Red P*ILL*P

Nine Inch Nails-Happines In Slavery (Fixed)

or blue P*ILL*B ?

Happiness In Slavery

I’ll taste them both (at the same time, if desired).
 
The Rippers Texas Oil Bang

I find it hard to concentrate
Supersonic Sardo Garage...

The Reverend says so too.
 
The Incredible Staggers - "Little Girl"

Almost unbeatable… especially the girl from the audience
@[DaniP]
 
Umberto Bindi - Il nostro concerto
A memorable piece, an author to rediscover.
 
Hey @[Marin], are you going to ruin it?

I’m a bit in Vicenza when I remember better than a little cat...

WHEN I BELIEVE Enzo Avitabile
 
LES LULLIES "Dernier Soir" (Official Music Video)
LES LULLIES "Zero Ambition" (Official Music Video)

Born from a rib of Les Grys-Grys, Les Lullies shifts from beat to punk, carrying forward the radical garage attitude of its progenitor. "Mauvaise Fois" is the second LP, five years after the debut album, and it feels like the classic transitional album: frenzy gives way to maturity, punk to power pop, English to French. It promises great things.
 
GET LOST! - never come back - FULL ALBUM

Maybe I posted this a while ago, I don’t remember well savansadir, but for enthusiasts, this is noteworthy stuff.

Recorded in just four days, Never Come Back is the “comeback” of the Miracle Workers that everyone has been waiting for since Inside Out. As if everything that happened after that record never existed, Robert Butler and Gerry Mohr find themselves almost by chance in Switzerland and decide, together with another American refugee (currently with the Jackets) and Kat Aellen, who was already by Butler's side in Bishops Daughter, to set up an impromptu project that sounds like the Workers did back in the Moxie days, more than fifteen years ago. The resulting album is a crunchy old-school garage punk record, where everything that spills over is fermented in fuzz, and every note seems to take us back to the times of Gravedigger Five (the cover of Spooky), Gruesomes (the fun yè yè of Mdmation), Chesterfield Kings (the Hey Tiger by Topsy Turbys already in the repertoire of the Cavemanish Boys and which here reaches absolute splendor), Fuzztones (the creepy and sinister Elevator that closes the album), Morlocks (their version of One Way Ticket is absolutely devastating), Tell-Tale Hearts (the Dutch beat muddied by Outsiders and Q65’s Love Is a Garden).

In short, it’s like having to compile a collection of the best neo-garage from the Eighties and finding it already ready.

Convenient and devastating.
 
Underground - theatre scene

"Underground"
by Emir Kusturica (1995)

starring Predrag Manojlović
Lazar Ristovski
and Mirjana Joković

35 mm
 
Magnolia Regret Scene

"Magnolia"
by Paul Thomas Anderson (1999)

starring Philip Seymour Hoffman
Tom Cruise
William H. Macy
Julianne Moore
and Jason Robards

#35mm
 
The Black Angels - History of the Future (Official Video) how beautiful is this song? And the video too! Angeli Neri always on point!
 
Nightwing - Long Hard Road
Other greats of hard and heavy fused with prog.
 
Pooh - Uno straniero venuto dal tempo (2014 Remaster)
One of the most beautiful prog pieces in the Italian scene...the ending is reminiscent of Uriah Heep's The Magician's Birthday and Pink Floyd's Animals...
 
Amy Winehouse (New - Inedit 2014) - Sentimental Journey
this song comes back to my head every couple of years - even sooner - and I end up humming it for months. I think it’s cursed, considering I don't remember the first time I heard it, maybe in a movie. this is a nice version even though Ella Fitzgerald's might be better... whatever...
 
The Cult - She Sells Sanctuary
A bit sacred texts
Look quite flashy.
What more can one want from life?