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DeRank : 39,03
DeAge™ : 7563 days • Here since 25 september 2005
Johnny Booth Firsthand Accounts
Voto:
But are we really (I mean really) sure that this is actually an Astruso album?
Let's see what the ineffable Treccani has to say about the adjective used:
"Hard to understand due to excessive subtlety or abstraction."
Now, since I don't know who (or what) these Giovanni Cabinati are, I wanted to look up and eavesdrop on the DeBrano through which the drummer would risk losing ankles and wrists.
Well, while I candidly admit that the Niumetal represented here isn't exactly my daily (unleavened) bread, everything seemed to me to be anything but an ear manifestation of too abstract and subtle a nature.
But if you say so, there, I trust you.
Even if only moderately.
Fontaines D.C. A Hero's Death
Voto:
Mabbaccagai!
Bobby Joe Long's Friendship Party Semo Solo Scemi
Voto:
Here, exactly, let’s not ruin it too much, as life is already boring enough (and short) on its own.
Afterhours Germi
Voto:
I got to know X-factor thanks to Anastasio.
Who, as that old ram @[algol] well knows, really rocks like few others, it’s known.
Anastasio, not Algol.
Dua Lipa Future Nostalgia
Voto:
Intrigued by DeRecenza, I confidently clicked on the link(o) to the tubbo under the DeCopertina: I believe I held out for about 30 seconds. Getting to the overall thirty-seven minutes, I admit, seems incredibly tough.
Can Ege Bamyasi
Voto:
I seem to remember that I had listened to it and I (also) liked it.
It had seemed very "modern" to me.
But, in fact, I don't remember anything at all anymore.
As usual.
Vincent van Gogh Campo di Grano con Volo di Corvi
Voto:
This is the spvto (on canvas) givsto!
Sabina Fedeli; Anna Migotto #AnneFrank. Vite Parallele.
Voto:
I apologize for the DeDomanda but since I am not very (actually not at all) "social," I ask you:
what is the purpose of all these #ascitagghi present in the DePagina?
Just #tomeknow.
Peter Howell and John Ferdinando Alice Through The Looking Glass
Voto:
Since I didn't have anything of interest and/or intelligence to say (as usual), I limited myself to trying to do something (un)useful: to search for the image of these two psychedelic-bucolic lost souls and associate it with DeRecenza. Here it is.
Kurt Vonnegut La colazione dei campioni
Voto:
Everything is very interesting.
But my useless question is (or would be):
do you have to have necessarily read the "classics" (yes, but which classics, then) to be able to proudly claim ownership of the "galloni" and subsequently to talk/write about a book (specifically about DeBasio)?
Thank goodness (for as many as should return on all fours due to manifest ignorance) we are not at sqvola nor on Ondarocche, therefore the concept of (so-called) preparation should really be disregarded.
We do not write about books: we write about ourselves.
#perhaps