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DeRank : 39,03
DeAge™ : 7570 days • Here since 25 september 2005
Klaus Schulze X
Klaus Schulze X
11 may 06
Voto:
Klaus Ki ?!? Ossekui veteran-skertatorei a katinelle. Your strpazza lamiere di (little) trust. p.s. I wouldn't know, Quordiale Messer Enea oltreqùé The Diabolo, in all frankness, it is (and I say it is) everything you just mulled over relates (to quote the good Di Pietro) objectively something with the disquo in question.. but it is always and ever an erudite and convoluted reading (antzychénòt). p.s.#3 (and #2?) to say it all, the disquo never-and-never-ever did I aubscultai (not funny rima, antzichenon)
AA.VV. For the Masses (A tribute to Depeche Mode)
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Cover-disquo, cordial de-ripescator Monsieur Breathing, at times charming antzichenòt. I seem to recall, among the plùs de-riuscite, the RabbitInTheMoonesque version of attendendo la noche and also (among others) the Failuriana loud/rock version of Enjoy The Silence that I don't mind at all (anzikhuesì). Massified greetings aplenty. Your s.c. di (s)fiduciam.
The Dillinger Escape Plan Miss Machine
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Dear Monsieur de-recenseur Sa Morte oltrequé Nera, while expressing my compliments for the overall pleasant de-recensoream atzionem, I would also dare to bring to your attention that, quite frankly, the group in question never truly excited me more than this (rather…). A most sacred D.G.-card [not Dolce et Gabbana, but a Latin-inspired and fiery De Gustibus-card] is, in such cases, necessary indeed. Respectful greetings of veteran metal to the fullest (also said A si biri). Your worn sheets of (distrust). P.S. a “quasi” Dantesque experimentalism?!?
Calexico Garden Ruin
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Dear Sir de-commentator Son of Nothing,
starting from the most sacred presupposition that everyone expresses their very own personal opinion and that it remains and will remain irremediably sacred nonetheless, I seem to notice (I am surely mistaken...) that you, with the double as well as multiple and sincerely ruthless One + One (not taking into account the actual functionality of the so-called split vote: giving one to a -albeit poor- review just because one subjectively considers the subject in question to be One does not seem, in all sincerity, to be an appropriate move: I want to clarify that this is not an exclusively personal issue, of course... it is a practice that -in my opinion, foolish- I have often noticed among De-baserioti attendees) is contradicted by your explanatory notes as a commentator [I quote you: "it's nothing more than a nice little disc, just the right amount of spring"... (I would argue that it doesn’t seem to me, in the end, to be so little...)] nonetheless. Thank you for your possible attention. A cordial and friendly respect.
Your miserable s.c. of (dis)trust.
The Red Krayola God Bless The Red Krayola & All Who Sail With It
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In all frankness, dear Monsieur Drake, although Nicholas and Rodney, I would dare to testify to you that your action as a reviewer is (generally, and this above is not the full confirmation) quite satisfying/appreciated. It flows fluently and competently as is not often glimpsed among the now myriad pages at one’s disposal. Most respectful greetings to the fullest. Your vacuous talk of (dis)trust.
Marta Sui Tubi Live 05/05/06 Galleria D'arte B5 - Roma
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Dearest de-Laiv/narratoream atzionem, warm greetings to you, Messer storyteller Mister Slyde, besides being 81; triqoloriqo de-gruppo indeed (on disc) pleasant and quite intriguing.. and as can be gathered from your precious commentary also live they captivate and engage due to gifts not only proto-musical. Muchas de-gracias pour la de-testimonianza. Warm regards to catinelle. Your most miserable s.c. di (s)fiduciam.
AA.VV. I, Robot - Original Soundtrack
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Dear de-philm/narratoreo Monsieur Maledetta as well as De-Primavera, having been, in the years gone by, an avid reader of all things Asimovian, I gave a chance to the significantly vacuous (and knowing, in my Quor, what the hell I was getting into..) de-philm in question. I will tell you that from your appreciable de-resoconto, the celluloid work in question comes out, all things considered (compared to the harsh and miserable reality glimpsed), quite well—indeed, rather too good. Robotic regards to satiate. Your s.c. of (s)trust. P.S. Regarding the soundtrack (as well as the film, for that matter), I have no significant de-riqordo..
Jan Johansson Folkvisor
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Deplorable de-signalers and re-fishers action, cordial Mr. Jazzatoreo Mister Morning as well as Star; records and artists (oh, what a surprise...) somewhat devastatingly unknown, nonetheless a solid five-fifths (according to de-commentation) no one can take that away from him. Cordial regards as well as plenty. Your s.c. of (s)trust.
Belle Epoque À La Dérive
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Dear Mr. de-recenseur,
Crying beyond Lanotte (certainly there are some bizarre nicknames from these parts..) I believe I have at least learned that the transalpine group in question performs the so-called SCREAMO genre (which I wouldn’t know exactly what it consists of) and I would be modestly satisfied nonetheless; regarding the discussed matter, not knowing it at all, I would like to thank you for the pleasant and free downloadable recommendation. Warmest regards to you. Your s.c. of (s)trust.
Max Bruch Concerto per violino e orchestra n. 1
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Quordial de-recensor Messer Wanderer (it would also rhyme in a certain way..) your remarkable classical/de-explanatory action is (as usual) pleasant and finely erudite antzichenò: sphortunatamente the note and abyssal idiocy does not allow any further and related de-commentatzionem (and this disturbs me besides bothering me quite antzykhuenòt), but it's really anyway a pleasure to scroll through your fluent and descriptive lines. Crass and supine greetings to satiety. Your miserrimo s.c. of (s)fiduciam.