THE SMOKING TREES-Merry go maggie UFO appeared in the skies in 2012
 
Meanwhile, James Cameron is finishing this GameSpot - Are you hyped for this James Cameron anime...
If it weren't for Cameron's name, I would be extremely worried, but Cameron hasn't missed a beat.
 
Asva - Presences of Absences a small masterpiece in its own right
 
Seamus
A dog barking in an acoustic blues.
 
Violet Woods - "Here" (official video) English pop tinged with psychedelia, perfect like a chewing gum under a shoe.
 
240 Chilometri Da Smirne (Area)
For those interested, it's available at newsstands for 16.99, 180 gr, and from what I hear it sounds really good...
 
SPIROGYRA - Magical Mary (1971) / w. lyrics another discovery thanks to debasio!
 
Octopus Syng - Cuckoo Clock Mystery (Official music video) Another great name from the Magical Cold Lands of Northern Europe. Electric folk with a Barrettian twist and exotic instruments that seem to leap off the pages of a fragrant fairy tale book. Try flipping through it and you'll see strange creatures flying in your mind.
 
Pile - Worms - Audiotree Live (5 of 6)
When you suddenly hear an unknown song that makes you feel in love.
 
The Amazing - Picture You (Official Video) A criminally overlooked work. Northern Europe, Church blend psych prog valleys with exquisitely pop landscapes. A delight, a fresh slice of apple pie.
 
"Heaven" - Buffalo Tom

The (useless) DeCopert-versions that intrigue me:
Pt. IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIOIOIOIXIOIOIOIIIIIIXIXIOIXIIIIX IIIIXIIIIXIIII
 
Emerson, Lake & Palmer - Living Sin - Lyrics

waking up with the sun, despite everything
 
The Fall - garden It would have been great to see Ginsberg's lysergic recitations accompanied by Mark... Godzone!
 
The #zot2016 review is happy to present you with etc. etc.

Stay - Mean Solar Times (Picture In My Ear Records).

Stay is a Catalan band made up of frontman, vocalist, and guitarist Jordi Bel, bassist Ivan Lopez, keyboardist Israel Palacio, and drummer Jordi Casal. Their latest album, 'The Mean Solar Times', was released on February 9, 2016, by the Minneapolis, Minnesota label Picture In My Ear Records. Produced by Owen Morris, a collaborator of Oasis and Verve in the nineties, the album effectively captures a range of sounds typical of British pop-rock from that decade. Starting with the references to Ride ('Pinkman', 'Smiling Faces', 'Dirt and Alone'), due also to the active collaboration of Andy Bell in the album's recording; then to Oasis ('Dirty and Alone', 'Shake the Sun'); and finally to Kula Shaker ('Mind Blowing (Extended Version)'). Certainly negligible episodes include the ballads 'Always', 'You Know It's Right', 'Hide Away'; 'Smiling Faces' recalls the Dandy Warhols, while 'All In Your Eyes (Extended Version)' reflects the sounds of Jacco Gardner and the latest Temples. Worth mentioning is the hypnotic groove of the remix of 'Pinkman' by Andy Bell. Not bad. If you like the Brit-pop sounds of the nineties laced with a good sense of psychedelia, you can’t go wrong. 3/5

Stay - Pinkman
 
"Sometimes Enzo would introduce this song at concerts with the words 'I would like to dedicate this song to my father, it's important to remember since today there are those who confuse the Republic of Salò with the Republic of San Marino.'"
Jannacci - Sei minuti all'alba (Six minutes to dawn
and it's not clear yet,
six minutes to dawn
The priest is already ready.
It's already half an hour
that he's talking.
"I told you, Father, really,
I already prayed."

In the neighboring cell
they're singing a song.
"Yes, but it's not the moment
a bit of education!"
I would even cry
the lump is ready already;
crying, alright, and why?
They are going to shoot me.

On September 8th I escaped
I stopped being a soldier,
I went back to the village
they called me a deserter.
Put on a train
I ran away again;
I went to the mountains, but the other day
they caught me with the partisans.

An officer walks in
offers me a smoke:
"Thanks, but I don't smoke
before eating."
He makes an offended face,
I have to accept,
the handcuffs are already on my wrists,
and they keep singing.

And I drag my feet
and I feel sick;
six minutes to dawn,
God how clear it is!
I have to gather my strength
a nice ending is needed;
come on, pick up the pace, because
dignity is needed.

On September 8th I escaped
I stopped being a soldier,
I went back to the village
they called me a deserter.
Put on a train
I ran away again;
I went to the mountains, but the other day
they caught me with the partisans.)
 
I begin today a new review dedicated to those who propose so many interesting things (that interest me) on these pages that it’s hard to keep up with them, namely @[Buzzin' Fly] aka @[ALFAMA]. The review aims to be methodical in following my friend through his many suggestions and is titled 'Buzzin' Sound'; the reference label is #buzz and this is the first chapter of a series that promises to be potentially endless. Thank you, Buzz, for the thousand 'gems' you give me (us) every day.

International Harvester - Sov gott Rose-Marie (1968).

The International Harvester is the reincarnation of the cult Swedish band Parson Sound (whose only release is indeed a true cult object, having been rediscovered and brought back to light only in 2001 after practically over thirty years) and under this name, they released an LP in 1968 titled 'Sov gott Rose-Marie', equally worthy of consideration as the first LP, if not more. While 'Parson Sound' somehow looked towards the experimental rock sounds of the Velvet Underground or the Rolling Stones, here the group filters these sounds through, on one hand, the folk traditions of their cultural background and, on the other, by proposing a certain avant-garde sound, an expression of total dissent against capitalist forces and thought, specifically dedicating themselves to the naturalist cause. The result is one of the best records of those years. On side A, more garage and obsessive sounds alternate ('There Is No Other Place', 'Ho Chi Mihn') with more experimental moments like the introductory 'Dies Irae', a kind of triumphant fanfare in the style of the peplum films of those years; the hypnotic and almost deafening 'Klocan Ar Mychet Nu (It's Getting Late Now)'; the psychedelic ballad with Eastern hints 'Sommarlaten (The Summer Song)'; the expansive atmospheres of the Scandinavian landscape that find their maximum expression in the evocative title track, 'Sov Gott Rose-Marie (Sleep Tight Rose-Marie)'. Side B, on the other hand, opens up to pure, wilder experimentalism. 'I Mourn You' wipes out everything the VU do in 'White Light/White Heat'; 'How To Survive' sounds like 'Tomorrow Never Knows' if it had been written by Tinariwen; the twenty-five minutes of 'Skordetider (Harvest Times)' anticipate bands like the Dead Skeletons by forty years. Charged with ideal content and at the same time wild, like the scent of the coniferous forests of the Russian and Scandinavian taiga, here is an album that shows us how the Swedes have always historically constituted a kind of avant-garde in the cultural and musical scene even in years when attention was clearly focused on the USA and the UK. Fundamental.

International Harvester - Skƶrdetider (Harvest Times)
 
The Cars - All Mixed Up While eating the marshmallows, I thought of...
 
Napalm Death - Politicians (Raw Power cover)

The (useless) DeCopert-versions that intrigue me:
Pt. IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIOIOIOIXIOI OIOIIII IIX IXIOIXIIIIXIIIIXIIIIXIII