Gary Moore - Still in Love With You (Tribute to Phil Lynott) [HQ] [5/10]
No, because then there are the songs written with Phil and in the story, there are some damn ballads... and these masterpieces of the soul, dear #gherimuur.
 
"A Dollar and Twenty Cents"
a story by Charles Bukowski
More than anything, he liked the end of summer, no, autumn, maybe it was autumn; either way, it was cold at the beach, and he loved to take walks along the shore just after sunset. There was nobody around, and the water looked dirty, the water resembled death, and the seagulls didn’t want to fall asleep; they hated falling asleep. And the seagulls swooped low, flying low, asking him for his eyes, his soul, what remained of his soul. If you don't have much soul left, and you know it, you still have some soul. Then he would sit down and stare at the water all the way to the horizon, and when you stare at the water all the way to the horizon, it becomes hard to believe in anything. For example, that there were nations like China or the United States or a place like Vietnam. Or that he had once been a child. No, think a bit more; it wasn't so hard to believe; his childhood had been hell, he couldn't forget something like that. And adulthood: all the jobs and all the women, and then no women, and now no job. A bum at 60. Finished. A nothing. He had a dollar and twenty cents in change. A week’s rent already paid. The ocean... he thought back to the women. Some had been nice to him; others had simply been dull, moochers, a bit crazy, and terribly hard. Rooms and beds and houses and Christmases and jobs and songs and hospitals, and boredom, boring days and nights, meaningless, with no chance. Now at 60, he was worth a dollar and twenty cents. Then he heard them laughing behind him. They had blankets and bottles and cans of beer, coffee and sandwiches. They were laughing, laughing. Two boys, two girls. Slender, lithe bodies. Not a worry in the world. Then one of them saw him. “Hey, what is THAT?” “Jesus, I don’t know?” He didn’t move. “But is it a human being?” “Does he breathe? DOES HE FUCK?” “Fuck WHAT?” They all laughed together. He held up his bottle of wine. There was still a bit left. It was the right time to drink it. “HE’S MOVING! Look, HE’S MOVING!” He got up and shook the sand off his pants. “But he has arms, legs! He has a face!” “A FACE?” They burst out laughing again. He couldn't understand. Boys don’t act like that; boys aren’t that mean. What were these? They came closer. “There’s no need to be ashamed of being old.” One of the boys was pouring a can of beer down his throat. He tossed it aside. “But you should be ashamed of wasted years, grandpa. You give me the feeling of wasted stuff.” “I’m still a good guy, kid.” “Suppose one of these girls showed you some pussy, grandpa, what would you do?” “Rod, don’t TALK like that!” It had been a girl with long red hair who spoke. She was fixing her windswept hair. She seemed to sway in the wind, her feet planted in the sand. “What do you say, grandpa? What would you do? Huh? What would you do if one of these girls gave it to you?” He started to walk, took a few steps.
 
Journey - Of A Lifetime
Never liked them, not even a little - but the first things, at least..
 
Einstürzende Neubauten - 02 - Feurio!

once nominated, one could not refrain from posting a snippet of it
 
Gary Moore - Still Got The Blues (Live)
Not because it happens that by offering your talent to many, you forget about yourself dear #gherimuur blues, hard and heavy, and a guitar that breaks your soul...
 
The #buzz review this time takes us straight to California, Orange County, on the beautiful west coast. A record that, if we close our eyes, allows us to dream of the sea and the waves of the Pacific at sunset, with tree-lined avenues along the beach filled with beautiful girls skating in swimwear who can’t wait to engage in the local customary activities: taking acid and practicing free love.

The record is, of course, suggested by @[ALFAMA], the best DJ of Debasio.

Beat of the Earth - Beat of the Earth (Radish, 1967)

A unique example of 1960s west coast psychedelia by Phil Pearlman, a key figure in the California scene (Electronic Hole, Relatively Clean Rivers...) who is assisted in the album's creation by engineer Joe Sidore. Like many records of the era (see Cromagnon), this masterpiece was rediscovered between the late '80s and '90s and has been the subject of various reissues over the years. Directly from Orange County in Southern California, the ensemble led by Phil Pearlman brings to life this eponymous album, composed of a single piece divided into two parts ("This Is An Artistic Statement"). A wild session of obsessive psychedelic garage music, as intense and more so than the Velvet Underground's "Sister Ray," but at the same time infused with the psychedelic-blues shamanism typical of the Doors, not to mention the decisive role of the electric organ. The sound is certainly characteristic of the late '60s, so saying that this work was ahead of its time wouldn't be accurate: what we can say, however, is that it was definitely "on time." A work of universal value that we can still listen to today and marvel at its great beauty and inventiveness.

“The Beat of the Earth” (Usa, 1967) de The Beat of the Earth
 
THE FALL various times 1978 I hate the prisoners, I hate the officers, there's no fight!
 
La sanità mentale è un'imperfezione
From today, the inscription of the "wise" Diavolo Charles looms at the entrance of the noble's abode, so that every nuisance intending to break the balls starts to sense what awaits them...
 
Songs with Romeo (and Juliet) No. 14
RAMONES - Love Kills
If Shakespeare had lived in the 20th century, he would have written about Sid and Nancy.
It's a hypothesis...
 
I’m told that the wording is necessary, so ISAAC HAYES WEEK Isaac Hayes - I Stand Accused that is: what a 'cover' is...so, to make myself clear, the piece, as is well known, does not carry his autograph at the American SIAE, but try typing it on YouTube and see which one appears first.
 
Dilated Peoples & Tash Soundbombing A masterpiece that I never see mentioned. Tash's line is millions of slaps.
 
Arrows Of Love - at the MOTH club (London)

When I see (those) blue hair, I don't understand anything anymore.