From minute 17:19 to minute 17:30, an olfactory flashback: the scent of heather carried by the salty wind (Burren-IRL 1997). more
Powerful voice. more
For my taste, the debut of De-Pesci a Modo is rather inconsequential. One could call it a classic "immature" debut; it's more of a lightweight synth-pop/electro-pop album, at times frivolous and at times of higher quality. Overall, it's pleasant, easy to listen to, but it also becomes tiresome quite quickly. This is the only album with Vincenzo Clarco in the lineup, and he is the author of almost all the tracks, so I’d say his departure after this album isn’t exactly a tragedy, considering the much better work that both Mode (especially) and Clarke himself will do in their subsequent bands. Within the genre, it’s a nice album; sure, there are worse, but also a lot better (and they themselves will do much better just a couple of albums later). Some tracks are nice ("Photographic" and "Ice Machine" being the ones I find best), while others push too hard on the more irritating aspect of synth-pop ("Just Can't Get Enough", honestly... No, definitely not), but on average, it remains a pleasant electronic pop album, nothing more. Plus, it’s not even the kind of pop I appreciate the most, in terms of sound, generally speaking; others might enjoy it more. Ah, great artwork, though. more
Fuck. more
I'm sorry, but it seems that there is no text for me to translate. Could you please provide the text you would like me to translate into English? more
The "Vai mo'" band is back together. Is this the result? Meh, at this point it's better without it. Almost 1.5 more
Meh meh. We are quite far from the most vulgar and unbearable Pino of a few years ago, but also from the still sufficiently inspired (and therefore still salvageable) one of "Un uomo in blues" and its surroundings. 2.5 more
The first album is a bit too uneven from Pino, and consequently, the first signs of a definitive artistic decline. Among the best tracks, I would point out "Tra la pazzia e il blues," "Gesù Gesù," but especially the beautiful "Jesce juorno" (which certainly deserves a place among his best pieces). The rest is all in all dignified but "lesser" compared to his previous works. The next three albums will be slightly more inspired, then even Pino will sadly fall into the depths of the abyss of Italian song. 3 round stars. more
Anglo-Venezuelans.... more
Unique and Unattainable, to the point of not having had epigones who could ruin their Perfection. more
Elegant duo 🎹+🎸 more
unjudgable. only "sicily" is saved more
a scream-worthy title track!......yes, for the fright it gives you the first time you listen to it. I won’t dare to give a rating, for certain works it’s better to just let it go. more
Writer of value.
The short stories and novels are excellent, such as "Terra all'infinito," particularly the masterpiece "Campo Archimede." more
One of the manifestos of California pop-rock music from the late '60s. A sound very much tied to its time, some might say aged not so well, but if you like these sonorities, those of pop, folk, and California acid rock, the Surrealistic Pillow remains one of the most enjoyable and iconic albums from that entire "scene." Smooth and easy to listen to, as it is essentially an album of folk-pop-rock songs with an acid twist, it marks a qualitative leap for the Airplane. Partly because Grace Slick arrives and brings with her the two songs that make the album timeless (one borrowed from her brother-in-law, Darby Slick, a legacy of the Great Society, the other composed directly by her, and it’s a masterpiece, the perfect pop song, lisergic in lyrics and exquisitely crafted from music that draws inspiration from Ravel and Davies’ "Sketches of Spain") and with her voice she finds the balance in a style characterized by almost always communal singing, featuring beautiful interweaving of male and female voices (the Fairport Convention will recall some of this, particularly in certain pieces). Partly because Balin dresses up as an inspired folk singer-songwriter, a folk sound that is veiled and almost unreal, that of his other masterpiece, "Comin' Back to Me." Just as with the other superb lisergic ballad "Today." Friendly participation from Gerardo Garcia, if you please. Kaukonen treats us to two minutes of acoustic virtuosity. In short, a jewel of an album. more
Great guitarist with partially unexpressed potential 🎸x4.6 more
There is the great Steve Howe. more
Excellent and eclectic group. more
Passionate guitarist 🎸x4 more
Galactic guitarist 🎸x4. more