Apocalyptica
Inquisition Symphony

THE REVIEW

Just to continue on the classic/metal and various mix theme, I am about to review the album in question.

I think you already know who Apocalyptica are, as a review here on the legendary De-Baser already talks about them, and they are no longer unknown (at least in certain circles). This is the following chapter to the Finns' "Plays Metallica By Four Cellos,” which is essentially the same idea, namely covering famous metal pieces by arranging them exclusively with the help of their instrument: the cello. This time, however, we find not only Metallica covered but also Pantera, Sepultura, and Fear Factory. It's clear that such an album arouses great curiosity in the sector, and especially if you are fans of the bands in question, you will not be disappointed by the contents. A beautiful album, even though the beauty, in my opinion, should be divided as 80% attributed to the compositions (and we know who the authors are) and 20% attributed to the performers. Was I right? I believe so. Because beyond the sound experimentation and the ability to go beyond the usual rigid schemes imposed by instrumental technique, the beauty of the album is directly proportional to the beauty of the compositions present therein. Excellent choice of songs to cover, the right mix of heavy ("Refuse/Resist,” "Domination,” "Inquisition Symphony"...) and melody ("Fade To Black,” "One,” "Nothing Else Matters"). These latter ones in particular turned out to be truly moving as the melody originally present stands out superbly with the cello execution. The heavy pieces are still excellently played and in some cases, like "Refuse/Resist,” they sound heavy (almost) like the original, and it's amazing how Apocalyptica have committed to reproducing any sound originally present in the song arrangements. The title of the album, obviously, I hope it goes without saying, takes its name from the legendary song on Sepultura's album "Schizophrenia” (reviewed by me here on De-Baser). The album's artwork is also beautiful, creating the right visual atmosphere to accompany the listening, I particularly like the skull disguised as a cello (or is it a cello disguised as a skull?!... I'm still in doubt).

I rated the album 5, but they are covers so my score would actually be 4.5 because they still deserve a lot. Metal and/or experimentation lovers? You will be satisfied with the listening. Moving.