nes Banned

This is something I must have repeated twenty times, I swear I won't say it again: well, I have the first one from Brondi and I still find it a magnificent record, then every now and then I try to listen to the second one, and that one disgusts me. That said, I’ve been eagerly waiting for the third since the second one came out, so I can understand whether "spiaggie deturpate" was a mistake or if the problem with the album that came after is actually more mine than real. I’ll get it back right away, listen to it as soon as possible, and I hope to get back in record time to say what the hell I think about this album. I’d also like to say a few words about the review, but my desire to listen to the album is too great, so I’ll use the telegraph: well-written, but too little "playful" and too "professional," and this could be a compliment for many.

They are pains because the first thing you do is subscribe to everything you can from Vice Italia: mailing lists, YouTube, Facebook, Twitter, Wazzap, MySpace, gym courses, etc. From that moment on, your life is caught in a hurricane of filth, and day by day you start to think you are a worthless person deserving of death. The articles from Vice Italia are comparable to... I don't know... "Il Deboscio," do you know it? I hope you do (and also that you don't) because it's the only comparison that comes to mind. There would be nothing wrong with it from the start. The problem is that one arrives at Vice Italia from the American one, and the comparison between the two is mind-blowing. Without exaggeration: if Vice were Indro Montanelli, Vice Italia would be an episode of Studio Aperto during presidential elections. If Vice were Michael Jordan, Vice Italia would be the kid at the playground throwing up threes, not hitting the rim, and complaining about a nonexistent foul. If Vice were a Bose system, Vice Italia would be a Walkman from '81 without batteries. In my opinion, and all the people I've talked to about this, if those at Vice ever read the articles from Vice Italia, Vice Italia would shut down the very same day. And that would be just right.

I haven't seen it, but Sorrentino deserves visibility and international accolades even just for the first 10 minutes of Il Divo.

I don't know. If you go so far as to script and pay for, and in some way glorify on a big screen a criminal (not his figure, the person himself) you give me the impression of being a bit short on arguments, and that you like to win easy. In comparison, Cattelan who hangs children is a volcano of ideas. This obviously applies if your goal is shock, excess, and scandal. If, on the other hand, you don’t care about shock, excess, and scandal and you do certain things, you are just a fool. It's not a judgment: it's a prejudice; but what can you do: those exist too... Just as fools exist...

I saw it yesterday. I liked it quite a bit, even though a couple of things really annoyed me. In my opinion, it’s the least Coen-like film since True Grit and the best they’ve made since A Serious Man. They must have had to detach from True Grit to return to making a film that, beyond being enjoyable, I found truly beautiful. Coen films always have an incredibly artificial cinematography, beautiful but never aiming to portray reality; they are always light-years away from realism (with the exception of Fargo, of course...). Here, the cinematography is realistic for being in Hollywood and hyper-realistic for being a Coen film. I found the soundtrack amazing; if the actors are singing and playing (aside from Timberlake, who I assume is him, and thanks a lot...) it raises the doubt that they might have chosen the wrong profession (and they’re not exactly terrible actors...). It’s a film I found incredibly sweet in its despair and carefree in its pessimism. What didn’t I like? The “pseudo-metaphysical non-ending that might just be a flashback,” which adds or subtracts nothing from the film and serves only to spark discussions among viewers once they leave about what it could possibly mean or not. It annoyed me to no end; it seems the brothers said to each other: “This film is too quirky to be ours, let’s add something random to satisfy the fans who complained about True Grit.” Then, I didn’t like Goodman. Even there: he’s so over the top that he doesn’t fit with the rest of the film at all, and it seems he was just thrown in for the sake of pleasing fans disappointed with True Grit (that doesn’t take away from the fact that he has a couple of exceptional lines). Anyway: wow, it’s been ages since I left a movie theater feeling so happy.
PS: to emphasize how little I share the comments on the page: I’ve seen only four films, if I’m not mistaken, with Oscar Isaac, and in all four, I found him perfect.

it made me shit, a bit like all their works.

I don't give a fuck if someone gets offended, but if you're under 45 and your idea of a "pastime" is sitting in a chair watching cars go around the same track for 80 times, you deserve extinction. Is someone offended? Good, let them go extinct now.

I believe this is the first page I've read in my life on debaser. In the sense that without this page I would have never gotten here. The album is one of the albums of my life.
Oh my, maybe I'm remembering wrong and I found deb through the review of love secret domain; if that's the case, this would be the second page I've read from deb. In any case, the basic concept remains the same: no coil = no nes; no mementomori = no nes. Whether that's good or bad, honestly I don't know, but that's how it is.

free lobotomy that here a "masterpiece" would fit perfectly...