Focus -Focus 3
This is undoubtedly beautiful as well, just a tad less than the previous one (there’s “Focus II,” which is, for me, their best piece). Still, there are short tracks with very catchy and perfectly suited melodies (with “Sylvia” leading the way) and a gem like “Focus III.” The suite, on the other hand, suffers from being a bit too lengthy and isn’t particularly successful. They are four excellent musicians, but neither Van Leer nor Akkerman (is that how it's written?) were Fripp or Hammill, for example. The new bassist (Ruiter) is superior to his predecessor, though. more
AC/DC
At certain moments of the day, they energize you like few others. However, over time, they become repetitive. more
Deep Purple
I much prefer other rock bands. This doesn't mean they haven't produced some excellent songs, even during the (perhaps) less celebrated period with Evans on vocals. more
Black Sabbath
5 little discs, the first 5. more
Immanuel Casto
Trite little songs with a sexual undertone for simpletons passed off as something new, it presents itself as the anti-pop but the level of compositional and musical lows is even worse! Poor Itaglia!!! more
Fraternity
[five just for Bon's look](https://en.debaser.it/main/definizione_artista.aspx?idC=32976
 more
Overkill -The Years of Decay
A martial and epic work unlike anything Overkill had done up to this point. It transitions from the lightning-fast speed of tracks like "Elimination" and "Evil Never Dies" to the dark and doom-oriented atmospheres of songs such as "Playing With Spiders" and the title track. Noteworthy is a D.D. Verni at his peak, one of the most underrated bassists in the entire metal scene. A fundamental album in their career, a culmination of a certain way of doing thrash. As far as I'm concerned, one of the essential works. more
Anti-Flag
Certo! Inviami il testo che desideri tradurre e provvederò alla traduzione. more
Neurosis
I don’t know if Josif is here just to write bullshit and annoy people, but I think it is so. more
The Rolling Stones -Their Satanic Majesties Request
I don’t know, despite all the criticism, I’ve always liked this album... quite a bit actually. I’ve never understood what the hell it has to do with that baroque mess of Sgt. Pepper's, since it's always described as the ugly copy (?) of it... An excellent and a bit ramshackle psych/baroque pop/blues bacchanal... 4.5, fuck off! more
The Red Krayola -The Parable of Arable Land
What the hell do you want to say to an album like that? Too often overlooked when talking about masterpieces of that acid psychedelia that emerged at the end of the sixties. Among the records I love the most, absolutely. more
Antonello Venditti
So, on the surface, it really pisses me off. But whoever gave a 1 to Venditti OBVIOUSLY has never listened to "Roma capoccia": the love declaration to the most beautiful and passionate city that I have ever heard, it gives me goosebumps every time and I’m not even Roman. And he also wrote the most beautiful anthem for a football team ever ("you'll never walk alone", just to say, it doesn’t even compare. And it wasn't even specifically written for Liverpool). The vote goes to these two songs. more
Overkill -Under the Influence
A record that I have never been able to "fully assimilate" in the sense that I perceive it as less successful than its two predecessors, but at the same time it brings for the first time in Overkill's career the attempt to articulate their speed/thrash more. The tempos slow down slightly, the tracks expand in length, but overall it remains a very successful album of old-school metal. Over time, I have also managed to reassess it positively. "Shred", "Never Say Never" and "The more
overkill -taking over
Second birth and second center: speed, technique, riffs. Everything is in the right place, resulting in a solid, powerful, aggressive work. "Wrecking Crew" and "In Union We Stand" are the best.

8/10 more
Overkill -Feel The Fire
Debut album with a bang. A raw and fast thrash that shines in tracks like "Rotten To The Core" and "Hammerhead." A band that has remained in the shadow of the "big four" but deserves to be rediscovered.

8/10 more
Drive Like Jehu
The Emo/Post-Hardcore derived from Fugazi meets the most violent and gritty Noise Rock. The rawer side of the '90s Emo scene. more
Erlend Øye
The emblem of the musical revenge of the nerds more
The Whitest Boy Alive -Dreams
Erlend Oye, damned son of a b...! more
The National -Trouble will find me
Modern new wave. I enjoy it immensely. more