Pat Metheny, Joni Mitchell, Jaco Pastorius, Michael Brecker - "Shadows And Light".

I know, we are at the limits of Withorism here.
But there might - I say might - still be someone who has never heard this... there is no human (or divine) epithet worthy of defining it.
There may even be someone who listened to it and didn’t like it: in that case, the breakdown akin to a horse with a broken leg in the middle of the desert with an empty water bottle would put an end to their tragic & useless suffering.
 
Led Zeppelin - Moby Dick (Live at The Royal Albert Hall 1970) [Official Video]

When the zebra gets deflowered by the Neapolitan donkey, and you’ve drunk a tanker full of Merlot, and then you go to the usual nightclub to celebrate.
When, after downing a couple of Glen Livet 12 Years, you improbably meet a beautiful woman who talks to you about her sexual shortcomings and offers you another drink.
When, while taking her home (hers, obviously), you hear this track on Radio Capital that you make?

But you think of the Noble @[IlConte]!
Do I have to explain the obvious to you every time?

Of course, we won’t remember anything from the aftermath, me and Petra who is reading what I’m writing. But now I have to close, and #whatdoIdoIlLetTheBloodFlowWhereItN eedsTo
 
Pat Metheny & A.M.Jopek "Are you going with me" (audio and video restored)

I have always been, ever since I was a teenager, the kind of guy who preferred smart girls; not because it was a deliberate choice, quite the opposite! But because I found myself obsessively thinking that if I ever fell in love, those girls would keep their distance.

Everything was great until—how could it be otherwise?—I met HER. The one that all the guys fear: the one who seems TRULY in love with you. And maybe she is, for the moment.

Anyway, it doesn't matter, and let's get to the reason for this song, specifically this version, precisely because—surprise!—it features an extraordinary female presence. To cut a long story short, I play this track for her in my Caddy, I believe on Mulholland Drive, if I remember correctly, and I ask her: "Do you want to come with me?" But in the sense of “do you want to marry me?” She looks at me with those eyes, full of sea, smiles with that girl-next-door smile that knows she has just become a woman, kisses me passionately, and says: "You don't understand anything."

Both of us, years later (never count them!) whenever we see each other, hug like sisters and laugh heartily together. In fact, we have both happily multiplied our lives, but without ever getting married: and the laughter comes from simply realizing how much money we saved on stupid lawyers.

That said, Pat’s Solo (my daughter is indeed named that, in the registry) would have melted even the iceberg that sank the Titanic. But female intelligence is a divine thing and doesn’t fall for teenage passion. At least in my case.

But SHE (my Pat), the love of my life, when I tell her this story, says that I have the same gaze as JJ Cale (rip) when he plays his guitar at dusk on a porch, with a bottle of beer resting on the floor just a few inches from his right foot: that same gaze that seems to perceive other things than what appears. And that her mother doesn't hold it against me too much for this.

Ah: the two—actually three—have never met. But that's a coincidence.
 
Star Trek: Strange New Worlds | Official Trailer | Paramount+

I'm someone who, as a good middle-aged Friulano & mindful of the advice from my youthful girlfriends (I always paid, after all), tries not to rush things. So I watch TV series with an easygoing attitude whenever, however, and for whatever reason I choose.

For instance, while I appreciated the first season of "Euphoria," I certainly don't feel motivated to endure the second one. When it comes to "Star Trek," though, that's when the famous "embolism" kicks in.

After the bitter disappointment of "Discovery," where they kill off Michelle Yeoh right in the first episode - whom I had already decided would be the successor to Kate Mulgrew - in favor of the implausible Sonequa Martin-Green, unattractive and totally "fish-like" as a character; after barely saving myself in the third season of "Picard," I was dreading the view of these strange new worlds. But no. I just watched the first episode and I cried!

All of Gene Roddenberry's spirit is here, along with his utopian vision of a humanity that can transcend its violence and misery; one that can aspire to the stars: to go where no one has gone before.

There are no usual billions of deaths, no idiotic villains, no sex violence & gunfights for now.

I needed this!

P.S. Avoiding binge-watching will be extremely difficult for a die-hard Trekker like me. But on certain things - to return to where I started - one shouldn't rush. Meow.
 
Roberto Vecchioni - Luci a San Siro - Standing ovation - Festival Show - Arena di Verona

This is a challenge to him, he knows who I’m referring to.
I don’t know his faith, in football and otherwise, but I know that a real man (except for Emilio Fede) can’t change two things: his Mamma and his Team, even if he doesn’t give a damn about either (Ahr!).
Now I expect, from a true connoisseur of songwriting as he is, a fitting response. Hoping he knows that there is only one song – written by a Great Milan supporter from the other side of the Navigli – that can surpass this. For sadness, love, heart & coratella.
The ball is in his court!
 
Francesco De Gregori - Disastro Aereo sul Canale di Sicilia

Everyone knows everything about the beginning of the end...
 
Samuele Bersani - Lo Scrutatore Non Votante (Official Video)

Nothing special, but it came to my mind while watching a report - I think it was from Telerompo - about the extraordinary Sardinian scrutineers.

Now I know why the vice-God @[sfascia carrozze] has disappeared from the radars.

Ps. The whole world - not just this one - is there with her, there.
 
Pepè la puzzola

Well, yes, cursed @[withor].
I aspire to topple his throne!
And let it be known that I tied a duel in the last panel - about the risqué pocket books of the 70s - with none other than the NOBLE @[IlConte]: not just any random guy!
I thought I had finished him off with a “Zakimort,” but he still had one shot left in the chamber.

I know that both of you, even though you’re MUCH younger than me, are true hellfire embers, but it’s precisely this that - as Pepè would say - makes the challenge more exciting!
 
Miles Davis & Chaka Khan: Human Nature (live in Montreux 1989)

A Miles, now at the end of his rope, has once again fallen into the white illusion.
But what's beautiful about that muted trumpet?
There’s a note: just one.
The one he never wanted to play.

The one that took pop elsewhere; the one that inspired a lot of music - especially in the eighties - in directions different from pre-Salvini populism.
 
Genova per Noi - Bruno Lauzi & Paolo Conte

This time it’s not Withoriana: it’s that Zena is giving us two pears, for now.
Honor also from the Friulian fans with whom I’m watching the match.
They haven’t killed me yet.
For now.
 
PAPAVERI E PAPERE | Nilla Pizzi | Canzoni Per Bambini

But why are all the young people so tall tall tall and I was born a little duck?
Seriously!
Everyone is over a meter eighty wanting to grow.
But I defend my miserable one meter seventy!
We short ones are much fiercer than the tall ones: because they have to bend down, and an uppercut hurts.
A lot.
The Noble @[IlConte] will understand, even if he's much taller than me.
 
Claudio Baglioni - Mille giorni di te e di me (Testo)

Has the romantic @[withor] never posted this?

"Tiiiiiiiiiiiiiipreseeeeeeen toooilveecchioamicomiooooilrricoror doditééééépertuttoquantoiltempoiom' innamorerooooditeeeeeeeeeeeeeeeeeee .....
"Pling Pling Pling Plong" (piano notes).

Ps. Since I've revealed my secret identity, and you’ve seen my face in your eyes, nothing has changed: I am and will remain the usual frivolous, friendly neighborhood spider-man.

Pciuck DB: I adore you!
 
Roma roma roma - Antonello Venditti - Con testo

Tvttociò because I HATE lazzio.
For various reasons that I don’t want to explain here, right now.

That’s why I want you to understand the meaning of this bullshit.

"Why do laziali buy take-out coffee without a lid?"

To lose the aroma!

There you go.
 
link rotto

Who knows if and what will be seen.
 
Turnaround - Pat Metheny Solo Transcription

Here we go. See? It’s all right here!
What does it take?
If I meet that kid, I'll knock him out!
I understand what he's doing, and how he's doing it: but playing "Turnaround" is deadly! Because - as the title wickedly suggests - this apparent "easy piece" (I can’t help but think, not by chance, of the immense Jack Nicholson in 'Five Easy Pieces') is all about fooling around.
But not like that, haphazardly. Because you need an ear and the pack immersed in the bucket! Ugh.
 
Umberto Tozzi - Se non avessi Te Live - Parma (part 4/23)

Now I don’t know, you don’t know, that evribrétiuteic I would die as long as aillbinùaccinghiu!
Maybe I would leave and get lost in another one, to search for what isn’t there, if I didn’t have @[withor]
Ps. With this, I’ve dealt out the last dose of my decency.
Poor Marco!
 
Belli capelli (De Gregori)

I wonder if I can surprise & lovingly tease the Most Noble & nostalgically dear @[withor]
Yes, because here there are all the (positive) stigmas of his indelibly romantic being.
Except that the piece is NOT exactly as well-known as those he usually gets us used to posting.

And then I take this opportunity to find out what he thinks about the prince, whom he doesn’t seem to mention often.

Or is it a superficial analysis of mine?
 
Police People

I was reminded – as if I really get to decide what the hell crosses my mind – of the great Ferruccio Montanari, sublime graphic designer and architect from Udine, whom I met when I was working at "Arti Grafiche Furlane."

He introduced himself to me with a piece of tracing paper, some masking tape, and text in huge letters featuring the "A" of Architecture, and he said: "See, just enlarge the 'A' and place the tracing paper over it, secured randomly with the tape, so that it’s clear we’re talking about craftsmanship. Then throw it all in the repro camera and you're done."

Did you understand anything? No? Can you imagine me back then, shitting my pants just seeing God talking to me!

The result was a stunning poster, made of genius, craft, and respect for those who do the “dirty work” but need to understand it, otherwise the result wouldn’t have the same flavor (synesthesia).

And that’s the reason behind the cover of this Pat album, coincidentally, pure Free Jazz.
 
Dune - Parte Due | Trailer Ufficiale 3

Guys: I’m itching! Actually, Fremen!
February 28 is approaching.
And this time I’m going to the cinema.
Entering half an hour after the scheduled time, of course: this time I won’t let them shove their damn advertising down my throat!

I've already said everything I wanted about the book (the first and only one I've read from the Saga), and I’m pleased that those who don’t share my opinion have expressed their disagreement in a calm and respectful manner. Unlike the current trend, where any criticism of one's beliefs is taken as a personal insult, and unspeakable insults are hurled at those who criticize it.
So, BRÁO DEB!

For this reason, I feel allowed to confirm my aversion to Lynch’s film (there’s a LOT worse, for heaven’s sake!) by citing an excerpt from the excellent article in today’s CdS that I have right before my eyes, in front of a good Merlot.
"... he was able to continue to delve" Villeneuve "into the pages of Herbert that David Lynch got stuck on in 1984, after Alejandro Jodorowsky, despite the magnificent storyboard drawn by Moebius, was unable to find the right fit."

I repeat: maximum respect for those who love that film!
But I saw much of the aforementioned storyboard because it was published by that GREAT magazine of Illustrated Narrative that was "Comic Art". And I assure you that the idea of the "Lord of the Ring" (masterfully etched by Escher - the ants, remember?) was very far from what was seen in the film.
Ugh!
 
Antonello Venditti, Gato Barbieri - Modena (Live)

When I get that well-known hypochondria but the bottle isn’t empty yet, when someone decides that it doesn’t seem appropriate to continue living in this wo(r)ld, this song kicks in.

Thinking that this piece is contained in "Buona domenica" only heightens the discomfort felt when things come to an end. To think that it was written by the same person who sang about wounded stags, of Mary Magdalenes, of Seveso and of Lilly is nothing short of disorienting.

Yes, because here it seems to be talking, apparently, about the end of the Italian Communist Party. But it's not just this end – already foreshadowed by Moro's murder – that scares, but rather its inevitability.

How Venditti managed to write this absolute masterpiece after the horrible "Sotto il segno dei pesci" (essentially the end of "cantautorato" as such) is incomprehensible to me.

Yet in this pearl for the pigs remains, indelible, the baritone sax of Gato Barbieri, with its piercing high notes, screaming the rage of those who know it’s going to end badly but don’t give a damn.

Something that screams until it breaks: something that hopes even if hope belongs to a past future. Something terribly human lost who knows where. Yuk!
 
link rotto

Protonuragic pride.
If she, over there, @[sfascia carrozze] is there, let her be!
 
That's The Way I Feel Now A Tribute to Thelonious Monk 1984

Another one of those vinyls (complete with the "scrócchio" of the cellophane, with the various rituals connected to the first listening: by now you know me #maybe) that ignited my intelligence, which was dormant at that time due to various substances and alcohol. So much alcohol.
I don’t think I’ve posted it here, but it doesn’t matter if I did.

The respect with which these stratospheric musicians - not all purely Jazz - approach his art makes it clear that this man was not from this fucking planet.

Many Rock-oriented musicians I used to hang out with were quite annoyed at first when I forced them, under the threat of withdrawing my greeting, to listen to him. But then they listened to the original tracks and reevaluated their approach to musical knowledge.
A true musician "feels" when the stuff is good, regardless of who is peddling it. Ugh!
 
Roma roma roma - Antonello Venditti - Con testo

The best Venditti, tonight.
Almost better than what he sang after Cicciograziano's missed penalty in the Champions final against Liverpool.
Oh well, those are Ambrosian things.
But being seven points ahead of the goblins, with a game (against the Dea, damn it!) to recover isn’t the worst of all possible worlds.

And on Monday the thieves will play against Udinese: try to guess who I’ll be cheering for!
I’ve already learned the anthem, and my friends from Friuli have assured me that they won’t kill me. For this time.
 
Midnight on the Water

Of all the versions of this piece, this is the one that takes me away.
There, on the midnight waters, with the stars filtering through the trees.