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DeRank : 39,03
DeAge™ : 7564 days • Here since 25 september 2005
The Soft Machine Volume Two
Voto:
Forgive the non-commentary intrusion: there is a REPLICANT GHOSTLY FOOL "around" (see the de-review of Africa Unite..) that in an invisible manner (i.e., not in bold) tends to de-comment futile soliloquies with my miserable nickname... know that the text-destroyer will always and in any case be WELL READABLE. Thank you and sorry for the wasted de-commentary space.
Neil Young & Crazy Horse Everybody Knows This Is Nowhere
Voto:
Forgive the non-de-commentary intrusion: just to de-report that there is a REPLICANT GHOSTLY FELLOW "around" (see the de-review of Africa Unite..) that invisibly (i.e., not in bold) tends to de-comment vain soliloquies with my miserable nickname... know that the text-breaker will always and anyway be EASILY READABLE. Thank you and sorry for the wasted/de-commentary space.
Daft Punk Discovery
Voto:
Forgive the non-commentary intrusion: there is a REPLICANT GHOSTLY FOOL "around" (see the de-review of Africa Unite..) that in an invisible manner (i.e., not in bold) tends to de-comment futile soliloquies with my miserable nickname... know that the text-destroyer will always and in any case be WELL READABLE. Thank you and sorry for the wasted de-commentary space.
Tom Waits Mule Variations
Voto:
Forgive the non-decommenting intrusion: there is a REPLICA GHOST FOOL “around” (see the de-review of Africa Unite..) that invisibly (i.e., not in bold) tends to de-comment empty soliloquies using my miserable nickname.. know that the writing-crasher will always and forever be CLEARLY READABLE. Thank you and sorry for the wasted/decommenting space.
Affinity Affinity
Voto:
Dear De-Reviewer Monsieur Moro, in the face of the verbosity wrecking havoc on de-reviewing one’s preferred albums... jokes aside, what a lovely de-signal from you: I admit I am not familiar with the work in question, let alone the de-reviewed group. Another reason for interested re-search. Regards aplenty. Your mefitice S.C. of (distrust).
p.s. there’s an idiot “around” (see the de-review of Africa Unite..) who in a FANTASMIFORM manner (not in bold) tends to de-comment vain soliloquies with my miserable nickname... rest assured, the damaged writing will always be CLEARLY READABLE.
Africa Unite In diretta dal sole
Voto:
Damn... I knew I had a certain following within the welcoming Debaserian site, but even a FOOL as well as an UNNECESSARY and ghostly replicant seems really excessive... I'm sorry Monsieur Mauri that some idiot, in the mood for childish little tricks for a few pennies, pretends to be someone else... In any case, it is and will remain (of course) GHOSTLY, so from that, one can infer Your obvious FALSEHOOD. Setting aside the idiots (No Lars Von Trier relationship), I must say that the album in question is quite pleasant to the chaotic ears, so a good four/fifths is something no one can take away from you. Best regards. Your Scarrozzator di (s)fiducia.
The Departure The Dirty Words
Voto:
Dear de-reviewer Monsieur Marianone, I say that it certainly does not invent anything, but it is definitely enjoyable, "fresh," and lovely: whether they "melt" in the warm autumn sun tomorrow morning (as likely), that is really a different story.. Warm regards. Your S.C. of (dis)trust.
The Departure Dirty Words
Voto:
Dear de-reviewer Monsieur Luca Sparna, I confirm that it certainly doesn't invent anything, but it's definitely enjoyable, "fresh," and delightful: whether they "melt" in the warm autumn sun tomorrow morning (as is likely), well, that's really another story altogether. Kindest regards. Your S.C. of (dis)trust.
Pixies Come On Pilgrim
Voto:
Dear De-Reviewer Monsieur RingoStarfish, I confess (after all, we are among a select few... and especially since the address-wrecker is not widely known at the moment) that I do not globally appreciate the Pixies' artistic parabola, thus meriting immediate and unappealable expulsion from the (spacious and welcoming) Debaserian context: perhaps because I only discovered them retrospectively (if I'm not mistaken, I only heard about them for the first time in 1990 with the release of Rubayat - a compilation for the 40th anniversary of Elektra Records) and they are therefore not a fundamental contemporary. It is also true that I dedicated more than one interested listen to them (mid-nineties), which at times almost convinced me entirely of their goodness/eclectic expression: among the mentioned lot, I would prefer the excellent "Surfer Rosa." In any case, a most commendable de-review. Respectful greetings. Your S.C. of (s)trust.
Yngwie Malmsteen Concerto Suite for Electric Guitar and Orchestra
Voto:
Dear De-Reviewer Monsieur Aniel, considering that the first of January is far from being repeated and also that the muflon-like carriage-wrecker despises "commanded celebrations" (Christmas, Ferragosto, etc. etc. are almost completely excluded from the wrecked agenda), I fear I will not grant many chances (de gustibus, as you rightly allow) to the virtuous (and rather pompous) "guitar-hero" (in H/M, as well as Metal Shock, in the mid-eighties, they always referred to him this way..) with a Swedish flair. As they say (in such cases) "I've already given" (unfortunately). Cordial regards. Your S.C. of (distrust).