telespallabob

Fantastic! Great movie and remarkable soundtrack! 5 for putting the "god" of religions in lowercase and God, Ronnie James, in uppercase.

But you have to say that the woman on the cover is an inflatable doll! Otherwise, someone might come along and start rating the hot girls, even though they're not actually there.

Congratulations, a beautiful review.

I watched the videos you linked, it's clear that he's a virtuoso, but the songs aren't too bad. I'll look into it further.

The Stranglers have an incredible charm, almost unchanged after 30 years. This record has some remarkable moments and a truly fantastic song, "Golden Brown." A well-deserved 4, perhaps not a masterpiece (if you want an answer like that, ask the one mentioned by Franci or "The Raven").

Welcome to Debaser. For your first time, you're not writing badly (is there potential for an ZOT?). "Hardcore Punk" is a bit vague; could you specify the size of the record and the band, perhaps adding some related groups? "Reviewing the songs one by one doesn't really make sense for an album that falls within this music genre," trust me, it just doesn't make sense!

Are you sure that Syria is so different from the trend of international pop? You know, I can't help but raise more than one question mark in front of your post. You come to talk to me about diversity and then conclude with anthropological interest... I wonder why... Don't try to pull a fast one on us and, if you really feel it's necessary, vote for the hot chick.

I have to say that once I saw the Premiata and, luckily, it was free. 30 Euros are objectively not a small amount, and I must say that with a performance like that, it's only right to get a little angry. In fact, someone with a slightly less prim and proper attitude would have made quite a fuss; they got off easy.

@Zzot, I didn't say that everything is mediocre, and I assure you I will never say that. I said something else: that no one has tried to propose radical experiments like those of Area, in particular with work on voice like that of Demetrio. There's a difference between tributes and references (because there are musicians who draw from them or singers inspired by Demetrio), and working in an extreme way on sound (it should be noted that Fariselli and Tofani have also produced experimental material, all stuff recorded by Cramps). You say: who would do today what they did at concerts or even in the studio? And that's exactly what I meant, no one has that courage, and that really holds me back. Back then, their work seemed new in Italy because, after all, in other countries there are similarly innovative figures; ultimately, Area were inspired (as individual musicians) especially by this type of people. One example is Tofani, one of the few who learned from Derek Bailey, not something everyone did back then.

Do you know why I say that? For a simple reason: it goes against the grain. Usually, free kicks from the box are taken in two ways: either a short ball to keep it low hoping it goes through the wall, or a slightly longer pass to get more space and strike powerfully. Maradona invents a third way, because otherwise it’s too easy: he chips the wall. Already trying to chip the wall is difficult when you're just outside the 16-meter line because either you kick it hard and risk it not dipping in time, or you risk kicking it too weakly and letting the goalkeeper catch it. And there you have the wall at the standard 9.15 meters. In two-man free kicks, the ball is at 3 meters, because if you’re picky and measure the distance, you’ll find them inside the goal. He doesn’t care about any of this, and despite everything, Tacconi finds the ball behind him. There have been better goals from midfield (in terms of shots taken from midfield).