus' Barbed Wire Maggots and experience avant-garde jazz like never before.

 Only truly authentic mentally-blown individuals could think of offering their eager/foaming audience an EP-single with a mere 20 bonus tracks included, for a plentiful total hour of frenetic absurdities.

 Serious candidates for the role of the most unbalanced (and diabolically) sympathetic group of the new millennium.

Satanicpornocultshop’s .aiff Skull EP emerges as a cerebral, dadaist explosion of sound blending electronics, avant-garde techniques, and frenetic eclecticism. The EP features over 20 bonus tracks packed with fractured, hallucinatory compositions that challenge musical norms. From banzai-rap to electro-mash, the group’s unique approach makes them standout candidates for avant-garde innovation. The review praises their inventive spirit and the sheer breadth of their sonic chaos. Overall, the EP is seen as a compelling and unbalanced artistic statement. Explore Satanicpornocultshop’s wild .aiff Skull EP and experience a bold musical experiment like no other!

 The total fourteen tracks represented here skillfully and with measured savoir-faire balance between a substantial, never cloying indie-pop and a veiled folk-indie-rock attitude.

 Among the moments that most contributed to my personal perceptive satisfaction, I would include the truly splendid and Mariachi-Calexicana 'You/Aurora/You/Seaside' with its grandiose, epic-desert brass inserts.

Get Well Soon’s debut album skillfully combines indie-pop and folk indie-rock with subtle electro touches. Konstantin Gropper’s somber vocals bring out the melancholic and intimate tones throughout fourteen well-crafted tracks. Highlights include the mariachi-inspired 'You/Aurora/You/Seaside' and the electric crescendo of 'I Sold My Hands for Food.' The album stands out for its creative diversity and high musical quality, making it a pleasant and compelling listen. Listen to Get Well Soon's unique blend of indie-pop and folk rock and experience their captivating debut album now!

 "Made In Dakar first and foremost results in a work as fine as it is spectacular, with intense, typical, and enchanting West-Central African vocalities."

 "A remarkable work filled with suggestions: gracefully transitioning from the fragrant calypso-like aromas of 'Aline' to the cheerful jazz-tribaloid polyrhythms offered in 'Ndeleng'."

Made In Dakar by Orchestra Baobab showcases a spectacular return with enchanting West African vocals fused with Cuban salsa and jazz rhythms. The band, rooted in the 70s Senegalese scene and enriched by regional influences, offers a beautifully composed, though sometimes subdued, blend of Afro-folkloric and Caribbean elements. Their comeback after a long hiatus is marked by both nostalgic reverence and fresh musical insights. Despite a planned European tour, their absence from Italy remains a noted disappointment. Experience the vibrant fusion of African and Cuban sounds in Orchestra Baobab’s Made In Dakar—listen now and explore their timeless musical journey!

 An enveloping and sometimes uncompromising layer of grumpy liquid-metal steaming chopped through synthesizer is what ultimately determines the fourteen musical-fragments deposited here.

 Fifteen years ago, I would dare say they shattered the surrounding audience to an authentic beauty!

Grow-Speed-Injection by Swamp Terrorists represents the peak of the Swiss duo's career, blending rough industrial rock with harsh electronic elements. Released in 1992, the album features intense tracks marked by distorted guitars, complex synth layers, and EBM influences. Though today's listeners might find its sound dated or tame, it was groundbreaking and powerful in its time. The album remains a significant piece in the vintage techno and industrial music landscape. Dive into the intense world of Swamp Terrorists and experience the raw energy of Grow-Speed-Injection today!

 These nine sound-space-time breaches literally grab you by the scruff, shaking your unaccustomed peripheral-centralized perceptive system tectonically and seismically.

 There is a serious chance you won’t be able to do without the unusual concoction anymore!

The review celebrates Holy Fuck's self-titled LP as an energetic and eclectic collection of avant-garde dance tracks. The album blends layered, pulsating sounds with a playful yet intense approach that breaks usual musical boundaries. From surprising live recordings to dense, joyful sound compositions, the album captivates with its contagious vibrancy. Despite some restraint in early tracks, the intensity steadily builds, making it a must-listen for adventurous music fans. Listen to Holy Fuck's LP now and experience a thrilling journey through avant-garde electronic dance!

 The work evolves brilliantly, maneuvering between more restrained solutions and powerful shots with solutions, often unexpected.

 There is a clear sense that the four are fundamentally motivated by the best intentions to attempt to create a rock-blueprint that moves away from the usual sound-bacchanalian clichés.

Charlottefield's second album 'What Friends Are For' delivers a well-balanced fusion of noise-rock and post/math-rock. The band evolves beyond common genre clichés with fresh execution and notable lyricism. Released on FatCat Records in 2008, the Brighton quartet shows intention and skill to create a distinct sound. The album features dynamic tracks that maintain controlled intensity and sharp edges. Overall, it marks a convincing step forward since their 2005 debut. Discover Charlottefield’s dynamic fusion of noise and math-rock—listen to 'What Friends Are For' and explore a fresh take on classic rock energy.

 The ancestral pantallassa flows copiously and (im)materially, murkily inexorable from the depleted speaker cones.

 One of the most chilling and simultaneously fascinating sound-totems I have encountered from the deep space in the last seven-and-some decades of (bucolic) lived life.

The review describes Mersault's Raimond & Marie as a dense, abstract, and challenging album blending electronic elements with percussion and double bass. The music evokes complex and elusive moods, compared to a murky sound marshland. While the album can be difficult to appreciate and initially repellent, it offers a chilling and fascinating sonic experience for adventurous listeners. The reviewer respects the unique artistic approach despite the demanding nature of the work. Dive into Mersault's Raimond & Marie and explore this daring experimental soundscape today.

 A moderate, austere, sober program that finally focuses on the essentials and does not transcend into flamboyantly excessive and timelessly sycophantic sound-opulence.

 Forty-five overwhelmingly dense and demolitive minutes... shattering in its miserable minute easily outclasses what the best Godflesh often could not accomplish.

The Austerity Program's debut album Black Madonna offers a raw, austere sound that avoids excess and focuses on essentials. Featuring a distinctive mix of cancerous guitar riffs, groaning bass, and robotic drum machine beats, the album delivers dense and intense sonic experiences across 45 minutes. Praised for its minimalist yet powerful execution, it stands out in the post-metal and experimental scene. The album was released by Hydra Head Records, known for its quality sound releases. Listen to Black Madonna now and experience The Austerity Program's powerful, austere take on post-metal and experimental music.