Another group with good ideas ended up forgotten… (sigh) more
the big one begins to get closer and closer... more
a disc that is nearly unlistenable but interesting from a melodic standpoint. I won't dare to give it a rating... more
the definitive tombstone. it would be 3.5 but I gladly give it the extra half point. more
the best Battiato of the last twenty years, with beautiful pieces like "tra sesso e castità," "ermeneutica," "23 coppie...," "la porta dello spavento supremo," and especially "le aquile non volano a stormi." the rest also maintains a good level. 4 round balls more
creepy cover and almost unlistenable album. 2 only for the title track more
me(r)dina more
"from skin to heart" was coming close to being a good record. I don't know anything about this and I don't want to know. more
Nice collection. The unreleased tracks are really impressive, in fact there are compositions like Aspetta and S.P.A and L'occhio nero that can be counted among Carella's classics. Then there's Bubbà, which is something mythical, and La pappa del cuore and Pensa se una are very cute. Too bad about the B-side, sure, old hits and all that, but the audio quality is something abominable. What a pity, if it had been recorded a bit better it could have come close to the levels of Vocazione.... #maybe more
Crazy and extraordinary album. It starts off strong with Bardamù and its fireworks, continues with heavyweights like Decervellamento, Maraja, I pagliacci, I pianoforti di Lubecca, Suona Rosamunda, Con una rosa, Signora luna, Marcia del camposanto. Additionally, it features three gems in between like Canzone a manovella, Nella pioggia, and Corre il soldato...not an album for everyone, but certainly an impressive and significant one. more
I believe she is the person who understands me best in this world. Her writings have repeatedly left me astounded by the absolute precision with which they describe my life. As a person, she is unbearable; as a bon vivant, she is the best creator of anecdotes and aphorisms since Oscar Wilde; as an artist, she is a genius. more
This is the sound of the Cosmic Void. more
One of the greatest composers of the 20th century.
And no one knows it! more
Genealogy and The Valley of the Temples. Just with these 2, you make many pretentious musicians of today eat dust. more
Fabulous, an album I've worn out from listening to it. more
Tea, Earl Grey, Hot...🍵 more
From here on, the disaster. The transformation of MJ into a pale alien-human shapeshifter is now definitively complete and "the Jones era" has come to an end. The humanoid decides to update his music, modernizing his style by blending it with trends and genres that were prominent at the time as novelties (Hip-Pop inserts and so on). Alright, Prince did the same in the '90s, for example, but what the pale x-file manages to create is a hodgepodge of stuff thrown together. "Dangerous" is a muddled album, with a lot of really awful tracks, which try too hard to have groove and engaging rhythms and end up being unbearably boring, ugly, and irritating. Then there's Jackson's now uncontrollable megalomania (which is evident even in the "gigantism" of overly diluted tracks just because) complete with a messianic Redeemer Syndrome (the guy had issues...) that explodes in the most unbearable track on the album: the disingenuous "Heal the World," which opens with a child (AAAAAHHHH) reciting a little part and then continues... I mean, you could fall asleep halfway through. And "Will You be There," which would have been nice if it weren't drowned in redundant sacral choirs and... for God's sake, Michael, take out that little poem at the end, what is that, what the hell are you doing... Anyway, a few moments of brilliance are saved; "In the Closet" and the title track are perhaps the most successful in this stylistic "renewal," and "Keep the Faith" is good too, along with "Who is It" and the dry and delicate "Gone Too Soon." The rest is garbage. more
you don't understand a damn thing but do you know how many awards she's won and who she's collaborated with, this woman amv ai va!! more
2001. The alien mutant being and collaborator of the Men in Black once known as Michael Jackson releases his last studio album. Thank goodness it was the last because it’s one of the most abominable albums I’ve ever listened to. I found it ugly even when I was 14 and I was a huge fan of his. MaddòlaMonnezza. The. Monnezza. more
Now, I know that Michele on debaser is kind of the antichrist, but say what you want, he has made some good music too, and "Off the Wall" remains a beautiful album of pop-dance-r&b-funky-disco, black music for everyone, yes, but of excellent quality. For me, this is his most beautiful album, it’s the prodigy boy who finally grows up, it’s the consecration and definitive artistic maturity of this young son of Motown who here reaches his highest point; "Off the Wall" is the culmination of the first part of his career, from the Jackson 5 onwards, the end of his musically most spontaneous and visceral period. And it’s a lively, brilliant, inspired album, perfect for moving your hips, played, sung, and produced really well, you can feel the weight of people like Quincy Jones and authors like Rod Temperton ("Rock With You", title track, and "Burn This Disco Out", great tracks) the friend, source of inspiration, and another former child prodigy, Stefanino Meraviglia, and Jackson himself, in great shape as a songwriter, both on his own ("Don't Stop 'Til You Get Enough") and together with bassist Louis Johnson ("Get on the Floor", another gem). Macca also participates, not at his best. Then "She's Out of My Life" is overly sultry and unnecessarily heavy in the interpretation, but apart from that, this album flows like a fairy tale. After this, there will be "Thriller", there will be the phase of the "King of Pop", there will be less "carnal" sounds, more plastic and synthetic, more "fake," in short, it will be something else. more