nes Banned

The review is pretty much 'a piece of shit,' but I would gladly keep the ten years after in casapagina. Maybe some tasty discussion will come out of it.

Damn, they’re all the same... melodic and orchestral with voices that start low and hoarse only to rise during the chorus, strings at the end that give twelve-year-olds goosebumps...
Embarrassing lyrics, written with the usual television vocabulary made up of 150 terms if you're lucky. A fugitive, for instance, who accuses the song of focusing too much on the lyrics, just comes off as uneducated. (Run, don’t take it personally).
“They’re catchy, but with a more refined and deeper aftertaste.” And that’s a shame. Their merit would be to be catchy because if you’re doing mainstream, the catchy stuff has to come naturally, and maybe it’s time to start questioning whether writing melodies that stick in your head after one listen is something that’s within everyone’s reach. The sophisticated and profound aftertaste is just smoke and mirrors. It’s like a metalhead who opens a record with a piece from Moonlight Sonata by Beethoven, hiding their own limits behind a culture they don’t possess and flaunting talents they don’t have to mask the intrinsic limitations of their self. Medalists do it unconsciously; record producers do not.
In the end, I think this Fabio Curto only cares about singing for a living, and good for him if he's succeeding, but this kind of music industry makes me long for the days of "Oops, I Did It Again."
As always, there's no limit for the page. But the real serious issue is that the boundaries of what is acceptable and bearable keep widening. This stuff, X Factor, The Voice, or whatever it is, is worse than misinformation, this is criminal "diseducation to beauty."
That said, it’s also worth remembering that in 2015, anyone under 45 who stays musically informed by watching TV is either someone who couldn’t care less about music, or someone who would do well to change their interests.

I might be a voice outside the choir, but this page made me a bit sad. In my opinion, you should have (or at least you definitely could have) played more with Zampaglione and left out the various Bill Gates, Sugababes, and everything else that has nothing to do with this piece. You have the description of "un attimo" feat. Richard Benson at your disposal, and you throw it down the drain with a page that mimics the hits of someone who's been washed up for thirty years... It's fine to play it safe, but here we’re at the level of Vanzina/Neri Parenti. In the first paragraph, by the way, you exploit the physical limits of an old daft man to elicit a smile... that’s not okay, it’s a bad move.

I only know tirangulatio.
In my opinion, it's much better during sampling than in composition: it has some amazing sounds that build Ibiza tracks, and I don't find dance electronic music enjoyable at all.
He's definitely really good. But really really good. triangulatio N ...

I only know the Nomadi from Augusto well, but one of my best buddies from high school was... a member of the Nomadi fan club...
Yeah, that's right: I listened to Cradle of Filth, he listened to the Nomadi.
We talked about music for 5 hours a day (well, maybe three and a half; for half an hour there were The Simpsons, and for another hour he followed along, he was good, now he’s in Brussels at the European Commission doing who knows what. My friend Nicola, one of the few cases of meritocracy I've seen in my life).
Anyway, I just wanted to say that I’ve listened to a ton of stuff from the Nomadi during the late 90s and early 2000s, and honestly, in my opinion, the one who sings "Io voglio vivere" (which is the only other singer I've heard with the Nomadi, and I don't know if he’s still the current singer of the band, I think he is, and especially I don’t know if he's one of those guys who sings on this album) has a voice that, holy moly, I think even Augusto would tear his hair out when he hears it and start pulling out lighters from the angels.

Yes, it must have been really cool.

I had read about it a lot, I had heard better things, generally I watch all the movies with Gyllenhaal, I searched for it for half my life before finding a file that was watchable... Oh, I hated it, it bored me to death. It’s probably my own issue, since this film has genuinely pleased everyone I've talked to who has seen it. It’s well made, for sure, but the story really told me less than zero, and even the cool direction couldn’t keep me from yawning. I honestly remember very little now, just a piece of shit who, in trying to con a piece of shit, tries to do a "good job" at a shit job and ends up in a dump. I mean: I don’t recall seeing the "descent into hell" of a poor jerk who, not knowing what to do to survive, becomes a piece of shit; this is a piece of shit both in the beginning and in the end. To be honest, I don’t even remember how the murder story ends, probably in a shit situation.

Vira??? is the author of the lyrics, what a fucking retard! Vira... dear God, this is someone who has been saying one thing for 30 years and now suddenly comes out saying the exact opposite (I mean, one can change their mind but after barking about something for years, if they change their mind, it’s not like they start barking about something else: they should realize they have confused ideas and start keeping quiet).
Now considering that the cccp are a somewhat politicized group (I know it should be superfluous to say so, but knowing you, I also know you might never have noticed) and considering that this review also examines the political side of the cccp, is it reasonable to say what one thinks about the attitudes of the person who gave birth to the words of this album and sang them in front of thousands of people for almost three decades? Ah, there we go, we’ve established that this is relevant, thank goodness.
You're always out of focus, what kind of psychotropic drugs are they giving you?