azzo

I won't even listen to the album because I know that, in terms of musical content, the reviewer is right. However, the review is written really poorly: have you ever heard of punctuation, capital letters, and the dancing company?

Look, I specified that I was voting for the individual track and not the whole album.

I quote all the comments, from Easy to Biorky, from Arnold to Alessio. And, like Supersoul, I put on Beggars Banquet.

I quote Ghemison.

I assure you that my mindset is far too open-minded. And if something beautiful comes out of Italy, I’m the first to be happy about it. That said, no one insinuated that you want to exalt yet another hoax. I just said that I've heard the single and I don't find anything different, or better, than Ustmamo, or, just to name another insipid pop singer, Emiliana Torrini (I know, I know she's not Italian). Of course, I could be wrong, but I find it very hard to believe that I will go through the effort of listening to the whole album. Maybe the next single will enchant me and I will change my mind. On the other hand, the old album was also talked about positively, but the single was only a little better than the crap that MTV plays. Moreover, it seemed to me that it had little electronic in it. If this is a 5, then Carmen deserves an 8 for 50% of the tracks she made (still out of 5).

What has always driven me crazy about Ligabue is that he goes around saying he plays rock and even boasts about it, and to do it live, from what I see on TV, he uses three or four guitars. And yet, he has the energy of Gigggidalessio. This drives me crazy and makes me laugh to death. It's a shame there are so many people who believe him. Then he writes stories, poems, makes films. In short, he's a true all-round artist. And he even comes to give lessons (see the quoted text). He’s not worth the fingernail of any of the real rockers we love. One cry escapes from the hole in my ass: Ligabue, go fuck yourself!

@easycure: be a little optimistic. The situation, it seems to me, has been very similar to the early '90s for some years now. After the death of SST sound, discovered quite late in Italy, I was forced to endure hundreds of pages about how rock was dead, and that it was necessary to move on to other things. So everywhere there were applause for third-world super-garbage, because we also have to ease our conscience. Back then I held on, and 1992 proved me right. Now something great will emerge again sooner or later. In the meantime, I’m enjoying the Interpol. And, fortunately, not just them.

Double apology, I see now that in the comment you explain that you started working on it in 1981 and it came out in 1984. I can't wait to find my dealer. Thanks again.

Sorry for being nitpicky, but the record appears to be from 1984. In any case, thanks for the discovery. Every now and then it's nice to be ignorant and discover things you didn't know. I vote for the sample, but I already know I’m going to love all 58 minutes. Damn, how ahead of his time was this guy?

Arianna, at this point I'll quote myself instead of metallarobionico, since we agree on everything, even on the cover:-). P.S. To tell the truth, I'm a bit unsettled by the fact that you also used the concept of the "unfinished" for one of your comments. Split personality?