Cover of Ten Years After "Cricklewood green"
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For fans of classic rock, lovers of blues and psychedelic rock, and listeners interested in european rock history and genre fusion.
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THE REVIEW

The most European album by a European band used to winking at the American market, an often little-known masterpiece, Ten Years After even before the Rolling Stones were playing, composing, and beautifully synthesizing genres like Blues, Rock, Rock'n roll, Folk, Psychedelic Rock, and often even Jazz. After the common raw entrance phase into the world of rock, Ten Years After reached their artistic maturity with the albums "Sshhhhh," "Stonedhenge," "Cricklewood Green," and "A Space in Time."

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Summary by Bot

Ten Years After's album Cricklewood Green is praised as a European rock masterpiece that skillfully blends Blues, Rock, Folk, Psychedelic Rock, and Jazz. The band reached artistic maturity with this release, showcasing a sophisticated synthesis of genres. Recognized as an often underrated gem, it reflects the band's progression beyond their raw early phase. The album holds importance as part of a series of influential works that defined their career.

Tracklist Lyrics

01   Sugar the Road (03:46)

02   Working on the Road (04:15)

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Ten Years After

Ten Years After are an English blues-rock band strongly associated with the late-1960s British blues boom and the Woodstock era, led by guitarist/singer Alvin Lee.
12 Reviews

Other reviews

By Nixon

 Each song on this record does not exceed in slender, gummy experimentation, but they roll like a tank in a soap shop.

 Our friends succeed in their attempt to build a sonorous zeugma, adapting the sound to the thunder’s clamor.


By pier_paolo_farina

 The strengths of the quartet were primarily the spectacular guitar playing of the leader Alvin Lee.

 An album where rock still breathes, respects its dynamics, drags without deafening.


By BobAccioReview

 Sugar the Road and Walking on the Road obliterate every heaviness and ominous foreboding.

 Love Like A Man... forms the perfect sound carpet for the layers offered by the trails of Alvin Lee’s guitar - the chorus serves to let the song breathe.