sfascia carrozze

DeRank : 39,03
DeAge™ : 7564 days • Here since 25 september 2005
Fred Buscaglione A qualcuno piace Fred
Voto:
Dear Mr. RingoStarfish, more than a de-review, a heartfelt, heart-wrenching, noble tribute to a great artist who (unfortunately for an eternity now) is no longer with us (and given the recent bright nights..) and who almost seems to have never existed (such is the qualitative gap with too many of the current Italian "artists"). Remarkable de-signation. Respectful regards. Your trusted S.C.
Ane Brun Spending Time With Morgan
Voto:
Dear De-Reviewer Monsieur Claudio ilvascio, frankly, I am not familiar with the artist in question (let alone, obviously, the de-reviewed album); it would seem (conditional is necessary, having no prior knowledge) to be a pleasant yet varied work by the gracious mademoiselle Ane. Thank you for the de-notification. Your trusted S.C.
Apocalyptica Inquisition Symphony
Voto:
Dear De-Reviewer Monsieur Aniel, while respecting your esteemed de-analysis, disregarding the technical level of the execution, I do not quite agree with the evaluation of the work of this Finnish ensemble: sterile reinterpretations with (pseudo)cult undertones that are almost (de gustibus) irritating. Best regards. Your S.C. of (dis)trust.
Pixies Trompe le monde
Voto:
Sfascia: Hey Carrozze, did you like this de-review?
Carrozze: Well, I mean, a bit too fanciful for my tastes.
Sfascia: Yeah, but it's smooth and pleasant to read.
Carrozze: Sure, but it says practically nothing about the album; what kind of pseudo-review would that be?
Sfascia: What does that matter? Here everyone expresses themselves as they see fit and says what they like the most.
Carrozze: I agree with you, but let's suppose someone really wants to know how this Pixies' final gasp sounds..
Sfascia: I think it's an excuse to encourage the curious to give it a listen anyway.. do you really think that de-readers are influenced by "normal" de-reviews once they've read them?
Carrozze: I agree, but.. personally, I would have preferred a less lysergic and hypothetical comment, and one more focused on the sonic material (which is still appreciable) contained within it.
Sfascia: You know what I say? DE GUSTIBUS
Carrozze: I completely agree with you; a nice DE GUSTIBUS and let's not think about it anymore.
AA.VV. The Crow Soundtrack
Voto:
Dear Monsieur De-Commentatore Mister Gargamella, if you allow me, I would like to offer you a few tips worth four thalers: THE ADDICTION by Abel Ferrara or "LOST HIGHWAY" by David Lynch.. truly cursed films: I will stop here. Best regards. Your trusted S.C.
Necrodeath 20 Years Of Noise 1985-2005
Voto:
Dear De-Recensore Monsieu BarthoryAria, (albeit late) I share the review and also the witty notes (ethical and ideological) that accompany it; regarding the group, I must tell you that the humble wrecking ball jealously guards the first demo by Peso and company, so let's say I am quite familiar with the de-reviewed material... Personally, I would consider the first work (I.T.M) truly unattainable, and not just within the narrow patriot tricolor borders: concerning the rest of the abundant discography, I wouldn’t be so enthusiastic. In this sense, I would assign only a more than minimal sufficiency to the whole. Kindest regards. Your trusted S.C.
Van Der Graaf Generator H To He Who Am The Only One
Voto:
Dear De-reviewer Monsieur MaSo, I will be as concise as you: One - Five. You distribute. Regards. Your S.C. of (dis)trust.
AA.VV. The Crow Soundtrack
Voto:
Dear De-Monsieur Mister Mauri, sincerely one of the most absurd/horrendous films I have seen in the last 8,000 years: unfortunately, the soundtrack in its entirety (except for a few scraps) follows the film closely and faithfully. Nonetheless, warmest regards. Your S.C. of (dis)trust.
Behemoth Demigod
Voto:
Dear de-reviewer Monsieur Mister Mayhem, while respecting your vision of things, I must tell you (having been a great admirer of the genre in question) that I recently had the opportunity to listen to your de-commented album: extreme metal that is, all in all, "fun" and still appreciable; however, I would consider (a very personal opinion, therefore de gustibus) that it doesn’t go much beyond a slightly more than modest sufficiency. The genre, although magnificently executed (whether one likes it or not), in which the jolly - I hope - Demigod flounders, has practically expressed everything expressible (and this is attested by someone who has listened - at times - ONLY to "that" genre for years... and years, let’s say from '85 to '94/95): the harmonic solutions (if one wants to stay IN the genre...) are what they are... and too often imagination (especially from the new hot-headed kids, but also from the old-timers...) is frightfully lacking; sheer blind fury (in the long run) proves to be totally sterile, unsatisfying, and unproductive. Nice but nothing more. Best regards. Your S.C. of (dis)trust.
Ludwig Van Beethoven Sinfonia No. 7
Voto:
Dear Monsieur JohnOfPatmos, necessary or not (de gustibus), you are a de-reviewer with the highest caliber. It is not even necessary for me to tell you (as I am about to do) that I have never listened to (and if I did, it was not intentionally) the present Seventh Beethoven Symphony (nor the previous or subsequent ones: de-ignorantzia supina et crassiforme); moreover, I attest (as always) that you have piqued my curiosity greatly with your valuable De-Commento. Warmest regards. Your S.C. of (s)trust.
p.s. I would also like to de-signal that there persists a STUPID FANTASMIFORM REPLICANT "around" (see the de-review of Africa Unite..) that in an invisible manner (i.e., not in bold) tends to de-comment and offend (himself, me, and the authors of the de-reviews) through vain soliloquies with my wretched nickname... know that the written wreckage will always and anyway be WELL READABLE. Thank you and apologies for the wasted de-commentatory space.