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 Let England Shake is a raw and ruthless analysis of the British Empire, drenched in blood, flesh, and bodies going to die.

 When faced with an artist of Mrs. Harvey’s caliber, one must evaluate the work in its entirety, certainly not in the details.

This review praises PJ Harvey's Let England Shake as a powerful, politically charged album with raw and thoughtful lyrics. Though the reviewer prefers only one track musically, he acknowledges the album's overall strength in composition and production. The record’s combat-folk style and English themes are emphasized, with notable contributions from trusted collaborators. The album is seen as a significant artistic statement from Harvey. Discover PJ Harvey’s compelling Let England Shake—listen now to experience its poetic power and fierce storytelling.

 Mogwai’s challenge is: can you play instrumental music in front of a rock audience, managing to engage them and not bore them? I think they’ve won the match.

 Listening to this box set will bring more than one expression of bliss to their faces.

This review praises Mogwai’s Special Moves box set as a rare live album that truly captures the band’s instrumental brilliance. The collection’s vinyl format, exclusive extra tracks, and striking black-and-white visuals complement the well-curated live Brooklyn recordings. The reviewer highlights the seamless integration of old and new material and considers the box set a delight for dedicated fans and vinyl addicts alike. Explore Mogwai’s Special Moves box set and experience the power of their live instrumental performances on vinyl.

 BJM embark towards new horizons.

 If only there were more bands and albums like these, in these lean times.

The review praises The Brian Jonestown Massacre's album 'Who Killed Sgt. Pepper?' as a fresh journey blending their psychedelic roots with 'baggy' rhythms reminiscent of Madchester-era bands. The album incorporates diverse influences and showcases a strong lineup including Matt Hollywood and Will Carruthers. While some experimental tracks are critiqued, the overall work is embraced as innovative and engaging. The reviewer expresses a hopeful appreciation for more albums like this in today's music scene. Dive into the psychedelic journey of 'Who Killed Sgt. Pepper?' and discover BJM's bold new sound today!

 Perhaps one of the saddest albums of the year, certainly also one of the most intriguing and fascinating.

 "Kettering": A repeated piano chord, while the voice moves over celestial melodies, developing into a crescendo as majestic as it is sublime.

The Antlers' Hospice is a deeply emotional and haunting concept album exploring a couple's struggle with terminal illness. Originally a solo effort by Peter Silberman, the music blends delicate piano, ambient drones, and soulful vocals into an evocative soundscape. The album is praised for its thoughtful storytelling and beautiful compositions, especially the standout track "Kettering." Combining sorrow with subtle hope, Hospice is a profound indie masterpiece. Listen to The Antlers’ Hospice and experience an unforgettable emotional journey through sound and story.

 Died Pretty play unadorned rock, the kind we imagine is in paradise.

 Free Dirt doesn’t have a weak moment... Died Pretty reminded us back then what true rock is.

Died Pretty's debut album Free Dirt is a landmark in Australian rock, blending soft beginnings with powerful psychedelic crescendos. The album channels influences from legendary artists to create timeless ballads characterized by strong songwriting and inspired performances. Produced by Rob Younger, Free Dirt showcases the band's ability to convey raw passion and musical dedication through every track. It remains a defining statement of true rock spirit from the mid-eighties. Dive into the timeless Australian rock masterpiece Free Dirt by Died Pretty—listen now and experience true 80s rock passion!

 "They say nothing to me," despite previous hype around the band.

 The stew, since the ingredients aren’t measured, proves to be indigestible.

Crystal Antlers' debut album Tentacles receives mixed feedback for its unfocused fusion of prog, psychedelia, garage-punk, and p-funk elements. The reviewer finds the songwriting weak and the lead vocals grating. Despite some hype, the album fails to leave a memorable impression. Additionally, its release coincides with the end of Touch And Go Records' catalog, signaling a challenging moment for indie music. Discover the story behind Crystal Antlers' Tentacles and explore the changing indie music landscape of 2009.

 "Pink Mountaintops is an open collective, collaborating with many musicians from Vancouver and surrounding areas."

 "The cover of 'Atmosphere' played as if it were 'I'm Waiting for the Man' is an absolute gem that closes the circle beautifully."

This review examines the 2004 debut album by Pink Mountaintops, highlighting its difference from Stephen McBean's better-known band Black Mountain. The album is noted for its free-form psychedelic rock, seventies and eighties influences, and standout cover of Joy Division's "Atmosphere." The collective nature of the band and its experimental sound make this album a captivating listen for fans of avant-garde and vintage rock styles. Discover Pink Mountaintops' unique psychedelic debut and experience a fresh take on classic rock influences today!

 The promises are not kept.

 What surprises me most is the lack of union between the lyrics and the music.

The reviewer expresses disappointment with PJ Harvey and John Parish's collaborative album 'A Woman A Man Walked By.' While appreciating some moments, the album largely fails to meet expectations with predictable melodies and a lack of cohesion between lyrics and music. Fans of prior PJ Harvey works may find some warmth here, but the album overall feels repetitive and uninspired. Listen to 'A Woman A Man Walked By' and decide if this PJ Harvey & John Parish album resonates with you.

 Iride resemble many things without resembling any one thing too much (and this, I believe, is the best compliment a debut Italian band could receive).

 The best piece is the song that closes the album, "d’IO". An acoustic ballad, intimate and suspended. Sorrowful.

Iride's debut album Casa stands out with its short, dynamic songs and a distinct post-rock sound influenced by American bands. The production is solid, and the instrumental parts are particularly impressive. While the vocals and lyrics pose some challenges, the intimate closing ballad 'd’IO' shines. Overall, the album is a pleasant surprise and shows promise for growth. Listen to Iride’s Casa for a fresh take on Italian post-rock and discover the heartfelt acoustic ballad that closes the album.

 "Devo going to the Big Apple and jamming with Talking Heads after repeated sessions of Contortions and DNA."

 "Bologna seems like New York. Once upon a time, in Italy, even this happened."

The review reflects on Gaznevada's 1981 mini-LP 'Dressed To Kill,' emphasizing its significance in Italian new wave history. It highlights the album's unique blend of noir inspiration, funky basslines, electronic drums, and a dark, delirious vocal style. With references to New York’s late 70s scene and comparisons to bands like Devo and Talking Heads, the album is praised as a worthy successor to their acclaimed debut 'Sick Soundtrack.' Nostalgia and cultural context enrich this heartfelt review. Dive into the dark and funky world of Gaznevada’s 'Dressed To Kill'—a hidden gem of Italian new wave you don’t want to miss!